Nederlandse Fotograaf

Playing with color...

I am a lover…

I am a lover of Black and White photography…

If I had to pick my soul apart and examine that little bit that is responsible for photography you will find out it will consist out of bit and pieces of Ilford Delta 400 or HP5+ and Kodak Tr-X. DDX and HC110.

But in that whole mess of Black, White, and all the shades of grey, there is a secret part that loves color.

Seduced by the wonderful tones of Steve McCurry and his Kodachrome. A mistress of the vibes of William Eggleston. Or a unspoken connection with the works of Harry Gruyaert.

So got myself some rolls of color film. Just because I felt like it!

I have got my hand on some Cinestill 50D and Kodak Ektar. And luckily for a short while there was no shortage of light. Did some casual roaming around. And had no real structure whatsoever. Just photographed everything that peaked my interest. I mean, I will be traveling in a couple of weeks again to work more on my ever evolving Israel project. So casual and just having fun is all I needed for now.

And it was fun! I mean, everyone knows that shooting analog is always a surprise. And way more difficult than digital. Also you don’t have the luxury of your back screen. But in comparison to Black and White you have to think in color.

So I tried to look for some colorful scenes and just clicked away.

Because most of the all color that I did shot lately was digital I was quite excited! So curious what the end results was... I was particularly excited for the Kodak Ektar. No specific reason. I just love the vibe of it, if that is reason enough. I am not very good at describing color pallets…

Me and my big bucket…

Since I do all of my developing myself I developed these rolls myself too. And in comparison to Black and White development I actually think color is more easy. With Black and White you can influence a lot by tweaking your entire developing process. From agitation to different developers and all of it you can think of. With color it is more straightforward and you can fuck less up.

The biggest challenge with color I think is getting everything to 38 degrees Celsius.

If you have followed my Instagram stories of that day. You might have noticed I have used a nifty little trick for that… If you are curious. Well… I guess you just have to follow my Instagram stories in the future to find that out haha.

Pushing it…

No this is not a reference to a Salt-N-Pepa song. But I did pushed it real good! To 400 to be exact. I think I only shot one roll at box speed. That was one of the cinestills’. But since I always like to push it, and 50 and 100 ASA is really not enough. I was like; screw it! Crank it up!

Added 30 seconds per stop to the developing time and it all went down as smoothly as a nice IPA on a sunny day. Or any other day…

Happy as a camper…

When I scanned the results I was indeed happy as a camper. It all looked wonderful and especially the reds really seem to stand out. This is why I shoot film… The smile on my face when you get the rolls out of your tank and seeing you film dry and after that the end result in an beautiful image. Or a sucky one when you screw up haha.

I would have loved to print some, but at home I can only do Black and White printing. I will look at that process maybe at a later time.

Wrapping it up…

Not wanting to make thing one a too long of a post, so I am going to wrap it up. Like I wrote in the beginning, I am about to work on my project again in a couple of weeks. And I need to get everything ready. So here are a couple of images of the rolls. Not all of them, otherwise there is noting left to share at a later moment…

So thank you for reading. And since you have made it this far. Here are the images.

- Cristian

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

CInestill 50D EI 400.

CInestill 50D EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D.

Cinestill 50D.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Digital vs Analog, Israel, testing stuff, and other project updates.

Hey everyone!

This blog post is not really a dedicated story about something particular. But more of a quick sum up of everything that is going on. I will address my photography and I will be addressing a little bit of my travel plans and projects that I am preparing.

So I am putting on some Tool (The band) and just write away!

And at the end some images… And yes. Even some color… As a reward for reading through everything haha.

That analog life…

If you have been following me you probably noticed that I am getting more and more into analog photography. Not that there is anything wrong with digital, but I just think it is tons of fun!

For everything is a time and a place though.

It started out with just pure curiosity. How it works, and aesthetically it is just amazing. For me there are too many variables in digital photography if you are really into the whole mega post-processed stuff. But I am more of a documentary photographer anyway. So it is not that bad. But I remembered when I started and before I have found my voice photographically the amount of stuff what you can do and achieve are almost limitless. That can be a advantage… But for me… It is not… The less of distractions in my gear the better.

With analog I pick a film that goes with my subject matter. Of course you need to do some post processing. That part is not different. Unlike some people like to believe. But your base is just different. And because of that I can focus more on my composition instead of being a Lightroom warrior.

Sitting in a Ferrari…

The fun thing is. After you have shot analog for a while as soon as I grab my digital camera it feels like I am sitting in a Ferrari. Everything goes so quickly! You can review what you are doing, not to worry about a full roll, auto focus all of sudden… Man! Like a hot knife though butter!

I already mentioned this once before. But every-time it gives me more and more respect of the photographers from the golden age and all of my heroes. In comparison shooting analog is just goddamn difficult!

Shades of grey…

The world is not black and white like photographs, but situations are as grey as they come. Same in the case of photography. And specifically; what do I bring on my upcoming project…

I will be traveling to Israel and the Palestinian territories again at the end of April. Continuing with my everlasting story I want to tell.

And despite I want to shoot most of it analog. The thing that is going through my mind is.

Is it practical?

