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Coffee in the old city of Jerusalem, Sore feet, and defining your why... by Cristian Geelen

Like I promised…

My feet are still tired… Writing this laying on my couch rolled up like a hamster ready for bed. Banging out this blog post that I have promised to you all.

But you have to forgive me. A lot has happened since I got back home. You know… Life… And all of it happened at the same time. Even squeezed in a couple of shoots and one of them was a lomography one.

But it is all for the greater good. Telling stories!

Heading straight for the coffee…

The time has come. Finally working again on my long term project “Neshama Sheli“. I was so happy yo be on the plane again.

As soon as I arrived I could not help myself my friend Issam. He has the best coffee house in the entire of country. I totally forgot it was Friday and that he is closed on Fridays. The stroopwafels I have brought him had to wait a day extra…

So that meant walking around Jerusalem until my feet hurt. That last part happened for sure since I walked 62KM in the first couple of days!

That does not seem much spread over a amount of time. But with all the hills up and down it was actually quite the walk.

Before I forget…

Since the reason why you have stumbled upon my blog probably is photography. Some of you might think it is interesting what stuff I have brought.

Well… That is easy. Not much…

Two bodies. One analog, one digital. The analog a Nikon FM2n. The digital, a Nikon D810.

I always prefer analog but sometimes digital is more practical.

Film, I bought that when I got there. The whole reason is that it is more practical and is also part of my research. The downside of that is that you have to do with what you find. I have found a lot of Kodak. That is not bad. I am a Ilford guy when it comes to Black and White. But I will never complain if Kodak Tri-X is the one that is available. And who cares in the end anyway. They both rule.

Oh, and only three lenses. Two 35mm’s. One Sigma Art for the D810. And a Nikon 35mm Nikon F1.8 ai. Also my Carl Zeiss 50mm.

This keeps it small. And even got room in my day pack for underpants and protein bars.

And in my opinion. If you can’t do it with one lens you need to be more proficient.

But enough about gear. It really is not important. It just does not need to break down and that is it. That does not mean I don’t love a beautiful camera. But getting your hours in and the reason why is way more important.

My why…

The first what I thought when I got back home was: Now I understand! Not the situation, but more the whole reason why some of my photographic heroes were working on a project for like ten years or something.

I guess that is also the whole reason why you “why” is so important. The “why“ is always important. Just to keep that perseverance to keep rocking when all your chips are down. Even Simon Sinek wrote his best selling book about that subject.

I do this because of: And fill in the blanks...

I frees my mind…

It gives my emotions a place…

I love him or her…

It gives me inner peace…

It is easy to do things when they are fun. But if you are in in for the long haul… Your “why” better be a good damn good one.

You still haven’t told me yours…

One of my favorite poets (Rumi) has a quote: “Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray” .

If you are following me for a while you know I do everything by gut feeling. But there is also a explainable part of this all…

Despite I am a social creature it also feels for me I am a little bit of an odd one. And fitting in is not really my thing, nor I feel I have ever did. I really don’t like stuff a lot of “normal“ people like. And I have the strangest urge to make sense out of that strange journey that is called life. If that makes any kind of sense at all…

So if I want to makes sense to any of it why not go to the region that is the origin of the three big modern religions… And so I did three years a go. It seemed like a good place to start.

Photography in the end is a search within yourself…

I never expected during the first time I went there it would become plenty of more times. Every country that I come I fall in love with. But somehow, this place…

The first time I stood in front of the western wall I even cried a little. And I am not even Jewish. I am as Dutch as I can be.

But also the Dome of the rock quiet down my ever going monkey mind. And the church of the holy sepulcher had certain calm.

So many stories… So many people… All of them with a why…

But there is more…

No worries… My passion of explaining things goes beyond Israel and the Palestinian territories. I want to see the whole world. And I have gotten quite far already.

The drive is bigger…

The world is an amazing place. And we can learn so much from each other. If we somehow get those stories across imagine where we can be! Colombia, Japan, Indonesia! It is all still on the list.

So many people to talk to… So much things to learn… And ergo, so many stories to tell…

I use photography as my medium.

So that is sort of my “why“…

Things I ran into…

It is so super interesting how being social differs from place to place all across the globe. The whole plan was to talk to as many people as possible instead of just doing random street photography. Because street photography alone just doesn’t cut it.

It is cool to do. Of course! But if you want to give your work more depth talking to people is the only way.

Well… That part is easier said than done. There are of course plenty of people. But in comparison to for example Vietnam or India, or Iran it was a bit more difficult to start a casual conversation. I had to work for it… In other countries people somehow automatically come to me. But in Jerusalem it was more like home. Other areas were more easy.

But was I satisfied when I got back home? Not not really… But like I said earlier… Now I understand why things take so long!

Not that I have not met some beautiful people. I did! If some of you will read the blog you know who you are.

The story continues…

I focused mainly around Jerusalem and Bethlehem again. This mainly because my train of thought was because of it was just after pesach (passover), Ramadan started, and memorial day was also happening. And most of the stories were hopefully developing around those places. Plus it is just a nice place to be and Jerusalem is centrally located to everywhere you want to go.

But I think next time I will roam around a bite more. Or rent a car or something.. I don’t know. That is stuff for future Cris.

Aida and Dheisheh refugee camp…

I was here last time too. And I could of course not be in the neighborhood without saying hello to my friend, Omar. He lives in the Dheisheh refugee camp and is an artist and musician.

I went though the same checkpoint as last year. The same one where I have written about last year (link here).

It has changed… A lot!

Checkpoint 300. Instead of going though a regular gate there is a building now where you have to go through. Still turnstiles. Still the cattle like exit. And still the annoying cab drivers in the end.

We chatted a lot. About life, love, girls, music… His car that he had to turn in because it was illegal. That story was a bit funny. Sorry man haha…

It is so interesting how much our lives differ and in so much aspects are so the same. For him the water truck comes once every thirty days if he is lucky… I can just open the tap. But still, we both like waffles and are afraid of spiders.

He also told me he started working out. Better have some gainz next time I am there bro!

At the graveyard…

Apparently we are not only afraid of spiders… He wanted to show a martyrs graveyard. And like the name says, it is a graveyard where the local martyrs are being buried.

We had to be quiet because there was a young woman mourning. Here brother was killed not that long ago. And every day she was there because she missed him a lot. This was one of the moments you have to put your camera away and just let someone be…

We wanted to give our tired feet some rest so we sat down on a bench, but a humongous queen bee suddenly showed up and we both yelled like little girls and ran off. That beast was enormous!

After we came to a safe distance we pretended the bee had nothing on. Like the young cool kids do…

Memorial Day…

My blog post has no structure at all this time. But hey… what can you do!

A couple of days later it was memorial day… There are quite some similarities with the memorial day we have in the Netherlands. We just have one siren and stay quiet for two minutes to remember the atrocities of the second world war, and the fallen since then. In Israel you have two sirens. Because it literally is a day. First one was the preceding evening at 20:00 and the second one at 11:00 in the morning…

The entire city and country stops what they are doing.

This was also one of my moments of getting back to reality. If you stay somewhere for a while things start to get normal.

My lasagna theory…

Earlier that week about 250+ rockets were fired from the Gaza strip, and it wasn’t on my mind already.

I dubbed this my lasagna theory. I like lasagna a lot! But if you every day it starts to get normal and it is not special anymore. You get used to it…

From my own country I am used to stop the car or motorbike on the side of the road and everyone is most of the time respectful… And what I do is I try to remember the people that are important to me that are no longer here. And say thank you.

It was this moment where you realize that I was in an area where not everyone could get along. Of course the Israeli - Palestinian conflict is still active and that’s the reason not everyone participated in the moment of silence. You can probably can guess the reason why.

It was a teaching moment for myself and made me more curious. Is it ever going to end? Will they ever get along? Will there ever be an end to the conflict? And what can we learn from all of this in the rest of the world?

But what now…

By now it is already three days later since I have started writing… The rain has started falling down. Thunder is coming. And there are plenty strips of film waiting for me to be printed… And the official project page needs to be updated. All the editing…

Believe me. I have plenty of anecdotes.

But writing long blog posts always leaves me with more questions. And I will write more on a later moment.

