Clayton Patterson

Playing with color...

I am a lover…

I am a lover of Black and White photography…

If I had to pick my soul apart and examine that little bit that is responsible for photography you will find out it will consist out of bit and pieces of Ilford Delta 400 or HP5+ and Kodak Tr-X. DDX and HC110.

But in that whole mess of Black, White, and all the shades of grey, there is a secret part that loves color.

Seduced by the wonderful tones of Steve McCurry and his Kodachrome. A mistress of the vibes of William Eggleston. Or a unspoken connection with the works of Harry Gruyaert.

So got myself some rolls of color film. Just because I felt like it!

I have got my hand on some Cinestill 50D and Kodak Ektar. And luckily for a short while there was no shortage of light. Did some casual roaming around. And had no real structure whatsoever. Just photographed everything that peaked my interest. I mean, I will be traveling in a couple of weeks again to work more on my ever evolving Israel project. So casual and just having fun is all I needed for now.

And it was fun! I mean, everyone knows that shooting analog is always a surprise. And way more difficult than digital. Also you don’t have the luxury of your back screen. But in comparison to Black and White you have to think in color.

So I tried to look for some colorful scenes and just clicked away.

Because most of the all color that I did shot lately was digital I was quite excited! So curious what the end results was... I was particularly excited for the Kodak Ektar. No specific reason. I just love the vibe of it, if that is reason enough. I am not very good at describing color pallets…

Me and my big bucket…

Since I do all of my developing myself I developed these rolls myself too. And in comparison to Black and White development I actually think color is more easy. With Black and White you can influence a lot by tweaking your entire developing process. From agitation to different developers and all of it you can think of. With color it is more straightforward and you can fuck less up.

The biggest challenge with color I think is getting everything to 38 degrees Celsius.

If you have followed my Instagram stories of that day. You might have noticed I have used a nifty little trick for that… If you are curious. Well… I guess you just have to follow my Instagram stories in the future to find that out haha.

Pushing it…

No this is not a reference to a Salt-N-Pepa song. But I did pushed it real good! To 400 to be exact. I think I only shot one roll at box speed. That was one of the cinestills’. But since I always like to push it, and 50 and 100 ASA is really not enough. I was like; screw it! Crank it up!

Added 30 seconds per stop to the developing time and it all went down as smoothly as a nice IPA on a sunny day. Or any other day…

Happy as a camper…

When I scanned the results I was indeed happy as a camper. It all looked wonderful and especially the reds really seem to stand out. This is why I shoot film… The smile on my face when you get the rolls out of your tank and seeing you film dry and after that the end result in an beautiful image. Or a sucky one when you screw up haha.

I would have loved to print some, but at home I can only do Black and White printing. I will look at that process maybe at a later time.

Wrapping it up…

Not wanting to make thing one a too long of a post, so I am going to wrap it up. Like I wrote in the beginning, I am about to work on my project again in a couple of weeks. And I need to get everything ready. So here are a couple of images of the rolls. Not all of them, otherwise there is noting left to share at a later moment…

So thank you for reading. And since you have made it this far. Here are the images.

- Cristian

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

CInestill 50D EI 400.

CInestill 50D EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D.

Cinestill 50D.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

A quick date with Kodak Tri-X.

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian

Ilford HP5+ at box speed, a Nikon FM2n, and a people in yellow vests...

I fell in love…

I was waiting for my package and the mailman app made me even more excited because that notified me it would be delivered today…

And with today I mean last Saturday, December first.

The package contained a something special. At least for me… I wanted to have this camera for a long time. And faith decided that it was time for me to acquire one.

The camera? A Nikon FM2n.

It arrived in perfect condition so I was good to go! The plan is to take it with me to Vietnam. But I had to be sure there weren’t any light leaks. I mean, light leaks aren’t a problem, but I don’t have any time left to fix it before I go.

Luckily there was another demonstration going on in the Netherlands. So it was the perfect testing ground for my new beauty.

Developing

I develop my own film. So a day after I hopped in the kitchen and made my delicious rodinal soup to develop me some Ilford HP5+.

BTW! I will dedicate a later blog post solely on developing black and white film. I think it is some interesting stuff to share.

After that. Scanning began! And indeed! No light leaks!

