StreetPhotography

Playing with color... by Cristian Geelen

I am a lover…

I am a lover of Black and White photography…

If I had to pick my soul apart and examine that little bit that is responsible for photography you will find out it will consist out of bit and pieces of Ilford Delta 400 or HP5+ and Kodak Tr-X. DDX and HC110.

But in that whole mess of Black, White, and all the shades of grey, there is a secret part that loves color.

Seduced by the wonderful tones of Steve McCurry and his Kodachrome. A mistress of the vibes of William Eggleston. Or a unspoken connection with the works of Harry Gruyaert.

So got myself some rolls of color film. Just because I felt like it!

I have got my hand on some Cinestill 50D and Kodak Ektar. And luckily for a short while there was no shortage of light. Did some casual roaming around. And had no real structure whatsoever. Just photographed everything that peaked my interest. I mean, I will be traveling in a couple of weeks again to work more on my ever evolving Israel project. So casual and just having fun is all I needed for now.

And it was fun! I mean, everyone knows that shooting analog is always a surprise. And way more difficult than digital. Also you don’t have the luxury of your back screen. But in comparison to Black and White you have to think in color.

So I tried to look for some colorful scenes and just clicked away.

Because most of the all color that I did shot lately was digital I was quite excited! So curious what the end results was... I was particularly excited for the Kodak Ektar. No specific reason. I just love the vibe of it, if that is reason enough. I am not very good at describing color pallets…

Me and my big bucket…

Since I do all of my developing myself I developed these rolls myself too. And in comparison to Black and White development I actually think color is more easy. With Black and White you can influence a lot by tweaking your entire developing process. From agitation to different developers and all of it you can think of. With color it is more straightforward and you can fuck less up.

The biggest challenge with color I think is getting everything to 38 degrees Celsius.

If you have followed my Instagram stories of that day. You might have noticed I have used a nifty little trick for that… If you are curious. Well… I guess you just have to follow my Instagram stories in the future to find that out haha.

Pushing it…

No this is not a reference to a Salt-N-Pepa song. But I did pushed it real good! To 400 to be exact. I think I only shot one roll at box speed. That was one of the cinestills’. But since I always like to push it, and 50 and 100 ASA is really not enough. I was like; screw it! Crank it up!

Added 30 seconds per stop to the developing time and it all went down as smoothly as a nice IPA on a sunny day. Or any other day…

Happy as a camper…

When I scanned the results I was indeed happy as a camper. It all looked wonderful and especially the reds really seem to stand out. This is why I shoot film… The smile on my face when you get the rolls out of your tank and seeing you film dry and after that the end result in an beautiful image. Or a sucky one when you screw up haha.

I would have loved to print some, but at home I can only do Black and White printing. I will look at that process maybe at a later time.

Wrapping it up…

Not wanting to make thing one a too long of a post, so I am going to wrap it up. Like I wrote in the beginning, I am about to work on my project again in a couple of weeks. And I need to get everything ready. So here are a couple of images of the rolls. Not all of them, otherwise there is noting left to share at a later moment…

So thank you for reading. And since you have made it this far. Here are the images.

- Cristian

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

CInestill 50D EI 400.

CInestill 50D EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D EI 400.

Cinestill 50D.

Cinestill 50D.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Kodak Ektar 100 EI 400.

Andante - Portrait series of the soul. No 2. - Reham by Cristian Geelen

Andante…

Or in other words… Slow…

A musical term that means slow. And also the name of my portrait series.

I found it on the cover of an vinyl LP record I inherited from my father and the music on it was exactly how I felt. And even represents a side of me. Of course I have a happy side. But my other one is full of romance, love, sadness and melancholy. I embraced it and love it very much.

The name: Symphonie Espagnole, Op. 21 IV. Andante.

I wrote about it in an earlier blog post which you can find here.

Time…

For me it represents time… When you are doing something you like or love and are having a good time it flies by, and when you are going through hardship or have to wait for something it goes as slow as it can be. But time is only to spend once…

That’s why it is so valuable.

