Magnum Photos

Andante - Portrait series of the soul. No 2. - Reham

Andante…

Or in other words… Slow…

A musical term that means slow. And also the name of my portrait series.

I found it on the cover of an vinyl LP record I inherited from my father and the music on it was exactly how I felt. And even represents a side of me. Of course I have a happy side. But my other one is full of romance, love, sadness and melancholy. I embraced it and love it very much.

The name: Symphonie Espagnole, Op. 21 IV. Andante.

I wrote about it in an earlier blog post which you can find here.

Time…

For me it represents time… When you are doing something you like or love and are having a good time it flies by, and when you are going through hardship or have to wait for something it goes as slow as it can be. But time is only to spend once…

That’s why it is so valuable.

Reham…

This portrait series I just want to do by gut feeling. And that is how I choose the person I ask to photograph. I was thinking for a long time about whom I could make my second part of the series with. Than at one moment, I woke up in the morning I was thinking about Reham. I knew I wanted to photograph her for a long time but the puzzle pieces never connected until now.

Reham is a beautiful young soul of Palestinian descent that was born in Syria as a refugee but was unable to reuturn home. From Syria she went to Dubai, Lebanon, Egypt, and Turkey, before eventually ending up here in the Netherlands. Now studying computer science at one of the best universities of our country.

She is one smart cookie.

I’ve met her during a diner named “Diner voor gelukzoekers“ (Diner for fortune seekers) a couple of years a go hosted by Roos. The woman in the first version of this series. Everything is connected.

My process….

So how does that translate to my photography? Well… As you can see in the first one. It is full of people passing by as souls. And in this one… Trying to capture it. This through a medium of analog film instead of digital. A slower process of manual focusing and metering and developing it myself. Also, during that slowness I wanted to capture more…

I wanted to capture her power!

Her heart.

And eventually her soul…

A young powerful woman that is youthful and experienced at the same time. So after a couple of hours wandering through her hometown I think we succeeded. And during the editing process I ended up with four frames which I thought that would show everything perfectly.

What EI I shot it at or which film I used is not important. Except maybe that I always use Ilford for everything. With some exceptions of course. Other than that giving someone a safe space to open up is way more important.

The rest is not only film chemistry, but chemistry between you and the soul you are photographing.

So hereby…

So hereby. My second part of Andante - Portrait series of the soul.

- Cristian

Women's March 2019

Hey everyone!

Last Saturday I walked alongside thousands of inspirational women and men who support their cause for equal rights and so much more!

Of course I brought my camera’s and documented the day. Shot some digital. And shot some analog. And the scanning is still not done yet. But here is what I can share at this moment. And when the scanning is done I will either update this post or make a new one.

Hopefully my photographs can be of assistance to the path of equality…

- Cristian

Digital vs Analog, Israel, testing stuff, and other project updates.

Hey everyone!

This blog post is not really a dedicated story about something particular. But more of a quick sum up of everything that is going on. I will address my photography and I will be addressing a little bit of my travel plans and projects that I am preparing.

So I am putting on some Tool (The band) and just write away!

And at the end some images… And yes. Even some color… As a reward for reading through everything haha.

That analog life…

If you have been following me you probably noticed that I am getting more and more into analog photography. Not that there is anything wrong with digital, but I just think it is tons of fun!

For everything is a time and a place though.

It started out with just pure curiosity. How it works, and aesthetically it is just amazing. For me there are too many variables in digital photography if you are really into the whole mega post-processed stuff. But I am more of a documentary photographer anyway. So it is not that bad. But I remembered when I started and before I have found my voice photographically the amount of stuff what you can do and achieve are almost limitless. That can be a advantage… But for me… It is not… The less of distractions in my gear the better.

With analog I pick a film that goes with my subject matter. Of course you need to do some post processing. That part is not different. Unlike some people like to believe. But your base is just different. And because of that I can focus more on my composition instead of being a Lightroom warrior.

Sitting in a Ferrari…

The fun thing is. After you have shot analog for a while as soon as I grab my digital camera it feels like I am sitting in a Ferrari. Everything goes so quickly! You can review what you are doing, not to worry about a full roll, auto focus all of sudden… Man! Like a hot knife though butter!

I already mentioned this once before. But every-time it gives me more and more respect of the photographers from the golden age and all of my heroes. In comparison shooting analog is just goddamn difficult!

Shades of grey…

The world is not black and white like photographs, but situations are as grey as they come. Same in the case of photography. And specifically; what do I bring on my upcoming project…

I will be traveling to Israel and the Palestinian territories again at the end of April. Continuing with my everlasting story I want to tell.

And despite I want to shoot most of it analog. The thing that is going through my mind is.

Is it practical?

If you have ever been to for example Jerusalem. The amount of detectors you have to go though is enormous. And the last thing I want is that my film is getting screwed up by all the scanners and stuff. Of course on the airport you can ask for hand checks. And as you have read in my Vietnam and China blog, it is not really a problem. But I just don’t want to take the risk. Because if I lost any of my images again I definitely get a heart attack or something. It happened already to me last year and, I don’t want to happen it again.

In the end my heart will probably kick my brains ass and I will bring digital and analog anyway.

Lomography…

Speaking of grey… I have been picked by Lomography to test their new Postdam Kino 100 film. From what I have seen it looks like an amazing film. It is inspired by old German cinema. And from the images I have seen what they have shot I am actually really curious what it will give me.

The only thing is, because it is 100 ASA I need a lot more sunlight. And the Netherlands is still grey…

But as soon as I shot it I will dedicate a blog post to it. So stay tuned for that…

Developing stuff…

Lately I have written a lot about developing. Especially on Instagram. And filming it to and such. But I am trying to keep it on my own blog to a minimum.

The whole reason for that…

I just want this about the art of photography and my adventures. Projects I am doing. And even maybe a sort of diary with things that come to my mind. Not one of the many gear or technical blog that are out there.

I am a photographer first. The rest is just bonus…

I do like I said, share that stuff in my Instagram. That whole platform is as contemporary as it can be. It has it’s uses. So that seems like the right place for that.

Also you probably will on some guest blogs that I am going to write. And have written already. You can find one on 35mmc. I have written a 5 frames with. Go check it out if you like! Click here.

There are also some other ones in development. But I will let you all know as soon as that will materializes.

Searching for stories…

After I return from Israel and the Palestinian territories and processed all of my work I will be looking for another place to travel to. No idea which one yet. But I am doing plenty of research. Nepal, Papua New-Guinea and Uzbekistan are on my list. But it always can change.

I am open for suggestions though. So if you have some. The comment section is open, so you can always drop a comment if you want.

The stipulation is. I do need to have a story to tell. The main focus is that I want to steer my work towards that I create more depth in my images. Not only with composition. But also ,it needs to be about something. Otherwise it will be just one of the many millions out there. I need to get out of that street photography flow and more into my documentary photo-journalistic flow.

So I am looking for events that are happening. Some special festivals. Tribes or (sub)cultures. It’s a difficult task. But hey, if you want that your work means something…

Ramble on…

Not the famous song of Led Zeppelin, but this time it is me that is starting to ramble again. So it is time to close the lid of my laptop and go to bed. Because I am finishing this story up on a Saturday night…

Oh!

And I bought a “new“ enlarger for my darkroom. Time to print!

Alright. This really was it. For now at least!

- Cristian

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

One of my few color shots lately.

One of my few color shots lately.

And another color one.

And another color one.

A quick date with Kodak Tri-X.

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian