Film is not dead

Andante - Portrait series of the soul. No 2. - Reham

Andante…

Or in other words… Slow…

A musical term that means slow. And also the name of my portrait series.

I found it on the cover of an vinyl LP record I inherited from my father and the music on it was exactly how I felt. And even represents a side of me. Of course I have a happy side. But my other one is full of romance, love, sadness and melancholy. I embraced it and love it very much.

The name: Symphonie Espagnole, Op. 21 IV. Andante.

I wrote about it in an earlier blog post which you can find here.

Time…

For me it represents time… When you are doing something you like or love and are having a good time it flies by, and when you are going through hardship or have to wait for something it goes as slow as it can be. But time is only to spend once…

That’s why it is so valuable.

Reham…

This portrait series I just want to do by gut feeling. And that is how I choose the person I ask to photograph. I was thinking for a long time about whom I could make my second part of the series with. Than at one moment, I woke up in the morning I was thinking about Reham. I knew I wanted to photograph her for a long time but the puzzle pieces never connected until now.

Reham is a beautiful young soul of Palestinian descent that was born in Syria as a refugee but was unable to reuturn home. From Syria she went to Dubai, Lebanon, Egypt, and Turkey, before eventually ending up here in the Netherlands. Now studying computer science at one of the best universities of our country.

She is one smart cookie.

I’ve met her during a diner named “Diner voor gelukzoekers“ (Diner for fortune seekers) a couple of years a go hosted by Roos. The woman in the first version of this series. Everything is connected.

My process….

So how does that translate to my photography? Well… As you can see in the first one. It is full of people passing by as souls. And in this one… Trying to capture it. This through a medium of analog film instead of digital. A slower process of manual focusing and metering and developing it myself. Also, during that slowness I wanted to capture more…

I wanted to capture her power!

Her heart.

And eventually her soul…

A young powerful woman that is youthful and experienced at the same time. So after a couple of hours wandering through her hometown I think we succeeded. And during the editing process I ended up with four frames which I thought that would show everything perfectly.

What EI I shot it at or which film I used is not important. Except maybe that I always use Ilford for everything. With some exceptions of course. Other than that giving someone a safe space to open up is way more important.

The rest is not only film chemistry, but chemistry between you and the soul you are photographing.

So hereby…

So hereby. My second part of Andante - Portrait series of the soul.

- Cristian

Women's March 2019

Hey everyone!

Last Saturday I walked alongside thousands of inspirational women and men who support their cause for equal rights and so much more!

Of course I brought my camera’s and documented the day. Shot some digital. And shot some analog. And the scanning is still not done yet. But here is what I can share at this moment. And when the scanning is done I will either update this post or make a new one.

Hopefully my photographs can be of assistance to the path of equality…

- Cristian

Digital vs Analog, Israel, testing stuff, and other project updates.

Hey everyone!

This blog post is not really a dedicated story about something particular. But more of a quick sum up of everything that is going on. I will address my photography and I will be addressing a little bit of my travel plans and projects that I am preparing.

So I am putting on some Tool (The band) and just write away!

And at the end some images… And yes. Even some color… As a reward for reading through everything haha.

That analog life…

If you have been following me you probably noticed that I am getting more and more into analog photography. Not that there is anything wrong with digital, but I just think it is tons of fun!

For everything is a time and a place though.

It started out with just pure curiosity. How it works, and aesthetically it is just amazing. For me there are too many variables in digital photography if you are really into the whole mega post-processed stuff. But I am more of a documentary photographer anyway. So it is not that bad. But I remembered when I started and before I have found my voice photographically the amount of stuff what you can do and achieve are almost limitless. That can be a advantage… But for me… It is not… The less of distractions in my gear the better.

With analog I pick a film that goes with my subject matter. Of course you need to do some post processing. That part is not different. Unlike some people like to believe. But your base is just different. And because of that I can focus more on my composition instead of being a Lightroom warrior.