Below are the shots. The first bunch is of the Nikon FM2n. And the later ones are digital shots taken with my Nikon D810.

Nikon FM2n

Nikon D810

The monkeys did it! - My days in Varanasi, India...

I’ve been home a couple of weeks now…

My Instagram feed make you want to believe otherwise because I am still posting photographs of India. But hey! Why not! I just created a lot of work over there that I wanted to share.

Trying…

I’ve been trying to write this blog post ever since the day I have returned home. But you know… Life… Ha! I always was surprised why some photographer seem to only update their blog every once in a while. But trying to juggle a lot of things all at once makes me realize the reason why that happens…

But! For now I have some me time again. So that means going through about 3000 photographs which I took in India of course. Writing my blog. And also, thinking about a way to present my work. In real life that is… Not digitally. As many people know I hate looking at photographs in the digital form. You need to hold them.

But like always I digress…!

Back to India!

I landed in Delhi like most people do. Around midnight I got my backpack from the luggage carousel, and oh so fucking tired of the flight I stepped outside looking for my driver…

I’ve been lucky to see much of this world already. And when I was doing my research my first reaction was. Aaaaaah the chaos in India is probably not as intense as they say it is!

Well I can tell you… It is!

Even in the middle of the night it was so busy everywhere… The busiest city I have seen so far was Tehran, Iran. But that one seems orderly in comparison to the chaos when you arrive in Delhi…

It was warm, humid, and dusty…

I stayed a couple of days in Delhi. I’m not really a fan of big cities. But it would be a shame if I just flew to Varanasi immediately.

I guess Delhi was a good way to acclimatize to the moist and heat, but mainly all of the honking… I still have some nightmares about the honking! I really needed those days because nothing else could prepare me more than Varanasi itself…

In Delhi i roamed mostly around the old city. Which is nice… The light is good, the dust creates some nice looks. And plenty of people and scenes to creates some nice images and warm up. And of course plenty of street food!

The only thing you need to look out for is crooked tuktuk drivers and touts. But other than that… Just roam around, eat plenty, and have fun.

The culture shock that is Varanasi…

I took a domestic flight to Varanasi. I wanted to go by train, but with all the hassle I had to go through with the new website that the Indian railways has got, and I wasn’t planning to let fate decide this trip what kind of train seat I would have. It seemed like a good idea!

Don’t get me wrong. I do think if you have plenty of time you really need to take the train! It will probably be a adventure by itself…

Varanasi was even warmer. And when my driver picked me up from the airport I guess it was roughly an hour drive to the city. For everyone who reeds this. A tuktuk will also get you there and is more fun and cheaper. And you don’t get any tricky questions if you want to upgrade to an airco one haha.

As soon as you arrive the chaos begins. Varanasi is so busy! Especially when I arrived… It was a holiday. Gandhi Jayanti. So a lot of Indian people travel to the city to do their rituals in the Ganges.

Being in Delhi first did indeed prepared me a little bit for everything. The business… Chaos… And the honking! My god! When will the honking ever stop!

The honking is being used as some sort of echo location to see if someone is close by or something. Even in the tiniest streets, motorbikes will try to go through the crowds and honk their way onwards…

As soon as I arrived in the guest house I was staying I started to explore. With my trusty camera of course. There is no better way than just dive right in!

Gear…

BTW, if you read this, and you are a camera nerd, and the chance of that might be quite big…You are most likely interested in which gear I brought. Well that is a very short list…

It was a Fujifilm X100F. A Fujifilm X-Pro 2 with just one 23mm lens. (35 mm equivalent ). And plenty of batteries and memory cards. That was it! I din’t even need the batteries because if you learn to turn off your camera yourself it lasts longer and is quicker ready to shoot, than it gets out of sleep mode…

In the end I only used the X100F. And no regrets…

So screw the gear!

I started at the main ghat. Ghats is what makes Varanasi, Varanasi I guess… It is the heart and the soul of the city. And those are the places where life happens…

The main ghat was so busy! I felt like I was in an ant hill… But it was really interesting to see all the rituals and traditions going on…

It was not the place for me though. For me the most interesting moments happened when I was roaming between the most southern ghat ( Assi Ghat ) and just right before the main ghat.

