Henri Cartier-Bresson

Andante - Portrait series of the soul. No 2. - Reham

Andante…

Or in other words… Slow…

A musical term that means slow. And also the name of my portrait series.

I found it on the cover of an vinyl LP record I inherited from my father and the music on it was exactly how I felt. And even represents a side of me. Of course I have a happy side. But my other one is full of romance, love, sadness and melancholy. I embraced it and love it very much.

The name: Symphonie Espagnole, Op. 21 IV. Andante.

I wrote about it in an earlier blog post which you can find here.

Time…

For me it represents time… When you are doing something you like or love and are having a good time it flies by, and when you are going through hardship or have to wait for something it goes as slow as it can be. But time is only to spend once…

That’s why it is so valuable.

Reham…

This portrait series I just want to do by gut feeling. And that is how I choose the person I ask to photograph. I was thinking for a long time about whom I could make my second part of the series with. Than at one moment, I woke up in the morning I was thinking about Reham. I knew I wanted to photograph her for a long time but the puzzle pieces never connected until now.

Reham is a beautiful young soul of Palestinian descent that was born in Syria as a refugee but was unable to reuturn home. From Syria she went to Dubai, Lebanon, Egypt, and Turkey, before eventually ending up here in the Netherlands. Now studying computer science at one of the best universities of our country.

She is one smart cookie.

I’ve met her during a diner named “Diner voor gelukzoekers“ (Diner for fortune seekers) a couple of years a go hosted by Roos. The woman in the first version of this series. Everything is connected.

My process….

So how does that translate to my photography? Well… As you can see in the first one. It is full of people passing by as souls. And in this one… Trying to capture it. This through a medium of analog film instead of digital. A slower process of manual focusing and metering and developing it myself. Also, during that slowness I wanted to capture more…

I wanted to capture her power!

Her heart.

And eventually her soul…

A young powerful woman that is youthful and experienced at the same time. So after a couple of hours wandering through her hometown I think we succeeded. And during the editing process I ended up with four frames which I thought that would show everything perfectly.

What EI I shot it at or which film I used is not important. Except maybe that I always use Ilford for everything. With some exceptions of course. Other than that giving someone a safe space to open up is way more important.

The rest is not only film chemistry, but chemistry between you and the soul you are photographing.

So hereby…

So hereby. My second part of Andante - Portrait series of the soul.

- Cristian

Women's March 2019

Hey everyone!

Last Saturday I walked alongside thousands of inspirational women and men who support their cause for equal rights and so much more!

Of course I brought my camera’s and documented the day. Shot some digital. And shot some analog. And the scanning is still not done yet. But here is what I can share at this moment. And when the scanning is done I will either update this post or make a new one.

Hopefully my photographs can be of assistance to the path of equality…

- Cristian

Learn from this mistake... My adventure with Ilford PAN F and a jetlag.

Happy new year to you all!

First blog post of 2019. And let me start off by saying that I appreciate every single one of you that takes the time to read my articles.

Thinking in soundtracks…

I was supposed to write this earlier in the day but I had a severe case of procrastination and I finally bought magnum contact sheets. Than my monkey mind got tricked in by looking at my scans again because if all the master could make it look that beautiful back in the day. I should’t have a problem with all this modern equipment!

Well…

I actually don’t have too much problems with scanning. Except of those pesky Vietnam negatives. Did some tweaks on my more recent scans I took on an estate close by. And my self confidence was restored.

Yes! I did not suck as hard as I was thinking I was!

So with those tweaks. Got my Vietnam negatives in the scanner again. And they still are the same…

That triggered a track from the band Down - Learn from this mistake

I always seem to think in lyrics or soundtracks or whatever if I do something. Don’t know why. But that is just how my brain works.

How it happened…

Everything went well actually! I found film in Ho Chi Minh. Got through customs with a hand check. In China as well as Vietnam. And got the film home safely.

Like I told you in the last blog post, the security officers treated me so nice. Hand checks were never that easy. So if you are a security agent at Chinese or Vietnamese customs. You are appreciated to treating this film photographer so nicely.