Sitting in a Ferrari…

The fun thing is. After you have shot analog for a while as soon as I grab my digital camera it feels like I am sitting in a Ferrari. Everything goes so quickly! You can review what you are doing, not to worry about a full roll, auto focus all of sudden… Man! Like a hot knife though butter!

I already mentioned this once before. But every-time it gives me more and more respect of the photographers from the golden age and all of my heroes. In comparison shooting analog is just goddamn difficult!

Shades of grey…

The world is not black and white like photographs, but situations are as grey as they come. Same in the case of photography. And specifically; what do I bring on my upcoming project…

I will be traveling to Israel and the Palestinian territories again at the end of April. Continuing with my everlasting story I want to tell.

And despite I want to shoot most of it analog. The thing that is going through my mind is.

Is it practical?

If you have ever been to for example Jerusalem. The amount of detectors you have to go though is enormous. And the last thing I want is that my film is getting screwed up by all the scanners and stuff. Of course on the airport you can ask for hand checks. And as you have read in my Vietnam and China blog, it is not really a problem. But I just don’t want to take the risk. Because if I lost any of my images again I definitely get a heart attack or something. It happened already to me last year and, I don’t want to happen it again.

In the end my heart will probably kick my brains ass and I will bring digital and analog anyway.

Lomography…

Speaking of grey… I have been picked by Lomography to test their new Postdam Kino 100 film. From what I have seen it looks like an amazing film. It is inspired by old German cinema. And from the images I have seen what they have shot I am actually really curious what it will give me.

The only thing is, because it is 100 ASA I need a lot more sunlight. And the Netherlands is still grey…

But as soon as I shot it I will dedicate a blog post to it. So stay tuned for that…

Developing stuff…

Lately I have written a lot about developing. Especially on Instagram. And filming it to and such. But I am trying to keep it on my own blog to a minimum.

The whole reason for that…

I just want this about the art of photography and my adventures. Projects I am doing. And even maybe a sort of diary with things that come to my mind. Not one of the many gear or technical blog that are out there.

I am a photographer first. The rest is just bonus…

I do like I said, share that stuff in my Instagram. That whole platform is as contemporary as it can be. It has it’s uses. So that seems like the right place for that.

Also you probably will on some guest blogs that I am going to write. And have written already. You can find one on 35mmc. I have written a 5 frames with. Go check it out if you like! Click here.

There are also some other ones in development. But I will let you all know as soon as that will materializes.

Searching for stories…

After I return from Israel and the Palestinian territories and processed all of my work I will be looking for another place to travel to. No idea which one yet. But I am doing plenty of research. Nepal, Papua New-Guinea and Uzbekistan are on my list. But it always can change.

I am open for suggestions though. So if you have some. The comment section is open, so you can always drop a comment if you want.

The stipulation is. I do need to have a story to tell. The main focus is that I want to steer my work towards that I create more depth in my images. Not only with composition. But also ,it needs to be about something. Otherwise it will be just one of the many millions out there. I need to get out of that street photography flow and more into my documentary photo-journalistic flow.

So I am looking for events that are happening. Some special festivals. Tribes or (sub)cultures. It’s a difficult task. But hey, if you want that your work means something…

Ramble on…

Not the famous song of Led Zeppelin, but this time it is me that is starting to ramble again. So it is time to close the lid of my laptop and go to bed. Because I am finishing this story up on a Saturday night…

Oh!

And I bought a “new“ enlarger for my darkroom. Time to print!

Alright. This really was it. For now at least!

- Cristian

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

One of my few color shots lately.

One of my few color shots lately.

And another color one.

And another color one.

A quick date with Kodak Tri-X.

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian

Learn from this mistake... My adventure with Ilford PAN F and a jetlag.

Happy new year to you all!

First blog post of 2019. And let me start off by saying that I appreciate every single one of you that takes the time to read my articles.

Thinking in soundtracks…

I was supposed to write this earlier in the day but I had a severe case of procrastination and I finally bought magnum contact sheets. Than my monkey mind got tricked in by looking at my scans again because if all the master could make it look that beautiful back in the day. I should’t have a problem with all this modern equipment!

Well…

I actually don’t have too much problems with scanning. Except of those pesky Vietnam negatives. Did some tweaks on my more recent scans I took on an estate close by. And my self confidence was restored.

Yes! I did not suck as hard as I was thinking I was!

So with those tweaks. Got my Vietnam negatives in the scanner again. And they still are the same…

That triggered a track from the band Down - Learn from this mistake

I always seem to think in lyrics or soundtracks or whatever if I do something. Don’t know why. But that is just how my brain works.

How it happened…

Everything went well actually! I found film in Ho Chi Minh. Got through customs with a hand check. In China as well as Vietnam. And got the film home safely.

Like I told you in the last blog post, the security officers treated me so nice. Hand checks were never that easy. So if you are a security agent at Chinese or Vietnamese customs. You are appreciated to treating this film photographer so nicely.

So I came home…

And being as excited as I always am I immediately got to work. Backed-Up all of my digital files. Threw the into Lightroom. And of I went.

Same goes for my analog shots…

I do all of the processing myself…

Processing yourself is way more fun than bringing it to a lab. And with the amount of rolls I have shot I am getting quite proficient in it.

You have so many advantages like, being more cost effective, in charge of your own quality, experimentation, magic. (Yes developing and printing analog film really is magic…)

But because I am so proficient my ego got the best of me…

I apparently had a jet-lag!

So that means I am human after all…

Into my dark bag I went…

I popped everything into my dark bag. Rolled the films on the spools. Got it in the Patterson tanks safely without light. That part… Went well… Like it should!

Than the developing started. Mixed my chemicals according to the massive dev chart.

BTW! I haven’t mentioned it in this article. But the film I just in Vietnam was Ilford PAN 400.

I love Ilford.

And unfortunately they did not have HP5+. Or at least I could’t find it…

Anyways. Back to the story…

What happened during developing is that because I was so tired and almost fell asleep I mixed up the order of the treatment. After I was done I have gotten in the fixer first and than the stop. It should be the other way around…

I still had and image but the grain was bigger and harsher, and there were some glows over the film. And weird other stuff.

I never would have have taken a risk normally. And especially not if it was work for a client. But somehow this one time I slipped up.

So why write about it?

So why write about it huh… Well. If everything went well in life we never would have gong any better. You need to indeed learn from your mistakes. Even if at the moment a situation doesn’t look import, in this case being tired. It would never make me a better developer. Or a photographer!

Also appreciation…

We are so lucky now with all the digital stuff. Writing this article with Magnum contact sheets next to me gives me the realization how much of a craftsman all of them were, and are.

We all hopefully know that a good photograph is not made by the camera. Even if you have the most advanced device ever. And that thing in your pocket is no slough either. You still need vision and creativity to make an image. Composition is everything…

But I am more trying to say is that everyone in that book, or even wasn’t in that book was so more aware of what they were doing. Craftsmanship and thinking things though were the order of the day. While the internet now is complaining about no dual memory card slots in the new Nikon Z1, they just had one roll. And for 36 exposures the same set ISO (ASA). And after that when it got send back, it was all in the hands of the gods. Than a lab technician came into play. The list goes on and on…

A bit more technical…

If you are curious how I developed it…

My recipe for this bunch was:

Rodinal 1 to 50.

Ilford Ilfostop 1 to 19.

Ilford Rapid Fixer 1 to 4.

Developing time 24 minutes since I pushed the Ilford PAN 400 to 1600. All of that on 20 degrees Celsius.

I always love to push my film. And this time I chose Rodinal. Other times I use Ilford DDX. Actually. That is now my preferred developer…

And now for the photographs…

Cris! They look like crap! Well… Yes, if they would have looked pretty this story would have been a lot shorter haha. They are shot on a Nikon FM2n with a 50mm f 1.6 AI. 50mm is totally not my focal length… But it is what it is. My 35mm was on my digital one. And I always travel minimal. But I immediately got my hands as soon as I got home on a new old 35mm AI that will replace the 50mm.