All I know is I had a great and interesting time again. And I have met some beautiful souls along the way. Bracha, Issam, they woman from television in Japan, Omar, Jared. The dudes from Japan. And all the other people I spoke to. Thanks for everything.

Jerusalem. I hope to see you soon again… You give me a home away from home…

Neshama Sheli. You are indeed important to me. You are a part of my soul…

One last thing…

One last thing that remains… Is figuring out what the band was I was dancing to at the Mahane Yehuda market in the evening… “Feel it in my brain“ and plenty of others songs. I danced my ass off! So if anyone has a clue… Please let me know! That song made me happy. :)

- Cristian

Andante - Portrait series of the soul. No 2. - Reham by Cristian Geelen

Andante…

Or in other words… Slow…

A musical term that means slow. And also the name of my portrait series.

I found it on the cover of an vinyl LP record I inherited from my father and the music on it was exactly how I felt. And even represents a side of me. Of course I have a happy side. But my other one is full of romance, love, sadness and melancholy. I embraced it and love it very much.

The name: Symphonie Espagnole, Op. 21 IV. Andante.

I wrote about it in an earlier blog post which you can find here.

Time…

For me it represents time… When you are doing something you like or love and are having a good time it flies by, and when you are going through hardship or have to wait for something it goes as slow as it can be. But time is only to spend once…

That’s why it is so valuable.

Reham…

This portrait series I just want to do by gut feeling. And that is how I choose the person I ask to photograph. I was thinking for a long time about whom I could make my second part of the series with. Than at one moment, I woke up in the morning I was thinking about Reham. I knew I wanted to photograph her for a long time but the puzzle pieces never connected until now.

Reham is a beautiful young soul of Palestinian descent that was born in Syria as a refugee but was unable to reuturn home. From Syria she went to Dubai, Lebanon, Egypt, and Turkey, before eventually ending up here in the Netherlands. Now studying computer science at one of the best universities of our country.

She is one smart cookie.

I’ve met her during a diner named “Diner voor gelukzoekers“ (Diner for fortune seekers) a couple of years a go hosted by Roos. The woman in the first version of this series. Everything is connected.

My process….

So how does that translate to my photography? Well… As you can see in the first one. It is full of people passing by as souls. And in this one… Trying to capture it. This through a medium of analog film instead of digital. A slower process of manual focusing and metering and developing it myself. Also, during that slowness I wanted to capture more…

I wanted to capture her power!

Her heart.

And eventually her soul…

A young powerful woman that is youthful and experienced at the same time. So after a couple of hours wandering through her hometown I think we succeeded. And during the editing process I ended up with four frames which I thought that would show everything perfectly.

What EI I shot it at or which film I used is not important. Except maybe that I always use Ilford for everything. With some exceptions of course. Other than that giving someone a safe space to open up is way more important.

The rest is not only film chemistry, but chemistry between you and the soul you are photographing.

So hereby…

So hereby. My second part of Andante - Portrait series of the soul.

- Cristian

Did Instagram kill photography? by Cristian Geelen

I woke up this morning...

Thank god...

Because I like waking up!

The smell of incense was still hanging around from last nights meditation... Sun was a shining a bit on my face because I left the curtains a bit open... And my mind went to photography again...

Because I like photography...

Cup of coffee was made... Went back to bed... And turned on my iPad...

Grateful...

In comparison to most parts of the world where I travel to, people don't have the luxury waking up like this...

I started watching "The many lives of William Klein." and Daido Moriyama's "Near Equal.". If you aren't familiar with those photographers go look them up! And make that your main task today...

I let my mind wander... Thinking... Always thinking...

Because I like thinking...

And my monkey mind is always jumping from one place to the other. In this case to a quote from another legend, Elliot Erwitt. "Digital Manipulation kills photography".

Altough I don't completely agree. Because photographs have always been manipulated! Either in the darkroom or in the digital darkroom that is stationed on your computer.

He does have a point!

My monkey mind was going insane again. But it ain't all that bad...

Because I like my monkey mind...

How does Instagram fit into all of this? And what is Instagram actually? And what if William Klein was born when Instagram existed? or Daido Moriyama?

Valid questions... But more so. It gave me also the opportunity to think about the way how the general public uses Instagram. Or any other piece of social media. Or hell! Even how we treat everyday life.