Reham…

This portrait series I just want to do by gut feeling. And that is how I choose the person I ask to photograph. I was thinking for a long time about whom I could make my second part of the series with. Than at one moment, I woke up in the morning I was thinking about Reham. I knew I wanted to photograph her for a long time but the puzzle pieces never connected until now.

Reham is a beautiful young soul of Palestinian descent that was born in Syria as a refugee but was unable to reuturn home. From Syria she went to Dubai, Lebanon, Egypt, and Turkey, before eventually ending up here in the Netherlands. Now studying computer science at one of the best universities of our country.

She is one smart cookie.

I’ve met her during a diner named “Diner voor gelukzoekers“ (Diner for fortune seekers) a couple of years a go hosted by Roos. The woman in the first version of this series. Everything is connected.

My process….

So how does that translate to my photography? Well… As you can see in the first one. It is full of people passing by as souls. And in this one… Trying to capture it. This through a medium of analog film instead of digital. A slower process of manual focusing and metering and developing it myself. Also, during that slowness I wanted to capture more…

I wanted to capture her power!

Her heart.

And eventually her soul…

A young powerful woman that is youthful and experienced at the same time. So after a couple of hours wandering through her hometown I think we succeeded. And during the editing process I ended up with four frames which I thought that would show everything perfectly.

What EI I shot it at or which film I used is not important. Except maybe that I always use Ilford for everything. With some exceptions of course. Other than that giving someone a safe space to open up is way more important.

The rest is not only film chemistry, but chemistry between you and the soul you are photographing.

So hereby…

So hereby. My second part of Andante - Portrait series of the soul.

- Cristian

Digital vs Analog, Israel, testing stuff, and other project updates. by Cristian Geelen

Hey everyone!

This blog post is not really a dedicated story about something particular. But more of a quick sum up of everything that is going on. I will address my photography and I will be addressing a little bit of my travel plans and projects that I am preparing.

So I am putting on some Tool (The band) and just write away!

And at the end some images… And yes. Even some color… As a reward for reading through everything haha.

That analog life…

If you have been following me you probably noticed that I am getting more and more into analog photography. Not that there is anything wrong with digital, but I just think it is tons of fun!

For everything is a time and a place though.

It started out with just pure curiosity. How it works, and aesthetically it is just amazing. For me there are too many variables in digital photography if you are really into the whole mega post-processed stuff. But I am more of a documentary photographer anyway. So it is not that bad. But I remembered when I started and before I have found my voice photographically the amount of stuff what you can do and achieve are almost limitless. That can be a advantage… But for me… It is not… The less of distractions in my gear the better.

With analog I pick a film that goes with my subject matter. Of course you need to do some post processing. That part is not different. Unlike some people like to believe. But your base is just different. And because of that I can focus more on my composition instead of being a Lightroom warrior.

Sitting in a Ferrari…

The fun thing is. After you have shot analog for a while as soon as I grab my digital camera it feels like I am sitting in a Ferrari. Everything goes so quickly! You can review what you are doing, not to worry about a full roll, auto focus all of sudden… Man! Like a hot knife though butter!

I already mentioned this once before. But every-time it gives me more and more respect of the photographers from the golden age and all of my heroes. In comparison shooting analog is just goddamn difficult!

Shades of grey…

The world is not black and white like photographs, but situations are as grey as they come. Same in the case of photography. And specifically; what do I bring on my upcoming project…

I will be traveling to Israel and the Palestinian territories again at the end of April. Continuing with my everlasting story I want to tell.

And despite I want to shoot most of it analog. The thing that is going through my mind is.

Is it practical?

If you have ever been to for example Jerusalem. The amount of detectors you have to go though is enormous. And the last thing I want is that my film is getting screwed up by all the scanners and stuff. Of course on the airport you can ask for hand checks. And as you have read in my Vietnam and China blog, it is not really a problem. But I just don’t want to take the risk. Because if I lost any of my images again I definitely get a heart attack or something. It happened already to me last year and, I don’t want to happen it again.