For comparison. There are some later developed photographs. Same method. Only not screwing up.

But now… A few minutes later when I am looking at them again they actually are not that bad. At least aesthetically. But you have to ignore the tint shifts and other weird spots you see haha. And I seem to have a memory they looked worse when they came out than they look now.

Here there Vietnam photographs. (Navigate by pressing the buttons on side).

As you can see there are spots and tint shifts. The inversion process was like always. Smooth. And right on time.

Same process. But not get the order wrong. Images are way more clearer and sharper.

Conclusion.

People say that black and white is the most forgiving format to develop. And is less prone to mistakes. Of course they are right in comparison to color film. But that does not mean they are bulletproof.

You still need to get your hours in and fine tune you whole process.

Take your time…

You only have one shot with your negatives. So give them the attention they need…

The monkeys did it! - My days in Varanasi, India...

I’ve been home a couple of weeks now…

My Instagram feed make you want to believe otherwise because I am still posting photographs of India. But hey! Why not! I just created a lot of work over there that I wanted to share.

Trying…

I’ve been trying to write this blog post ever since the day I have returned home. But you know… Life… Ha! I always was surprised why some photographer seem to only update their blog every once in a while. But trying to juggle a lot of things all at once makes me realize the reason why that happens…

But! For now I have some me time again. So that means going through about 3000 photographs which I took in India of course. Writing my blog. And also, thinking about a way to present my work. In real life that is… Not digitally. As many people know I hate looking at photographs in the digital form. You need to hold them.

But like always I digress…!

Back to India!

I landed in Delhi like most people do. Around midnight I got my backpack from the luggage carousel, and oh so fucking tired of the flight I stepped outside looking for my driver…

I’ve been lucky to see much of this world already. And when I was doing my research my first reaction was. Aaaaaah the chaos in India is probably not as intense as they say it is!

Well I can tell you… It is!

Even in the middle of the night it was so busy everywhere… The busiest city I have seen so far was Tehran, Iran. But that one seems orderly in comparison to the chaos when you arrive in Delhi…

It was warm, humid, and dusty…

I stayed a couple of days in Delhi. I’m not really a fan of big cities. But it would be a shame if I just flew to Varanasi immediately.

I guess Delhi was a good way to acclimatize to the moist and heat, but mainly all of the honking… I still have some nightmares about the honking! I really needed those days because nothing else could prepare me more than Varanasi itself…

In Delhi i roamed mostly around the old city. Which is nice… The light is good, the dust creates some nice looks. And plenty of people and scenes to creates some nice images and warm up. And of course plenty of street food!

The only thing you need to look out for is crooked tuktuk drivers and touts. But other than that… Just roam around, eat plenty, and have fun.

The culture shock that is Varanasi…

I took a domestic flight to Varanasi. I wanted to go by train, but with all the hassle I had to go through with the new website that the Indian railways has got, and I wasn’t planning to let fate decide this trip what kind of train seat I would have. It seemed like a good idea!

Don’t get me wrong. I do think if you have plenty of time you really need to take the train! It will probably be a adventure by itself…

Varanasi was even warmer. And when my driver picked me up from the airport I guess it was roughly an hour drive to the city. For everyone who reeds this. A tuktuk will also get you there and is more fun and cheaper. And you don’t get any tricky questions if you want to upgrade to an airco one haha.

As soon as you arrive the chaos begins. Varanasi is so busy! Especially when I arrived… It was a holiday. Gandhi Jayanti. So a lot of Indian people travel to the city to do their rituals in the Ganges.

Being in Delhi first did indeed prepared me a little bit for everything. The business… Chaos… And the honking! My god! When will the honking ever stop!

The honking is being used as some sort of echo location to see if someone is close by or something. Even in the tiniest streets, motorbikes will try to go through the crowds and honk their way onwards…

As soon as I arrived in the guest house I was staying I started to explore. With my trusty camera of course. There is no better way than just dive right in!