You can go even more northern. But somehow it was less appealing to me.

And also a small but not less important. The ghats were covered in mud! There has been a flood. And there was mud everywhere… So that gave it’s own challenges… There was a huge cleanup operation going on that made for some interesting scenes. Even lost my shoe, and found it back again. And became for me a big part of the story of the city.

My own rituals…

I created my own rituals there. For me that was roaming between the ghats I just mentioned. Walking a little, stopping for chai, and walking some more.

One morning when it still was before sunrise I continued my roaming between the ghats, and at one moment I got the questions for the thousands of time; “Boat Sir?“

Until now, I always replied no while shaking my head. But this time he even proposed a descent price. Still a little bit more than the local price. But when you travel you need to have the “fuck it“ attitude and just see what happens… And so I did…

I got in the boat. The boatman came and go, and than came again… I thought it was time to finally to go but than another passenger came out of nothing.

The other passenger and I started talking and he turned out to be a professor from Pune, that is close to Mumbai. A super friendly man which gave some interesting insights about the country and city which I otherwise I would have missed or not have known.

We ended up having lunch together and a day later diner and even introduced me to a friend of his. And also drove on a motorcycle with three people at once.

Another thing he introduced me too was lemon tea in the Assi ghat. It is not like Chai or regular tea. But it is tea with salt… The first sip was a bit weird. But after the second one I was hooked! The lemon tea later became a part of my ritual and I even made a lemon tea budget in one of my many pockets haha.

And professor. If you happen to read this blog post. Thank you for everything and your great care. And I mean that form the bottom of my heart. Kind people like you is what makes traveling so special. :-)

The story continues…

The more I roamed around the more I got to know the city. Which is a good thing… You learn what makes the city sort of tick. You start to see the light. You learn what most import is to you and your photographs. And you even get to know the people that live there. The touts started to leave me alone. Compared my muscles with some of the guys who thought they were strong. Chai break here, Chai break there, Chai break everywhere!

Talking about strong…

My physique helps me in a lot of ways… I am not a body builder so I am not huge. I am a weightlifter which is a big difference! It does not make you look bulky. You just get big legs and you look like you can lift a house. But that is a different story haha.

And this time too. One of the mornings I arrived at one of the Kushti training centers. For people who don’t know what Kushti is. Kushti is an traditional form of Indian wrestling which goes back even way before 0 BC. Here is a link to the wikipedia page.

My main goal was to do some photography over there. And it was a important item on my shot list. But I started talking to one of the wrestlers. And as soon as I mentioned that I was a weightlifter I needed to join!

How can I refuse?

So I didn’t even hesitate and joined.

I got introduced to the head coach and, and as soon as the area was made ready to train, I joined the prayer, and was ready to go. The wrestler told me what to say during they prayer. Trained with some of there equipment. Did some grappling. And got a massage and a good cracking from the head coach. Did need to take a little break to still get my shots in haha.

The equipment they use reminds me of the Persian house of strength or Zurkhaneh. Especially the clubs and hammers.

They are such a wonderful people. As soon as the training was done I got invited to join the next day again.

The monkeys did it!

I always talk about my monkey mind. But these monkeys were not in my mind. There are in the streets and on the roof. Now isn’t that really such a strange thing. But somehow the monkeys over here have a little more of a jerk factor than everywhere else.

During the evenings I made some phone-calls back home and every-time there was a huge monkey sitting above the roof entrance playing with his balls and looking at my phone… That bastard wanted to have his own… But it is mine man!

Their assholeness is fuel for some funny conversations though. I will never forget the shop own who complained about that the monkeys broke his Wi-Fi. Or the little kids who where cursing at the monkeys because they their kite. And I asked them; Are the monkeys nice? And their reply was with their sweetest voice; No, monkeys not nice…

It is really refreshing though to see kids playing with kites and chasing monkeys and be happy with it.

My bridge. And a message to other photographers…

I am not talking about a physical bridge. But I am talking about a philosophical one… And one I want to make and connect to my previous stories and my message to photographers.

And maybe not even photographers but everyone in general…

It is all about making connections!

I am not kidding! One of the things that got me triggered were a couple of remarks that were something like; “Hey you are in India, it must be really so easy to get some good photographs!”