In the end my heart will probably kick my brains ass and I will bring digital and analog anyway.

Lomography…

Speaking of grey… I have been picked by Lomography to test their new Postdam Kino 100 film. From what I have seen it looks like an amazing film. It is inspired by old German cinema. And from the images I have seen what they have shot I am actually really curious what it will give me.

The only thing is, because it is 100 ASA I need a lot more sunlight. And the Netherlands is still grey…

But as soon as I shot it I will dedicate a blog post to it. So stay tuned for that…

Developing stuff…

Lately I have written a lot about developing. Especially on Instagram. And filming it to and such. But I am trying to keep it on my own blog to a minimum.

The whole reason for that…

I just want this about the art of photography and my adventures. Projects I am doing. And even maybe a sort of diary with things that come to my mind. Not one of the many gear or technical blog that are out there.

I am a photographer first. The rest is just bonus…

I do like I said, share that stuff in my Instagram. That whole platform is as contemporary as it can be. It has it’s uses. So that seems like the right place for that.

Also you probably will on some guest blogs that I am going to write. And have written already. You can find one on 35mmc. I have written a 5 frames with. Go check it out if you like! Click here.

There are also some other ones in development. But I will let you all know as soon as that will materializes.

Searching for stories…

After I return from Israel and the Palestinian territories and processed all of my work I will be looking for another place to travel to. No idea which one yet. But I am doing plenty of research. Nepal, Papua New-Guinea and Uzbekistan are on my list. But it always can change.

I am open for suggestions though. So if you have some. The comment section is open, so you can always drop a comment if you want.

The stipulation is. I do need to have a story to tell. The main focus is that I want to steer my work towards that I create more depth in my images. Not only with composition. But also ,it needs to be about something. Otherwise it will be just one of the many millions out there. I need to get out of that street photography flow and more into my documentary photo-journalistic flow.

So I am looking for events that are happening. Some special festivals. Tribes or (sub)cultures. It’s a difficult task. But hey, if you want that your work means something…

Ramble on…

Not the famous song of Led Zeppelin, but this time it is me that is starting to ramble again. So it is time to close the lid of my laptop and go to bed. Because I am finishing this story up on a Saturday night…

Oh!

And I bought a “new“ enlarger for my darkroom. Time to print!

Alright. This really was it. For now at least!

- Cristian

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

Ilford Delta 400

One of my few color shots lately.

One of my few color shots lately.

And another color one.

And another color one.

A quick date with Kodak Tri-X. by Cristian Geelen

Leftover rolls…

I thought it was a good idea to write more about some of my processes. And especially when I shoot something different than regular. Of course I would rather give you constant travel and adventure updates. But unlike the internet likes you to believe, real life is not always like that.

I shoot both digital and analog. But all of the experimenting you can do with film is just so much fun! Of course when I shoot with film I have my preferences. I just love Ilford and particular HP5+ 400. For me it is the perfect film. But sometimes I just have to try out new stuff.

And in that case, old stuff. Because when I was cleaning up my fridge I found out that I had two rolls of Kodak Tri-X 400 left.

Good excuse to go out and shoot.

Sidenote: I noticed afterwards that I even had some more. But those are expired. I will safe all the expired film for a later fun thing when I have plenty of time to spend.

Just doing random stuff…

I had no particular plan or anything. I just went out and shoot. First roll of Tri-X 400 on EI 1600 and than pushed two stops with developing. Same as I actually always do with my film. And the other one on box speed so I could screw around with long exposures.

The thing is. You do have to develop twice in that case. So don’t plan it when you are in a hurry and you want to see your results quickly. You can’t dump them in the same tank.

The first one which I have shot wasn’t all that different from every other film you eventually push two stops. So that was just walking around Amsterdam, Haarlem, and Utrecht and having fun.

For the second one I have brought along my tripod. I was trying to experiment with long exposures and multiple exposures at the same time.