If you have ever been to for example Jerusalem. The amount of detectors you have to go though is enormous. And the last thing I want is that my film is getting screwed up by all the scanners and stuff. Of course on the airport you can ask for hand checks. And as you have read in my Vietnam and China blog, it is not really a problem. But I just don’t want to take the risk. Because if I lost any of my images again I definitely get a heart attack or something. It happened already to me last year and, I don’t want to happen it again.

In the end my heart will probably kick my brains ass and I will bring digital and analog anyway.

Lomography…

Speaking of grey… I have been picked by Lomography to test their new Postdam Kino 100 film. From what I have seen it looks like an amazing film. It is inspired by old German cinema. And from the images I have seen what they have shot I am actually really curious what it will give me.

The only thing is, because it is 100 ASA I need a lot more sunlight. And the Netherlands is still grey…

But as soon as I shot it I will dedicate a blog post to it. So stay tuned for that…

Developing stuff…

Lately I have written a lot about developing. Especially on Instagram. And filming it to and such. But I am trying to keep it on my own blog to a minimum.

The whole reason for that…

I just want this about the art of photography and my adventures. Projects I am doing. And even maybe a sort of diary with things that come to my mind. Not one of the many gear or technical blog that are out there.

I am a photographer first. The rest is just bonus…

I do like I said, share that stuff in my Instagram. That whole platform is as contemporary as it can be. It has it’s uses. So that seems like the right place for that.

Also you probably will on some guest blogs that I am going to write. And have written already. You can find one on 35mmc. I have written a 5 frames with. Go check it out if you like! Click here.

There are also some other ones in development. But I will let you all know as soon as that will materializes.

Searching for stories…

After I return from Israel and the Palestinian territories and processed all of my work I will be looking for another place to travel to. No idea which one yet. But I am doing plenty of research. Nepal, Papua New-Guinea and Uzbekistan are on my list. But it always can change.

I am open for suggestions though. So if you have some. The comment section is open, so you can always drop a comment if you want.

The stipulation is. I do need to have a story to tell. The main focus is that I want to steer my work towards that I create more depth in my images. Not only with composition. But also ,it needs to be about something. Otherwise it will be just one of the many millions out there. I need to get out of that street photography flow and more into my documentary photo-journalistic flow.

So I am looking for events that are happening. Some special festivals. Tribes or (sub)cultures. It’s a difficult task. But hey, if you want that your work means something…

Ramble on…

Not the famous song of Led Zeppelin, but this time it is me that is starting to ramble again. So it is time to close the lid of my laptop and go to bed. Because I am finishing this story up on a Saturday night…

Oh!

And I bought a “new“ enlarger for my darkroom. Time to print!

Alright. This really was it. For now at least!

- Cristian

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

One of my few color shots lately.

One of my few color shots lately.

And another color one.

And another color one.

A quick date with Kodak Tri-X.

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian

The small KOZP demonstration photo series...

Protest…

Last Saturday I attended the “Kick out Zwarte Piet” demonstration to document it held at the city of the Hague.

In the Netherlands where I live we have a holiday named “Sinterklaas” or in English, Saint Nicholas.

Saint Nicholas is accompanied by Black Piet, and that is where the whole story is about.

Black Piet is portrayed as a black face. And in these times while we try to fight racism so hard on one hand, and the world is getting more polarized on the other. Is there really still a place for a character like Black Piet…

Pro or Against Piet. This is a tumultuous time which exposes some horrible cracks in the, for the outside world, the very tolerant society of the Netherlands.

And that alone makes it an important time for Dutch history…

For me… That means it needed to be documented.

Tolerance…

If you are curious where I stand on this topic…

I am against racism, intolerance, and discrimination in any, way shape or form. Period.

We should go back to Krampus anyway.

He is way cooler and is the first OG of Piets…

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Five things I learned about (Photography) going to Jerusalem the second time...

Hey all!

I am currently really busy with the processing of all of my material of my latest trip to Israel and the Palestinian territories. But that is a long process and when it is all done I want to write a big article about it. And find a proper way to present it to the world.

Until that time arrives I will write short blog posts like this to keep the information and sort of involve you all in a bit of my process.

So this piece part one of a two part piece with five things I have learned during or after my latest trip to Jerusalem and the Palestinian territories.

First one is about photography. The second one is about life.

So let's start!

Part one: Photography...

Like I said. Currently I am in the process of working through all of the material I made and that is just something that takes time... A lot of time!

In short. I took around 1100 photographs and I am editing them at the moment. Part of that process is also voicing visually the intent of the photograph. And ultimately after all the editing is done the post processing start.

Of the approximately 1100 photographs there are only a few that will make the cut and want to share with the world.

During that process which is not even done. I ran into a lot of issues. Not everyone shares that stuff. But I am a big believer in that running into problems or even failing is a big part of getting better. It's a rule you can apply to everything in life...

Same goes for photography!

And the whole trick after the whole failing or running into issues thingie. Is that you just don't give up! Get back on the horse and just go go go!

Learn from it. Feed from it... Grow from it!

Btw I am not only summing up stuff that went bad. It's also good to reflect on stuff that went well, or even good! Because also that is a good thing to know.

Alright here it goes. Five things I learned!

  1. Don't buy new gear!
    A couple of weeks before I left for my trip I switched from Olympus to Fujifilm. I sold all of my lenses and my beautiful Olympus PEN-F body... And I did not even hate my gear. There was nothing wrong with it, and I am a firm believer in that you can't buy a bad camera anymore.

    It was more that I was chasing some sort of look or vibe that the Fujifilm sensors have. And I just felt it was time for a change. And if you never try something new you will never know you will like it or not!

    The whole difference between my Olympus PEN-F and Fujfilm X-E3 is a whole other subject to dive into. Because the end conclusion is I love them both. The point I am trying to make here for the DO NOT BUY NEW GEAR issue is the learning curve!

    My ego let me believe I worked enough hours with the Fujifilm to understand the device completely and I would not make any mistakes with it.

    Well I was wrong...

    For example the aperture I shot on my Olympus to get everything sharp was around f5.6 or lower. On my Fujifilm it was way lower. And I realized I had to take my photographs around f8! That resulted in some shots I had a shallow depth of field when I did not want it. Especially when I missed focus.

    That brings me to another point. I missed focus! A lot!

    I was like: How the hell is this happening! Back home I did not have this problem!

    There is a difference between photographing back home and while traveling. And that too will be material for another blog post. But in this case, the conditions were different. The people were different even though I was there before. The gear of course was different. My mindset was different. All the narrow alleyways and using certain techniques to get a shot and doing stuff on instinct. All of that together gave me some out of focus results.

    I analyzed it all. And one of the things was the the single point focus on my Olympus somehow let me get away with errors. While the single point focus on my Fujifilm was unforgiving. If you miss it, you miss it!

    I switched to zone focusing instead and that worked better for me in those conditions. End result. More material I am satisfied with. And no customer or viewer of your art will care if you used a single point focus method or a zone focus method. It is all getting the shot and the story you are telling. 
     
  2. Do your research.
    Like I said, it is not all about the bad things. You also need to reflect on all the stuff that went well!

    For me it was arranging my guide or fixer or whatever you want to call it. Making a plan on what you are going to do everyday and also leave some room for spontaneity. Having a back-up plan if something falls short. All of that so you can get the most out of your time.

    I planned everything well. And I also was very lucky that nothing went wrong. I think on that part I had the smoothest trip ever. Planning helped.
     
  3. Update your software.
    This one is actually not about the time during my trip. But more about the process when you return and start to review your work do your post processing.

    I looked at my shots and I was getting angrier and angrier by the day. My photos looked like crap. And I did nothing wrong! Why? Why was this?

    I was getting into fights with my raw files. And got a bad case of worming. Man o man I was getting frustrated... My photos looked like a watercolor painting!

    A fellow photographer said to me: Cris, did you update lightroom?

    Fujifilm raw files had got some issues with lightroom in the past. And after a lot of Google searches I read that there were a lot of people that used alternative raw processors and bypassed lightroom or not used it at all! The switched to alternatives like for example capture one.

    Small side-note. I used to have the last standalone version of the original lightroom. Because I refused to be part of the subscription model that Adobe started.

    I actually like lightroom a lot. So I followed his advice. Put my ego aside. And updated purchased the monthly version of lightroom. And as soon as I openend my photographs again they looked a lot better.

    I combined that with a different way of sharpening and voila! Instant happy Cris!

    Btw. The whole sharpening thing with Fujifilm raw files... Only use the sharpening slider a little. Use the detail slider more and pull back the radius.
     
  4. Shoot a lot of shit.
    Maybe it is a bit redundant to say. But I hope I don't have to tell any photographer that it is to take a shot extra than you have not taken the shot at all...

    That especially is true with memory cards. Fill those puppies up and shoot everything that peaks your interest.

    And no. That does not automatically nullifies my post about "f##k instant gratification". Those are two completely different things. And if you have a goal in mind... Do whatever it takes. There is no award for getting the decisive moment in the least amount of photos...
     
  5. Take your time!
    I saved this one for last...

    Because for me this is the most important one.

    Why?

    Because I did not do it...

    I wanted to get the ultimate photograph so much. I soared and roared across the area like a idiot. My drive that I am so proud of got the best of me.

    The end result was that I did not take the time take in the moment as I normally do. And that sucks. It is not that I have bad photographs now... But in retrospect there were moments where I should have taken my time more the choose another angle. Or kneel down to take the shot. Get closer. Wait longer. Getting the details more right.

    What if is miss something?

    That mindset held me back to look at some little details. When you see a scenario and you don't need to react in a split second. Just take your time... Relax... Take two photos extra. Inhale... Get low or high. Analyse... Wait for the light. It will all come together if you just let the moment be...

    It is hard to explain I guess... But there goes a lot detail in taking a good or even a great photograph. And a lot has to go with a certain flow and peace of mind. You feel it when you do it. And once you made one. It is a feeling that you will forever chase again...

 

Alright! This is it!

My five lessons about photography. I hope you enjoyed them!

Stand by for Part two: Life...

 

Catching that decisive moment...

Catching that decisive moment...