That actually rubbed the wrong way…

If you really think like that, why are you photographing?

The things that make photographs special and timeless, are the emotions and the stories you are capturing. If it wasn’t for the kids on the roof, the professor, the Kushti wrestlers, and later a buffalo herder which I talked for hours with on the waterfront of the Ganges. I wouldn’t have gotten my shots in. And besides that. You still need to think about composition and such!

This is what makes your photographs tell stories. You are dealing with real human beings, with a heart! And a soul! And emotions! Yes India is a photography friendly country… And very photogenic. But still…

Otherwise you are just doing graphical design with a camera.

So treat humans as humans… Not as subjects…

You are not in a zoo (And I don’t even like zoos)…

Talk to some people… It will make you richer in ways that you would have never have imagined….

And even when you are not a photographer. Traveling is still about connections. The laughter and joy. The stories you come back home with… Not the Instagram likes…

Rant over… Back to the fun stuff. Like getting sick for a day.

I wanted to train Kushti again but all out of nothing I felt sick. It came out of nowhere! I guess no one is safe for some sort of bug here. Especially with our fragile European bodies.

I needed some healthy stuff. And maybe some food that reminds me of home. So after some Google’ig I have found the brown bread bakery.

What a delight!

It is a nice place where they sell some European sandwiches, nice teas, and lots of smoothies!

When I was there eating my Gouda sandwich I met an amazing couple. Tobias and Isabelle. Isabelle is from the Netherlands too, and Tobias is from the UK if I am correct. And with my camera on the table it didn’t take long the conversation went towards photography. And especially analog.

It turns out that they were making a documentary film purely shot on analog film. That is so cool! They went to so many places already and now they were shooting in Varanasi.

Go check their Instagrams out! You can find Tobias here. And Isabelle here.

The flu like symptoms went away as quickly as it came. And I was going on my way again. We said goodbye. Exchanged Instagram’s. And for me it was back to photography.

Wrapping it up! For now…

I still have so many stories to tell… But maybe I will tell them later.

It is about time I will round this blog post up…

India is an amazing country. Despite the chaos, honking, slipping on cow poo, the monkeys, and the famous Delly Belly… Yes, I was also a victim haha.

The food. The nice people. The culture. Everything!

In the future I will return to see the rest of the country. There is no question about that…

For now. There is a little bit less than two months left in 2018. And if you have come this far in reading this blog post. First of all… Thank you for that.

Also…

Maybe some of you can help me with some future destinations! I opened up the comments of this post because of that.

The reason I ask is because I have to my own surprise some extra time to travel in December. And the destinations is not set yet…

So which part of this beautiful earth would you like to see me document?

Until next time…

- Cristian

The importance of printing your work...

The doorbell rang..

I did not expect anything. But still... In the back of my mind I hoped it would be something I was waiting for... And hot damn... It was!

The delivery man had a huge safety box! After I dragged it to my apartment I was finally able to open it... And each layer I removed I was getting me happier and happier...

I can not describe fully how cool it is to hold your own work in your hands in physical form.

Normally in this day and age most of the images we create we only see digital. But at least for me, it loses a lot of it's charm. For me it is in the same ballpark as listening to a record. Or reading a real book. Only times a hundred. If you could stare to a image for hours and lose yourself in it, you know you are on the right track. And with printing, it gets you there...

I guess that is why art is meant to be experienced for real. And just on you computer screen or phone.

Printing also has other benefits. Besides it is freaking awesome! You will think about the details more. And how you will shoot next time. There is a whole process involved before you can actually send it to the printer....

What kind of size do I want? What kind of paper do I need? You have to order some samples because you will see your image transform before your eyes as soon as you put it behind glass...

How do I need to deliver my files? What kind of frame do I want? And also you have to account for your passe-partout. Don't know the english word for that, so you will have to forgive me. It is the big ass white are black border around your image.

And than also other important stuff. What is the purpose of a image? Are you going to sell it? And the most difficult, what is the price of your product going to be?

Am I there yet?

Probably not... But I will think of stuff later. And otherwise maybe you will...