The long exposures as a single shots turned out well. There was nothing wrong with those. But when you combine them with multiple exposures you miss the definition in the people. You only can get them when you are really quick with the “please don’t advance the film“ lever I think. I guess that is the whole reason why Titarenko was so good. Making good long exposures with people in it are just goddamn hard.

Technical details…

As far as the technical details of the developing process. I have used Ilford DD-X developer, Ilfostop, and Ilford Rapid Fixer. All of them on 20 degrees Celsius. So nothing fancy actually.

Deja Vu…

No philosophical message this time. Except for maybe just have fun and try new stuff… But what I did remembered is why I don’t like Tri-X! And that is it is curly as hell! And the film also damages quite easy I think. And it is not that I am a ruffian with the medium.

No dust magnet though. So that is a plus…

On aesthetics. I think that is just a matter of taste. I just like the way Ilford looks more. It is more me… Although Tri-X also has that classic look that all of the legends had. Sometimes you get that whole Garry Winogrand or Bruce Gilden vibe.

Speaking of legends!

What I always get reminded about how much shooting analog differs from digital. Especially mirror-less… You get instant feedback how your image looks. Particularly with those electronic viewfinder… Oh boy. I get why people like it. And than to think of it what kind of amazing work all of my heroes produced with all of the equipment from that age.

No auto focus…

No electronic viewfinder…

No feedback…

I mean, you have to visualize the entire image. And your feedback how it looks can take from hours to days. No fancy gadget makes you a better photographer. But it sure makes life easier.

But I digress!

Like always!

My damn monkey mind…

Not the longest post this time. But in the end it is just about sharing work and words, and hopefully that it reaches someones heart somehow.

Have a good one….

- Cristian

Going to Vietnam, Listening to an old lady singing Celine Dion songs, and freezing in China by Cristian Geelen

Bags are packed…

I started writing this post in a stuffy hotel room in China. Meanwhile in the background the television was on, and a lady with a mustache singing Celine Dion songs. All of this together in a perfectly choreographed dance with her partner. Gotto love Chinese television…

So what the hell was I doing in a stuffy hotel room in China?

Well… I was on my way back from a trip I never would have expected to take this year. Vietnam!

I didn’t have that much time…

It was a short trip. I only had two weeks, and I had to make a short detour through China. Not that I was complaining, but China was freezing my balls of so cold was it! The downside was that having a long layover is that it will eat your time up at your final destination.

But with everything in life. You need to see the positives of it. And that gave me some thing to do some sightseeing in China itself. Despite I didn’t bring winter clothes. Silly me…

I just checked the weather in Ho Chi Minh and that is it!

The start of my adventure…

My adventure started about two weeks earlier give or take. Hopped on the plane in the middle of the day. Got all my baggage checked by security. And off I went.

In my research I looked for stores in Ho Chi Minh that sell Ilford film, and maybe some other analog stuff. This, because I was trying to minimize the chances of film going through an X-Ray scanner. Those scanners say they are film safe. But most of the time only to 800 ASA and I guess when you value your work you just don’t take the chance. It can leave some ugly glow across your film or some even more ugly lines. X-Ray is also light. Just very strong. The security personal did noticed my camera gear btw, and treated it with all of the care it needed. But more on that in the conclusion of my story.

The lady with the sign…

Anyways! After about and eleven hours I arrived in Beijing. And my whole plan for the layover was to do some sightseeing and maybe rent an sleeping pod for a couple of hours somewhere. But to my surprise there were two lovely Chinese ladies with a sign and my name on it! Also the name of some other travelers.

There was a little confusion because of the language barrier. But after a lot of talking with hand and feet the end conclusion was: Free hotel room!

Woohoo!

I like free stuff! But maybe that is because I am Dutch haha.

It turns out that you get a free hotel room with your plane ticket when you fly with China Southern airlines. Who would have known…

So got my 72 hour visa. Everyone got a sticker except for me. :( And took a long shower in the hotel room.

Sightseeing time!