As where I stand now the platform itself is a blessing and a curse at the same time.

Let me elaborate on that.

The positives are quite big actually. It gives any person in the world the opportunity to get their message out there. Either it is music, art, views, or whatever. It can help you build a audience that you otherwise would not have. The whole world at your fingertips! As long as you have a internet connection and a phone or a computer.

Awesome right?

The downside is... Well... us... The people...

Wait wut? What do you mean Cristian!?!?

Well like a lot of things in life it has become more of a popularity contest. We as a species at this moment, and yes I am realizing I am generalizing heavily now, seem to have to attention span of a goldfish! Actually I believe that science already proved that it is even less now...

We choose to get triggered by stuff that is catchy. We see it in our politics, how we communicate with each other, or we rather take a pill to lose weight than change our diet. And even rather send a text than have a telephone conversation because it is scary...

Same goes for art and Instagram.

For me a great photograph is something that you have to analyze... You can lose yourself into... Let yourself escape from reality... Or experience reality more vivid... It is really one big visual story one way or the other. Either it is the traveling tales of Steve McCurry or being in some sort of photographic version of the horror movie the ring and a playboy magazine with Daido's work.

And how does that translate to a medium like Instagram?

Well no worries I will come to that. Life is one big story! And...

Because I like telling stories...

Well, look closely how you scroll through your feed? Maybe another assignment for today?

I goes something like this....

Scroll scroll scroll, Like , Scroll, Like, Comment, Scroll scroll...

And all of that in a couple of seconds...

Did you actually see some of the photographs?

Or did you just got triggered by something catchy?

Would you have the same behavior if you go through a Steve McCurry book?

I think it is a good question to ask yourself. Especially if you consider yourself a photographer, a artist, or just a art lover in general.

That does not mean there isn't a time and a place for the platform. I discovered some amazing photographers who made the platform their own. But it creates some sort of unexplainable distance between one type of photographer and the other. You even got a term "Instagram photographer". Like that a person that uses the platform apparently in a efficient form isn't a real photographer?

I don't know... 

I think photographers that both are on the platform and are not on the platform or maybe less successful on it, are photographers. So hmmmm it can be part of my conclusion...

All I know is I don't like trends... And most of my photographic heroes where from a time that it did not exist. I don't like cropping. Don't like shitty small screens but I do like to print my photographs big. And I don't like it when we fall in the trap of instant gratification. Either it is enjoying art or interacting with humans...

Because I like art and I like humans...

And do we have to copy all the big accounts all the time?

On the other hand I also do realize that times always change. And you either adapt or you die out. And change is good. Altough not always... But sometimes.

And a picture is a picture. It does not matter what tool you use. So should that also count for the medium we use how to show it to the world?

But what I do believe is that whatever medium we use. We do need to stop, and appreciate the art for what it is. Give ourselves the time to enjoy it. Stop a bit longer at the photograph you like and stop scrolling, or walking, or turning the pages...

Enjoy it for what it is.... A story...

Food for thought...

Speaking about food... I am going to have a bite....

Because I like food...

Have a nice weekend you all...

- Cristian

 

Five things I learned about (Photography) going to Jerusalem the second time... by Cristian Geelen

Hey all!

I am currently really busy with the processing of all of my material of my latest trip to Israel and the Palestinian territories. But that is a long process and when it is all done I want to write a big article about it. And find a proper way to present it to the world.

Until that time arrives I will write short blog posts like this to keep the information and sort of involve you all in a bit of my process.

So this piece part one of a two part piece with five things I have learned during or after my latest trip to Jerusalem and the Palestinian territories.

First one is about photography. The second one is about life.

So let's start!

Part one: Photography...

Like I said. Currently I am in the process of working through all of the material I made and that is just something that takes time... A lot of time!

In short. I took around 1100 photographs and I am editing them at the moment. Part of that process is also voicing visually the intent of the photograph. And ultimately after all the editing is done the post processing start.

Of the approximately 1100 photographs there are only a few that will make the cut and want to share with the world.

During that process which is not even done. I ran into a lot of issues. Not everyone shares that stuff. But I am a big believer in that running into problems or even failing is a big part of getting better. It's a rule you can apply to everything in life...