So I came home…

And being as excited as I always am I immediately got to work. Backed-Up all of my digital files. Threw the into Lightroom. And of I went.

Same goes for my analog shots…

I do all of the processing myself…

Processing yourself is way more fun than bringing it to a lab. And with the amount of rolls I have shot I am getting quite proficient in it.

You have so many advantages like, being more cost effective, in charge of your own quality, experimentation, magic. (Yes developing and printing analog film really is magic…)

But because I am so proficient my ego got the best of me…

I apparently had a jet-lag!

So that means I am human after all…

Into my dark bag I went…

I popped everything into my dark bag. Rolled the films on the spools. Got it in the Patterson tanks safely without light. That part… Went well… Like it should!

Than the developing started. Mixed my chemicals according to the massive dev chart.

BTW! I haven’t mentioned it in this article. But the film I just in Vietnam was Ilford PAN 400.

I love Ilford.

And unfortunately they did not have HP5+. Or at least I could’t find it…

Anyways. Back to the story…

What happened during developing is that because I was so tired and almost fell asleep I mixed up the order of the treatment. After I was done I have gotten in the fixer first and than the stop. It should be the other way around…

I still had and image but the grain was bigger and harsher, and there were some glows over the film. And weird other stuff.

I never would have have taken a risk normally. And especially not if it was work for a client. But somehow this one time I slipped up.

So why write about it?

So why write about it huh… Well. If everything went well in life we never would have gong any better. You need to indeed learn from your mistakes. Even if at the moment a situation doesn’t look import, in this case being tired. It would never make me a better developer. Or a photographer!

Also appreciation…

We are so lucky now with all the digital stuff. Writing this article with Magnum contact sheets next to me gives me the realization how much of a craftsman all of them were, and are.

We all hopefully know that a good photograph is not made by the camera. Even if you have the most advanced device ever. And that thing in your pocket is no slough either. You still need vision and creativity to make an image. Composition is everything…

But I am more trying to say is that everyone in that book, or even wasn’t in that book was so more aware of what they were doing. Craftsmanship and thinking things though were the order of the day. While the internet now is complaining about no dual memory card slots in the new Nikon Z1, they just had one roll. And for 36 exposures the same set ISO (ASA). And after that when it got send back, it was all in the hands of the gods. Than a lab technician came into play. The list goes on and on…

A bit more technical…

If you are curious how I developed it…

My recipe for this bunch was:

Rodinal 1 to 50.

Ilford Ilfostop 1 to 19.

Ilford Rapid Fixer 1 to 4.

Developing time 24 minutes since I pushed the Ilford PAN 400 to 1600. All of that on 20 degrees Celsius.

I always love to push my film. And this time I chose Rodinal. Other times I use Ilford DDX. Actually. That is now my preferred developer…

And now for the photographs…

Cris! They look like crap! Well… Yes, if they would have looked pretty this story would have been a lot shorter haha. They are shot on a Nikon FM2n with a 50mm f 1.6 AI. 50mm is totally not my focal length… But it is what it is. My 35mm was on my digital one. And I always travel minimal. But I immediately got my hands as soon as I got home on a new old 35mm AI that will replace the 50mm.

For comparison. There are some later developed photographs. Same method. Only not screwing up.

But now… A few minutes later when I am looking at them again they actually are not that bad. At least aesthetically. But you have to ignore the tint shifts and other weird spots you see haha. And I seem to have a memory they looked worse when they came out than they look now.

Here there Vietnam photographs. (Navigate by pressing the buttons on side).

As you can see there are spots and tint shifts. The inversion process was like always. Smooth. And right on time.

Same process. But not get the order wrong. Images are way more clearer and sharper.

Conclusion.

People say that black and white is the most forgiving format to develop. And is less prone to mistakes. Of course they are right in comparison to color film. But that does not mean they are bulletproof.

You still need to get your hours in and fine tune you whole process.

Take your time…

You only have one shot with your negatives. So give them the attention they need…

Did Instagram kill photography?

I woke up this morning...

Thank god...

Because I like waking up!