For this series I have used Hahnmühle paper. And even within this brand, there are lost of sub choices to be made. So how do you want to present your work? Is it going to be a larger than life print? You will be needing to make those kind of choices to proceed. The higher end you want to deliver the higher end and maybe even thicker paper.

If it were black and white images it probably would have been Ilford.

But that is not the only choices you have in the sub-choice. Every kind of paper structure will influence the way the ink enters the paper and give it a different feel...

Fuck... Are you getting dizzy yet?

There are so many factors to consider to print your work! But, I guess photography is all about the details. And the better you want to get, the better you are going to look for those details... And the more driven you will be...

And in the end actually it does not matter anyway. Strange huh?

Here is why:

Because you rule!

It does not matter if you are a amateur or a high end pro. Printing your work is also very simple. Because it is just awesome to do!

You! You as a person decided that was your one decisive moment that you chose to print. And you are going to be as happy as a child anyway. And you should be fucking proud of yourself!

Until next time...

- Cristian

Who are you shooting for?

"Who are you shooting for?"

I was thinking about this while talking to a fellow photographer online, being in bed with the flu, and watching the YouTube channel of Ian Wong. The talk was about his new analog Contax T2. It is one beautiful machine. And if I believe all the stories online it is build like a freaking tank!

But the build quality was not the point... It was the fact that it shot analog. And that does not mean that analog is per definition better. But it makes you think more about what you do... You only have got a number of shots on a film roll so you can not fuck up! How is that for some pressure my millennial friends?

I compare at a bit to owning a record player. Instead of putting on a Spotify playlist you have to pick out a record and think about what you want to listen to next. It makes you more aware of the music that you are listening.

I believe that applies to photography as well... If you only have a number of shots, and really have to think about what ISO you film speed is going to be, and you can't yank it out half way of shooting. It makes you think more... Not only your technical choices like aperture and shutter speed, but I mean really think. About the important stuff, like composition!

If you look at the legends like Salgado and Koudelka, they also shot analog. There wasn't even digital available! But still they seemed to shoot the best stories you can find... 

And it looks like it is the only way to get really better at your craft as a photographer. And I am not saying now run off and buy a analog camera. But think about what you are shooting... Don't take 50 shots and pray that there is one good one in the bunch. But be aware of your surroundings, about your composition, the story that you want to tell... And pretend you only got one roll of film in your camera... It will make you better...

And that explains the title; "Who are you shooting for?"

Are you shooting just a quick snapshot to post on Instagram and share with your friends? Or are your goals to tell a story like nobody has done before?

Maybe it is the perfect analogy to life too... Don't go for the quick results but for what is really worth it...

 

Capturing Kick Off Alliantie Genderdiversiteit

Gender diversity and photography...

Like always I love telling the story of our world. And knowing this story isn't told that much, I was more than happy to say yes when I was invited to shoot at the kickoff of the alliance of gender diversity.

The alliance is made out of multiple of organisations that are trying to break through the stereotypical image how the society looks at gender. And the alliance is consists at the moment of writing out of Movisie, Atria, COC, Doetank PEER, Emancipator, NNID, Nederlands Jeugd Instituut, Rutgers, School & Veiligheid, Transgender Netwerk Nederland en Universiteit van Amsterdam Pedagogie.

Those are all dutch organizations, but who knows... Maybe in the future there will be some international ones.

The kickoff was being held in a event center named "the colour kitchen". And like all event centers or congress centers, it is really really really dark...

So that provided me with some sort of a challenge. So here comes the technical part.

I chose to shoot without flash, because otherwise in a intimate setting the talks of the speakers were constantly disrupted by flashes. And for me, if you want to capture the decisive moment, you have to be discreet...

So I put my trusty Olympus on silent mode and started shooting. I can't say one value for the EXIF data, because I was constantly adjusting my settings. Everything was done in manual mode. ISO varied from 8000 and lower... It all depended how close I was to the big screen in the front. And same goes for aperture. That was constantly shifting between 5.6 and 2.8. Shutter speed shifted between 1/250 and a 1/125. That was because I wanted the people to be frozen, and in this case, not see any motion blur.

Not only I was happy shooting at this event because there were some special individuals, but also during my photographing I listened to the speakers. It gave me another perspective again in how everyone looks at life, and so that meant another chance to learn. 