Same goes for photography!

And the whole trick after the whole failing or running into issues thingie. Is that you just don't give up! Get back on the horse and just go go go!

Learn from it. Feed from it... Grow from it!

Btw I am not only summing up stuff that went bad. It's also good to reflect on stuff that went well, or even good! Because also that is a good thing to know.

Alright here it goes. Five things I learned!

  1. Don't buy new gear!
    A couple of weeks before I left for my trip I switched from Olympus to Fujifilm. I sold all of my lenses and my beautiful Olympus PEN-F body... And I did not even hate my gear. There was nothing wrong with it, and I am a firm believer in that you can't buy a bad camera anymore.

    It was more that I was chasing some sort of look or vibe that the Fujifilm sensors have. And I just felt it was time for a change. And if you never try something new you will never know you will like it or not!

    The whole difference between my Olympus PEN-F and Fujfilm X-E3 is a whole other subject to dive into. Because the end conclusion is I love them both. The point I am trying to make here for the DO NOT BUY NEW GEAR issue is the learning curve!

    My ego let me believe I worked enough hours with the Fujifilm to understand the device completely and I would not make any mistakes with it.

    Well I was wrong...

    For example the aperture I shot on my Olympus to get everything sharp was around f5.6 or lower. On my Fujifilm it was way lower. And I realized I had to take my photographs around f8! That resulted in some shots I had a shallow depth of field when I did not want it. Especially when I missed focus.

    That brings me to another point. I missed focus! A lot!

    I was like: How the hell is this happening! Back home I did not have this problem!

    There is a difference between photographing back home and while traveling. And that too will be material for another blog post. But in this case, the conditions were different. The people were different even though I was there before. The gear of course was different. My mindset was different. All the narrow alleyways and using certain techniques to get a shot and doing stuff on instinct. All of that together gave me some out of focus results.

    I analyzed it all. And one of the things was the the single point focus on my Olympus somehow let me get away with errors. While the single point focus on my Fujifilm was unforgiving. If you miss it, you miss it!

    I switched to zone focusing instead and that worked better for me in those conditions. End result. More material I am satisfied with. And no customer or viewer of your art will care if you used a single point focus method or a zone focus method. It is all getting the shot and the story you are telling. 
     
  2. Do your research.
    Like I said, it is not all about the bad things. You also need to reflect on all the stuff that went well!

    For me it was arranging my guide or fixer or whatever you want to call it. Making a plan on what you are going to do everyday and also leave some room for spontaneity. Having a back-up plan if something falls short. All of that so you can get the most out of your time.

    I planned everything well. And I also was very lucky that nothing went wrong. I think on that part I had the smoothest trip ever. Planning helped.
     
  3. Update your software.
    This one is actually not about the time during my trip. But more about the process when you return and start to review your work do your post processing.

    I looked at my shots and I was getting angrier and angrier by the day. My photos looked like crap. And I did nothing wrong! Why? Why was this?

    I was getting into fights with my raw files. And got a bad case of worming. Man o man I was getting frustrated... My photos looked like a watercolor painting!

    A fellow photographer said to me: Cris, did you update lightroom?

    Fujifilm raw files had got some issues with lightroom in the past. And after a lot of Google searches I read that there were a lot of people that used alternative raw processors and bypassed lightroom or not used it at all! The switched to alternatives like for example capture one.

    Small side-note. I used to have the last standalone version of the original lightroom. Because I refused to be part of the subscription model that Adobe started.

    I actually like lightroom a lot. So I followed his advice. Put my ego aside. And updated purchased the monthly version of lightroom. And as soon as I openend my photographs again they looked a lot better.

    I combined that with a different way of sharpening and voila! Instant happy Cris!

    Btw. The whole sharpening thing with Fujifilm raw files... Only use the sharpening slider a little. Use the detail slider more and pull back the radius.
     
  4. Shoot a lot of shit.
    Maybe it is a bit redundant to say. But I hope I don't have to tell any photographer that it is to take a shot extra than you have not taken the shot at all...

    That especially is true with memory cards. Fill those puppies up and shoot everything that peaks your interest.