The smell of incense was still hanging around from last nights meditation... Sun was a shining a bit on my face because I left the curtains a bit open... And my mind went to photography again...

Because I like photography...

Cup of coffee was made... Went back to bed... And turned on my iPad...

Grateful...

In comparison to most parts of the world where I travel to, people don't have the luxury waking up like this...

I started watching "The many lives of William Klein." and Daido Moriyama's "Near Equal.". If you aren't familiar with those photographers go look them up! And make that your main task today...

I let my mind wander... Thinking... Always thinking...

Because I like thinking...

And my monkey mind is always jumping from one place to the other. In this case to a quote from another legend, Elliot Erwitt. "Digital Manipulation kills photography".

Altough I don't completely agree. Because photographs have always been manipulated! Either in the darkroom or in the digital darkroom that is stationed on your computer.

He does have a point!

My monkey mind was going insane again. But it ain't all that bad...

Because I like my monkey mind...

How does Instagram fit into all of this? And what is Instagram actually? And what if William Klein was born when Instagram existed? or Daido Moriyama?

Valid questions... But more so. It gave me also the opportunity to think about the way how the general public uses Instagram. Or any other piece of social media. Or hell! Even how we treat everyday life.

As where I stand now the platform itself is a blessing and a curse at the same time.

Let me elaborate on that.

The positives are quite big actually. It gives any person in the world the opportunity to get their message out there. Either it is music, art, views, or whatever. It can help you build a audience that you otherwise would not have. The whole world at your fingertips! As long as you have a internet connection and a phone or a computer.

Awesome right?

The downside is... Well... us... The people...

Wait wut? What do you mean Cristian!?!?

Well like a lot of things in life it has become more of a popularity contest. We as a species at this moment, and yes I am realizing I am generalizing heavily now, seem to have to attention span of a goldfish! Actually I believe that science already proved that it is even less now...

We choose to get triggered by stuff that is catchy. We see it in our politics, how we communicate with each other, or we rather take a pill to lose weight than change our diet. And even rather send a text than have a telephone conversation because it is scary...

Same goes for art and Instagram.

For me a great photograph is something that you have to analyze... You can lose yourself into... Let yourself escape from reality... Or experience reality more vivid... It is really one big visual story one way or the other. Either it is the traveling tales of Steve McCurry or being in some sort of photographic version of the horror movie the ring and a playboy magazine with Daido's work.

And how does that translate to a medium like Instagram?

Well no worries I will come to that. Life is one big story! And...

Because I like telling stories...

Well, look closely how you scroll through your feed? Maybe another assignment for today?

I goes something like this....

Scroll scroll scroll, Like , Scroll, Like, Comment, Scroll scroll...

And all of that in a couple of seconds...

Did you actually see some of the photographs?

Or did you just got triggered by something catchy?

Would you have the same behavior if you go through a Steve McCurry book?

I think it is a good question to ask yourself. Especially if you consider yourself a photographer, a artist, or just a art lover in general.

That does not mean there isn't a time and a place for the platform. I discovered some amazing photographers who made the platform their own. But it creates some sort of unexplainable distance between one type of photographer and the other. You even got a term "Instagram photographer". Like that a person that uses the platform apparently in a efficient form isn't a real photographer?

I don't know... 

I think photographers that both are on the platform and are not on the platform or maybe less successful on it, are photographers. So hmmmm it can be part of my conclusion...

All I know is I don't like trends... And most of my photographic heroes where from a time that it did not exist. I don't like cropping. Don't like shitty small screens but I do like to print my photographs big. And I don't like it when we fall in the trap of instant gratification. Either it is enjoying art or interacting with humans...

Because I like art and I like humans...

And do we have to copy all the big accounts all the time?

On the other hand I also do realize that times always change. And you either adapt or you die out. And change is good. Altough not always... But sometimes.

And a picture is a picture. It does not matter what tool you use. So should that also count for the medium we use how to show it to the world?

But what I do believe is that whatever medium we use. We do need to stop, and appreciate the art for what it is. Give ourselves the time to enjoy it. Stop a bit longer at the photograph you like and stop scrolling, or walking, or turning the pages...