Most people are only interested in the technical part of photography. But for me... Technical skills are only a part of that. It is if you do photography with your heart you will see someones soul for real and put emotion in your photograph.

If you are interested you can find more information on their Facebook page here. And information about Doetank Peer you can find here.

 

Armando Aid Fundraiser - November 18th.

On November 18th there will be a fundraiser for Armando Aid.

Armando Aid is a organization that is providing education to refugee children. That is one beautiful concept right?

This event specifically will be a Christmas fundraiser to raise money for a new educational program in Europe and the Middle East.

The organization has no official funding or support and relies solely on fundraisers and personal donations.

The day will be filled with live music and comedy. And there will be a auction where art will be for sale.

That is also one of the reason I am writing about this. I not only think it is a good organization, but I will also be contributing to the aid. I donate one of my prints that is specially printed on fujifilm paper that lasts a lifetime. And I really love the way it made my photograph come to life... The print I donated is on the bottom of this posts.

The fundraiser is being held in London so if you are in the neighborhood maybe you could pay a visit. All information can be found here and and you can get tickets here.

Otherwise there are other ways to support this organization. For example you can donate some money here. But you can also contribute in other ways. Like you can be a teacher or a Gardner on location. Best thing you can do if you want to read about that is on the get involved page.

This organization already has done so much good, and managed to educate a lot of people so it would be wonderful if they could do it for many more years to come!

 

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Finding a new hero. Finally putting on some underpants. And New York photojournalism.

It is Saturday October 14th 2017...

I was figuring out how to start the day. And than i realized it might be a good idea to start with putting on some underpants...

I was supposed to go to the lowlands throw-down. That is a CrossFit competition which is anually held in the Netherlands. All of the fittest people of the Netherlands, Belgium, and Luxembourg are competing for the title of being the fittest. Including my self proclaimed little sister Leonie.

 Lifting is still a big part of my life. And with my birthday coming up I realized I have been doing weightlifting for twenty years.

I decided not to go. I wanted to, but with the fact I have not taken any time for my self and there is plenty of busy time coming up that sounded like a better idea. So I texted the little big one and stayed in bed for a little bit longer...

Somehow I stumbled upon the documentary "everybody street". I was so surprised I have not seen this before!

"Everybody Street" is a documentary about famous street photographers from New York City. Why didn't I see this before? What the hell is going on? Why the fuck didn't I know about some of the photographers?

Those were all questions that came to mind as soon as started watching it...

I searched the entire internet for photography related stuff, and especially the street stuff. But I missed this... I can recommend this to everyone who loves photography to watch this. It is amazing!

After about twenty minutes I saw a photograph appearing on the screen. The colors were so beautiful! I was screaming at my iPad WOOOOOOOOOOOOOOOOWWWWWW!!!!

It was a long time a go I had that feeling...

The photograph is made by a woman named Martha Cooper. She is a photojournalist from New York and is mostly known for her work in the graffiti sub culture. Btw, don't confuse graffiti with street art, because those two are completely different worlds.

Back to the wow moment. I noticed here use of color and composition that I think is amazing! So clean yet so raw... You have to see it for yourself. So you have to Google her name. Because of course I can't use her photographs without permission. You can find her Instagram here btw!

She is still photographing well into her seventies, and using Instagram btw. That is so cool!

It was funny because when I was watching the documentary some photographers were complaining about the digital age. And she was embracing it. And I still am convinced that there is a big part for photography in our lives. Despite all the cell phones and amazing camera's that are out there. Photography is still a art form and there is a huge difference between taking a photograph and taking a picture / snapshot.

My favorite of her is a man on top of a subway. Perfect use of empty space and the natural lighting that was there at the moment. It is so hard to describe what makes it so beautiful but for me it was worth writing this whole story.

I don't know what gear she used. But in this day and age it is another sign that gear doesn't matter. It is all about composition and lighting and most important, putting your soul into it...

Capturing souls and telling the story!

I send her a message. Hopefully she will reply. And when she does I will tell of of you about it.

And maybe another observation. Nothing beats those analog colors... Damn...

I am about to wrap this story up. But please check her out and the documentary.

And for those who are curious. Yes I am still in my underpants.