    And no. That does not automatically nullifies my post about "f##k instant gratification". Those are two completely different things. And if you have a goal in mind... Do whatever it takes. There is no award for getting the decisive moment in the least amount of photos...
     
  5. Take your time!
    I saved this one for last...

    Because for me this is the most important one.

    Why?

    Because I did not do it...

    I wanted to get the ultimate photograph so much. I soared and roared across the area like a idiot. My drive that I am so proud of got the best of me.

    The end result was that I did not take the time take in the moment as I normally do. And that sucks. It is not that I have bad photographs now... But in retrospect there were moments where I should have taken my time more the choose another angle. Or kneel down to take the shot. Get closer. Wait longer. Getting the details more right.

    What if is miss something?

    That mindset held me back to look at some little details. When you see a scenario and you don't need to react in a split second. Just take your time... Relax... Take two photos extra. Inhale... Get low or high. Analyse... Wait for the light. It will all come together if you just let the moment be...

    It is hard to explain I guess... But there goes a lot detail in taking a good or even a great photograph. And a lot has to go with a certain flow and peace of mind. You feel it when you do it. And once you made one. It is a feeling that you will forever chase again...

 

Alright! This is it!

My five lessons about photography. I hope you enjoyed them!

Stand by for Part two: Life...

 

Catching that decisive moment...

Catching that decisive moment...

Finally my Iran work in physical form! Souls of Iran as a Zine! by Cristian Geelen

Dear friends!

I was so busy with everything that I forgot to wright a blog post. And to tell you all a super exciting update!

My Souls of Iran work is now available as a two part Zine!

I am so happy with this. I can't describe it into words. But I will try it anyway haha.

And yes, I know I know, I should write more... I'm working on that!

I wanted to to make a book at first. But I got really inspired by a special about zines. Or zeenes...

The origin of Zines is rooted in Sc-Fi, Punk, and Photography sub-cultures. It was, and is used to self publish their work or their own ideas and spread them around there scene or the world.

And with me being a photographer and still have a lot of rebel in me left from when I was a little Cris, it seemed like a better idea.

The book was actually already done. The spell check was back, had some people look it over and review it whom I hold in high regard. And I was good to go!

Until I was watching a episode of Ted Forbes's YouTube channel "The art of Photography"... Btw, if you are really into photography it is a awesome channel to follow. It brings the art back into photography.

Anyway! I was so inspired! So I decided to sort of re-work it into a Zine format.

Making a version of a4 size paper stapled together was maybe a bit to rebellious for the way I wanted to present my photographic work from Iran I decided to go with the most used self publishing service out there named blurb. Blurb is a very cool platform for everyone who is trying to get his or her work out there and offers incredible quality and services.

I also made the creative decision to split my work up into two parts. Isfahan & Shiraz, and Yazd & Tehran. It seemed more fitting. And that way I think the focus is more on the photographs instead of the volume of pages.

And in this day and age I think that was the best fitting way to present it. Everything is already in bulk. If for example you look at Instagram. I don't now how long people look at a photograph. But it is way to short... I guess that is the reason why I like physical prints so much. You have something real...

Another factor was price.

My fine art prints are expensive as they are. They are of course worth every euro. But it is still a fair amount of money. And I wanted to make something that is more accessible for everyone. A book would cost around 70,- euros. And the Zines are 20,- and 15,- euros. So that is a big difference.

Small side-note. Every cent and euro make it possible for me to continue my photographic journey and tell the story world. And makes new future projects possible. So it is a big support!

The end result you can see below. And yes, it makes me very proud!

Like I said before. It feels good to see your work in physical form. And hopefully all of you like it just as much as I do!

If you are interested you can order it through here or just click on the shop and than Zines menu item.

 

The importance of printing your work... by Cristian Geelen

The doorbell rang..

I did not expect anything. But still... In the back of my mind I hoped it would be something I was waiting for... And hot damn... It was!

The delivery man had a huge safety box! After I dragged it to my apartment I was finally able to open it... And each layer I removed I was getting me happier and happier...

I can not describe fully how cool it is to hold your own work in your hands in physical form.

Normally in this day and age most of the images we create we only see digital. But at least for me, it loses a lot of it's charm. For me it is in the same ballpark as listening to a record. Or reading a real book. Only times a hundred. If you could stare to a image for hours and lose yourself in it, you know you are on the right track. And with printing, it gets you there...