Enjoy it for what it is.... A story...

Food for thought...

Speaking about food... I am going to have a bite....

Because I like food...

Have a nice weekend you all...

- Cristian

 

The most awesome publication... A cover in Iran.

Couple of day a go ...

Woke up... Made some very nice fresh coffee... Read some news...

Than the doorbell rang!

It was the package delivery service. I knew there was something on it's way. I just won a old vintage Scott receiver at a online auction. So I expected that one... But surprised as I could be, the delivery guy had two packages for me!

The receiver was all cool and stuff. But as soon as I noticed the second package and saw the stamps on the envelop I knew what it was.

It was my copy of the magazine I got published in from Iran!

Mehdi, the creator of the magazine contacted me a while a go if he could use one of my photographs I took in the Nasir Al-Mulk mosque in Shiraz. To be specific, it was the one with the lady with the gown.

I agreed and some time went by. He said to me he would send me a copy. But with the whole embargo thing going on I didn't expect anything. Maybe the government would hold it or something. I don't know.

But it arrived!

So screw the amp!

I guess I don't have to tell how cool it is to see your work published. Let alone in a magazine in Iran. But a little hint. Getting a magazine out there goes a little bit different over there than here in the west and is a bit more difficult.

Mehdi did a beautiful job and the magazine is about arts and culture. I even got the cover!

He translated some articles for me. And even within the package he included some prints of his province where he lives. Borujerd...

Of course it would be amazing to be on the cover of National Geographic one day... But this... man... I guess for me it is even way cooler.

Anyways! It made me very happy!

I put some photos below if you want to have a look.

P.S.

The receiver is awesome too. Listening to my records while I am writing...

 

Finally my Iran work in physical form! Souls of Iran as a Zine!

Dear friends!

I was so busy with everything that I forgot to wright a blog post. And to tell you all a super exciting update!

My Souls of Iran work is now available as a two part Zine!

I am so happy with this. I can't describe it into words. But I will try it anyway haha.

And yes, I know I know, I should write more... I'm working on that!

I wanted to to make a book at first. But I got really inspired by a special about zines. Or zeenes...

The origin of Zines is rooted in Sc-Fi, Punk, and Photography sub-cultures. It was, and is used to self publish their work or their own ideas and spread them around there scene or the world.

And with me being a photographer and still have a lot of rebel in me left from when I was a little Cris, it seemed like a better idea.

The book was actually already done. The spell check was back, had some people look it over and review it whom I hold in high regard. And I was good to go!

Until I was watching a episode of Ted Forbes's YouTube channel "The art of Photography"... Btw, if you are really into photography it is a awesome channel to follow. It brings the art back into photography.

Anyway! I was so inspired! So I decided to sort of re-work it into a Zine format.

Making a version of a4 size paper stapled together was maybe a bit to rebellious for the way I wanted to present my photographic work from Iran I decided to go with the most used self publishing service out there named blurb. Blurb is a very cool platform for everyone who is trying to get his or her work out there and offers incredible quality and services.

I also made the creative decision to split my work up into two parts. Isfahan & Shiraz, and Yazd & Tehran. It seemed more fitting. And that way I think the focus is more on the photographs instead of the volume of pages.

And in this day and age I think that was the best fitting way to present it. Everything is already in bulk. If for example you look at Instagram. I don't now how long people look at a photograph. But it is way to short... I guess that is the reason why I like physical prints so much. You have something real...

Another factor was price.

My fine art prints are expensive as they are. They are of course worth every euro. But it is still a fair amount of money. And I wanted to make something that is more accessible for everyone. A book would cost around 70,- euros. And the Zines are 20,- and 15,- euros. So that is a big difference.

Small side-note. Every cent and euro make it possible for me to continue my photographic journey and tell the story world. And makes new future projects possible. So it is a big support!

The end result you can see below. And yes, it makes me very proud!

Like I said before. It feels good to see your work in physical form. And hopefully all of you like it just as much as I do!

If you are interested you can order it through here or just click on the shop and than Zines menu item.