Gear…

BTW, if you read this, and you are a camera nerd, and the chance of that might be quite big…You are most likely interested in which gear I brought. Well that is a very short list…

It was a Fujifilm X100F. A Fujifilm X-Pro 2 with just one 23mm lens. (35 mm equivalent ). And plenty of batteries and memory cards. That was it! I din’t even need the batteries because if you learn to turn off your camera yourself it lasts longer and is quicker ready to shoot, than it gets out of sleep mode…

In the end I only used the X100F. And no regrets…

So screw the gear!

I started at the main ghat. Ghats is what makes Varanasi, Varanasi I guess… It is the heart and the soul of the city. And those are the places where life happens…

The main ghat was so busy! I felt like I was in an ant hill… But it was really interesting to see all the rituals and traditions going on…

It was not the place for me though. For me the most interesting moments happened when I was roaming between the most southern ghat ( Assi Ghat ) and just right before the main ghat.

You can go even more northern. But somehow it was less appealing to me.

And also a small but not less important. The ghats were covered in mud! There has been a flood. And there was mud everywhere… So that gave it’s own challenges… There was a huge cleanup operation going on that made for some interesting scenes. Even lost my shoe, and found it back again. And became for me a big part of the story of the city.

My own rituals…

I created my own rituals there. For me that was roaming between the ghats I just mentioned. Walking a little, stopping for chai, and walking some more.

One morning when it still was before sunrise I continued my roaming between the ghats, and at one moment I got the questions for the thousands of time; “Boat Sir?“

Until now, I always replied no while shaking my head. But this time he even proposed a descent price. Still a little bit more than the local price. But when you travel you need to have the “fuck it“ attitude and just see what happens… And so I did…

I got in the boat. The boatman came and go, and than came again… I thought it was time to finally to go but than another passenger came out of nothing.

The other passenger and I started talking and he turned out to be a professor from Pune, that is close to Mumbai. A super friendly man which gave some interesting insights about the country and city which I otherwise I would have missed or not have known.

We ended up having lunch together and a day later diner and even introduced me to a friend of his. And also drove on a motorcycle with three people at once.

Another thing he introduced me too was lemon tea in the Assi ghat. It is not like Chai or regular tea. But it is tea with salt… The first sip was a bit weird. But after the second one I was hooked! The lemon tea later became a part of my ritual and I even made a lemon tea budget in one of my many pockets haha.

And professor. If you happen to read this blog post. Thank you for everything and your great care. And I mean that form the bottom of my heart. Kind people like you is what makes traveling so special. :-)

The story continues…

The more I roamed around the more I got to know the city. Which is a good thing… You learn what makes the city sort of tick. You start to see the light. You learn what most import is to you and your photographs. And you even get to know the people that live there. The touts started to leave me alone. Compared my muscles with some of the guys who thought they were strong. Chai break here, Chai break there, Chai break everywhere!

Talking about strong…

My physique helps me in a lot of ways… I am not a body builder so I am not huge. I am a weightlifter which is a big difference! It does not make you look bulky. You just get big legs and you look like you can lift a house. But that is a different story haha.

And this time too. One of the mornings I arrived at one of the Kushti training centers. For people who don’t know what Kushti is. Kushti is an traditional form of Indian wrestling which goes back even way before 0 BC. Here is a link to the wikipedia page.

My main goal was to do some photography over there. And it was a important item on my shot list. But I started talking to one of the wrestlers. And as soon as I mentioned that I was a weightlifter I needed to join!

How can I refuse?

So I didn’t even hesitate and joined.

I got introduced to the head coach and, and as soon as the area was made ready to train, I joined the prayer, and was ready to go. The wrestler told me what to say during they prayer. Trained with some of there equipment. Did some grappling. And got a massage and a good cracking from the head coach. Did need to take a little break to still get my shots in haha.