I guess that is why art is meant to be experienced for real. And just on you computer screen or phone.

Printing also has other benefits. Besides it is freaking awesome! You will think about the details more. And how you will shoot next time. There is a whole process involved before you can actually send it to the printer....

What kind of size do I want? What kind of paper do I need? You have to order some samples because you will see your image transform before your eyes as soon as you put it behind glass...

How do I need to deliver my files? What kind of frame do I want? And also you have to account for your passe-partout. Don't know the english word for that, so you will have to forgive me. It is the big ass white are black border around your image.

And than also other important stuff. What is the purpose of a image? Are you going to sell it? And the most difficult, what is the price of your product going to be?

Am I there yet?

Probably not... But I will think of stuff later. And otherwise maybe you will...

For this series I have used Hahnmühle paper. And even within this brand, there are lost of sub choices to be made. So how do you want to present your work? Is it going to be a larger than life print? You will be needing to make those kind of choices to proceed. The higher end you want to deliver the higher end and maybe even thicker paper.

If it were black and white images it probably would have been Ilford.

But that is not the only choices you have in the sub-choice. Every kind of paper structure will influence the way the ink enters the paper and give it a different feel...

Fuck... Are you getting dizzy yet?

There are so many factors to consider to print your work! But, I guess photography is all about the details. And the better you want to get, the better you are going to look for those details... And the more driven you will be...

And in the end actually it does not matter anyway. Strange huh?

Here is why:

Because you rule!

It does not matter if you are a amateur or a high end pro. Printing your work is also very simple. Because it is just awesome to do!

You! You as a person decided that was your one decisive moment that you chose to print. And you are going to be as happy as a child anyway. And you should be fucking proud of yourself!

Until next time...

- Cristian

Who are you shooting for? by Cristian Geelen

"Who are you shooting for?"

I was thinking about this while talking to a fellow photographer online, being in bed with the flu, and watching the YouTube channel of Ian Wong. The talk was about his new analog Contax T2. It is one beautiful machine. And if I believe all the stories online it is build like a freaking tank!

But the build quality was not the point... It was the fact that it shot analog. And that does not mean that analog is per definition better. But it makes you think more about what you do... You only have got a number of shots on a film roll so you can not fuck up! How is that for some pressure my millennial friends?

I compare at a bit to owning a record player. Instead of putting on a Spotify playlist you have to pick out a record and think about what you want to listen to next. It makes you more aware of the music that you are listening.

I believe that applies to photography as well... If you only have a number of shots, and really have to think about what ISO you film speed is going to be, and you can't yank it out half way of shooting. It makes you think more... Not only your technical choices like aperture and shutter speed, but I mean really think. About the important stuff, like composition!

If you look at the legends like Salgado and Koudelka, they also shot analog. There wasn't even digital available! But still they seemed to shoot the best stories you can find... 

And it looks like it is the only way to get really better at your craft as a photographer. And I am not saying now run off and buy a analog camera. But think about what you are shooting... Don't take 50 shots and pray that there is one good one in the bunch. But be aware of your surroundings, about your composition, the story that you want to tell... And pretend you only got one roll of film in your camera... It will make you better...

And that explains the title; "Who are you shooting for?"

Are you shooting just a quick snapshot to post on Instagram and share with your friends? Or are your goals to tell a story like nobody has done before?

Maybe it is the perfect analogy to life too... Don't go for the quick results but for what is really worth it...

 

Capturing Kick Off Alliantie Genderdiversiteit by Cristian Geelen

Gender diversity and photography...

Like always I love telling the story of our world. And knowing this story isn't told that much, I was more than happy to say yes when I was invited to shoot at the kickoff of the alliance of gender diversity.

The alliance is made out of multiple of organisations that are trying to break through the stereotypical image how the society looks at gender. And the alliance is consists at the moment of writing out of Movisie, Atria, COC, Doetank PEER, Emancipator, NNID, Nederlands Jeugd Instituut, Rutgers, School & Veiligheid, Transgender Netwerk Nederland en Universiteit van Amsterdam Pedagogie.

