Framing

A quick date with Kodak Tri-X.

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian

Finally my Iran work in physical form! Souls of Iran as a Zine!

Dear friends!

I was so busy with everything that I forgot to wright a blog post. And to tell you all a super exciting update!

My Souls of Iran work is now available as a two part Zine!

I am so happy with this. I can't describe it into words. But I will try it anyway haha.

And yes, I know I know, I should write more... I'm working on that!

I wanted to to make a book at first. But I got really inspired by a special about zines. Or zeenes...

The origin of Zines is rooted in Sc-Fi, Punk, and Photography sub-cultures. It was, and is used to self publish their work or their own ideas and spread them around there scene or the world.

And with me being a photographer and still have a lot of rebel in me left from when I was a little Cris, it seemed like a better idea.

The book was actually already done. The spell check was back, had some people look it over and review it whom I hold in high regard. And I was good to go!

Until I was watching a episode of Ted Forbes's YouTube channel "The art of Photography"... Btw, if you are really into photography it is a awesome channel to follow. It brings the art back into photography.

Anyway! I was so inspired! So I decided to sort of re-work it into a Zine format.

Making a version of a4 size paper stapled together was maybe a bit to rebellious for the way I wanted to present my photographic work from Iran I decided to go with the most used self publishing service out there named blurb. Blurb is a very cool platform for everyone who is trying to get his or her work out there and offers incredible quality and services.

I also made the creative decision to split my work up into two parts. Isfahan & Shiraz, and Yazd & Tehran. It seemed more fitting. And that way I think the focus is more on the photographs instead of the volume of pages.

And in this day and age I think that was the best fitting way to present it. Everything is already in bulk. If for example you look at Instagram. I don't now how long people look at a photograph. But it is way to short... I guess that is the reason why I like physical prints so much. You have something real...

Another factor was price.

My fine art prints are expensive as they are. They are of course worth every euro. But it is still a fair amount of money. And I wanted to make something that is more accessible for everyone. A book would cost around 70,- euros. And the Zines are 20,- and 15,- euros. So that is a big difference.

Small side-note. Every cent and euro make it possible for me to continue my photographic journey and tell the story world. And makes new future projects possible. So it is a big support!

The end result you can see below. And yes, it makes me very proud!

Like I said before. It feels good to see your work in physical form. And hopefully all of you like it just as much as I do!

If you are interested you can order it through here or just click on the shop and than Zines menu item.

 

The importance of printing your work...

The doorbell rang..

I did not expect anything. But still... In the back of my mind I hoped it would be something I was waiting for... And hot damn... It was!

The delivery man had a huge safety box! After I dragged it to my apartment I was finally able to open it... And each layer I removed I was getting me happier and happier...

I can not describe fully how cool it is to hold your own work in your hands in physical form.

Normally in this day and age most of the images we create we only see digital. But at least for me, it loses a lot of it's charm. For me it is in the same ballpark as listening to a record. Or reading a real book. Only times a hundred. If you could stare to a image for hours and lose yourself in it, you know you are on the right track. And with printing, it gets you there...

I guess that is why art is meant to be experienced for real. And just on you computer screen or phone.

Printing also has other benefits. Besides it is freaking awesome! You will think about the details more. And how you will shoot next time. There is a whole process involved before you can actually send it to the printer....

What kind of size do I want? What kind of paper do I need? You have to order some samples because you will see your image transform before your eyes as soon as you put it behind glass...

How do I need to deliver my files? What kind of frame do I want? And also you have to account for your passe-partout. Don't know the english word for that, so you will have to forgive me. It is the big ass white are black border around your image.

And than also other important stuff. What is the purpose of a image? Are you going to sell it? And the most difficult, what is the price of your product going to be?

Am I there yet?

Probably not... But I will think of stuff later. And otherwise maybe you will...

For this series I have used Hahnmühle paper. And even within this brand, there are lost of sub choices to be made. So how do you want to present your work? Is it going to be a larger than life print? You will be needing to make those kind of choices to proceed. The higher end you want to deliver the higher end and maybe even thicker paper.

If it were black and white images it probably would have been Ilford.

But that is not the only choices you have in the sub-choice. Every kind of paper structure will influence the way the ink enters the paper and give it a different feel...

Fuck... Are you getting dizzy yet?

There are so many factors to consider to print your work! But, I guess photography is all about the details. And the better you want to get, the better you are going to look for those details... And the more driven you will be...

And in the end actually it does not matter anyway. Strange huh?

Here is why:

Because you rule!

It does not matter if you are a amateur or a high end pro. Printing your work is also very simple. Because it is just awesome to do!

You! You as a person decided that was your one decisive moment that you chose to print. And you are going to be as happy as a child anyway. And you should be fucking proud of yourself!

Until next time...

- Cristian