The equipment they use reminds me of the Persian house of strength or Zurkhaneh. Especially the clubs and hammers.

They are such a wonderful people. As soon as the training was done I got invited to join the next day again.

The monkeys did it!

I always talk about my monkey mind. But these monkeys were not in my mind. There are in the streets and on the roof. Now isn’t that really such a strange thing. But somehow the monkeys over here have a little more of a jerk factor than everywhere else.

During the evenings I made some phone-calls back home and every-time there was a huge monkey sitting above the roof entrance playing with his balls and looking at my phone… That bastard wanted to have his own… But it is mine man!

Their assholeness is fuel for some funny conversations though. I will never forget the shop own who complained about that the monkeys broke his Wi-Fi. Or the little kids who where cursing at the monkeys because they their kite. And I asked them; Are the monkeys nice? And their reply was with their sweetest voice; No, monkeys not nice…

It is really refreshing though to see kids playing with kites and chasing monkeys and be happy with it.

My bridge. And a message to other photographers…

I am not talking about a physical bridge. But I am talking about a philosophical one… And one I want to make and connect to my previous stories and my message to photographers.

And maybe not even photographers but everyone in general…

It is all about making connections!

I am not kidding! One of the things that got me triggered were a couple of remarks that were something like; “Hey you are in India, it must be really so easy to get some good photographs!”

That actually rubbed the wrong way…

If you really think like that, why are you photographing?

The things that make photographs special and timeless, are the emotions and the stories you are capturing. If it wasn’t for the kids on the roof, the professor, the Kushti wrestlers, and later a buffalo herder which I talked for hours with on the waterfront of the Ganges. I wouldn’t have gotten my shots in. And besides that. You still need to think about composition and such!

This is what makes your photographs tell stories. You are dealing with real human beings, with a heart! And a soul! And emotions! Yes India is a photography friendly country… And very photogenic. But still…

Otherwise you are just doing graphical design with a camera.

So treat humans as humans… Not as subjects…

You are not in a zoo (And I don’t even like zoos)…

Talk to some people… It will make you richer in ways that you would have never have imagined….

And even when you are not a photographer. Traveling is still about connections. The laughter and joy. The stories you come back home with… Not the Instagram likes…

Rant over… Back to the fun stuff. Like getting sick for a day.

I wanted to train Kushti again but all out of nothing I felt sick. It came out of nowhere! I guess no one is safe for some sort of bug here. Especially with our fragile European bodies.

I needed some healthy stuff. And maybe some food that reminds me of home. So after some Google’ig I have found the brown bread bakery.

What a delight!

It is a nice place where they sell some European sandwiches, nice teas, and lots of smoothies!

When I was there eating my Gouda sandwich I met an amazing couple. Tobias and Isabelle. Isabelle is from the Netherlands too, and Tobias is from the UK if I am correct. And with my camera on the table it didn’t take long the conversation went towards photography. And especially analog.

It turns out that they were making a documentary film purely shot on analog film. That is so cool! They went to so many places already and now they were shooting in Varanasi.

Go check their Instagrams out! You can find Tobias here. And Isabelle here.

The flu like symptoms went away as quickly as it came. And I was going on my way again. We said goodbye. Exchanged Instagram’s. And for me it was back to photography.

Wrapping it up! For now…

I still have so many stories to tell… But maybe I will tell them later.

It is about time I will round this blog post up…

India is an amazing country. Despite the chaos, honking, slipping on cow poo, the monkeys, and the famous Delly Belly… Yes, I was also a victim haha.

The food. The nice people. The culture. Everything!

In the future I will return to see the rest of the country. There is no question about that…

For now. There is a little bit less than two months left in 2018. And if you have come this far in reading this blog post. First of all… Thank you for that.

Also…

Maybe some of you can help me with some future destinations! I opened up the comments of this post because of that.

The reason I ask is because I have to my own surprise some extra time to travel in December. And the destinations is not set yet…

So which part of this beautiful earth would you like to see me document?

Until next time…

- Cristian