Those are all dutch organizations, but who knows... Maybe in the future there will be some international ones.

The kickoff was being held in a event center named "the colour kitchen". And like all event centers or congress centers, it is really really really dark...

So that provided me with some sort of a challenge. So here comes the technical part.

I chose to shoot without flash, because otherwise in a intimate setting the talks of the speakers were constantly disrupted by flashes. And for me, if you want to capture the decisive moment, you have to be discreet...

So I put my trusty Olympus on silent mode and started shooting. I can't say one value for the EXIF data, because I was constantly adjusting my settings. Everything was done in manual mode. ISO varied from 8000 and lower... It all depended how close I was to the big screen in the front. And same goes for aperture. That was constantly shifting between 5.6 and 2.8. Shutter speed shifted between 1/250 and a 1/125. That was because I wanted the people to be frozen, and in this case, not see any motion blur.

Not only I was happy shooting at this event because there were some special individuals, but also during my photographing I listened to the speakers. It gave me another perspective again in how everyone looks at life, and so that meant another chance to learn. 

Most people are only interested in the technical part of photography. But for me... Technical skills are only a part of that. It is if you do photography with your heart you will see someones soul for real and put emotion in your photograph.

If you are interested you can find more information on their Facebook page here. And information about Doetank Peer you can find here.

 

Armando Aid Fundraiser - November 18th. by Cristian Geelen

On November 18th there will be a fundraiser for Armando Aid.

Armando Aid is a organization that is providing education to refugee children. That is one beautiful concept right?

This event specifically will be a Christmas fundraiser to raise money for a new educational program in Europe and the Middle East.

The organization has no official funding or support and relies solely on fundraisers and personal donations.

The day will be filled with live music and comedy. And there will be a auction where art will be for sale.

That is also one of the reason I am writing about this. I not only think it is a good organization, but I will also be contributing to the aid. I donate one of my prints that is specially printed on fujifilm paper that lasts a lifetime. And I really love the way it made my photograph come to life... The print I donated is on the bottom of this posts.

The fundraiser is being held in London so if you are in the neighborhood maybe you could pay a visit. All information can be found here and and you can get tickets here.

Otherwise there are other ways to support this organization. For example you can donate some money here. But you can also contribute in other ways. Like you can be a teacher or a Gardner on location. Best thing you can do if you want to read about that is on the get involved page.

This organization already has done so much good, and managed to educate a lot of people so it would be wonderful if they could do it for many more years to come!

 

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Voorlinden Empty Meet. The results! by Cristian Geelen

October 8th 2017...

For me a exciting day!

The whole reason? A meetup with other Instagram photographers to be creative in a completely museum Voorlinden! All thanks to @senns_less.

Voorlinden is museum located in Wassenaar the Netherlands and showcases mostly modern and current art. And specifically this day was also the opening of the display of the art of Shio Kusaka & Jonas Wood, and Michael Johansson.

Kusaka & Wood. She is a ceramic artist. He is a painter. And together they let their work intertwine into each other to make some beautiful pieces of art! Soul mates stuff right here!

Michael Johanssen is a Swedish artist and doing some real life objects. He is assembling everyday objects to make new shapes, sculptures, and installments. He made a very cool (pun intended) iglo out of cooler boxes!

The morning started out with a nice bite to eat, some coffee and tea. And a talk by someone from the museum. Forgot her name... Sorry!

After, we were let loose in the museum are. And the best part... No guests!!! Except for the photographers of course. I teamed up with @a3nnn and ran around as fast as possible to make the most of it and our time was up.

The lighting that day was perfect for me to take the long exposures I really love and did not need to use trick to make it happen.

She used me as a model. I got to use her. And in the end we also teamed up with some cool other photographers from Belgium.

The exhibit was awesome. And as a visual artist I really enjoyed using the whole museum and the works of Osaka, Wood, and Johansson as my own canvas.

In the end we ended up in the library which has a awesome spiral staircase. Which of course is always awesome! And also had a little chat with the artists themselves.

The results of my photographs are at the bottom of this story. Just click on it on the right or left side to go forward or back. If you want to see the works of the other photographers use #emptyvoorlinden on Instagram. Or just click here haha.

Thank you museum Voorlinden for making this happen!