My fellow companions of fate were a Dutch couple, a dude with a Roomba, and a German couple. We exchanged numbers during checking, because when you encounter these kind of surprises it is always smart to sort of have a line to each other in case something is the matter. And we all wanted to see the great wall of China.

So here we went! In the taxi, of to the great wall. And getting some Chinese money in the process. I called them Yen, but that is Japan. Sorry Japan! haha.

Because it was so freaking cold the great wall there were no crowds there. So for me that meant great photo opportunities!

Time for some noodles and onward with my journey…

And so I did…

After another six hour flight I arrived at Ho Chi Minh airport. We all split up to our final destination but the German couple was looking for a place to stay. And told them I was not staying in the party district, but in hostel at a district that was more easy going. I am not much of a party person, and my main goal was to photograph and chill out.

2019 is going to be a busy year for my with some hard to photograph places. So this was my sort of work / vacation trip.

They liked the sound of that and decided to join me.

I am so they did because they turned out to be this trips amazing souls.

If you follow me and my projects and travels I always met a person or persons that will make everything worth while. India there was the Professor. Claire and Ricky always have a special place in my heart. Chana. And the list goes on and on… If I didn’t name you, believe me, I didn’t forget you.

And now Tino and Alina. Thank you so much for the wonderful time I had while I was in your company.

Time to kill…

We could’t check into the hostel yet because we had to wait until two ‘o clock. So that meant time to kill.

Btw, the hostel I was staying in was DaBlend hostel. It was the cleanest hostel I have ever stayed in. Everything was so well organized. And the personal, especially Khoa are the coolest. So if you are like me and just want to do some work while chilling out if you are in Ho Chi Minh go to this place. Here is a link.

It turned out Alina is a photographer too. So after we dropped our bags and had some ice coffees we went out to do some photography. Got some great shots in, and walked a lot and had loads of fun.

Dragon Ball Z hands and time for bed…

We ended the super lang day with some beers and some food and some more beers on the roof. Apparently after I have had some Saigon beers I get Dragon Ball Z hands. Who would have known…

Time to rest…

Getting my hands on some film…

Ah morning! Time to be productive. I do my best photography alone and I also needed to get my hands on analog film I went out not too late. During my research I found the croplab.

Croplab didn’t have the film I normally use. I am a big fan of Ilford HP5+. But all they had of the Ilford brand was PAN 400 and Ilford Delta. In the end I chose to ho with the PAN 400.

Never had that one before and had to make a decision on the spot. So PAN 400 it was!

After I bought it I did some research during my rest moments. And it turns out it is not that common that you can get it here in western Europe. So that made it even more exciting for me! It was one big surprise how everything was going to turn out.

More on the results of the developed Ilford PAN 400 photographs in the blog post after this one.

The upcoming days…

The upcoming days were filled with everything I have planned. Went to a monastery close to the Cambodian border. Altough it was very cliche, but a big part of the history of Vietnam went to the Cu Chi tunnels and also shot some guns, and of course, plenty of more photography.

It broke my heart…

I do have to say this. And this is a reprimand to all tourist and I am very serious about it. At a couple of places. And especially the the religious places. There were a crapload of people misbehaving. And no, not young people. People of all ages, but especially the “elder” crowd.

It broke my heart that at a place where people were performing these very old traditions the tourists treated it like it was the McDonald’s.

Behave! Don’t be a dick! And keep your mouth shut! And also put that selfie stick in a place, or selfies in general, at a place where the sun doesn’t shine.

I am not doing that at your home either!

So if you read this. And you have the feeling that I am addressing you, I probably am.

Observe. Don’t consume!

You should know better…

Back to the fun stuff!

We took public transportation to most of the locations. But it takes a while. So at one time we were completely beat, and also a little scared that we weren’t able to get into the city because Vietnam was in the finals of the AFF Suzuki cup (Soccer). Luckily we entered the city just in time before the final whistle. Had to make one stop. But when the final whistle blew the city exploded in joy!

Haha at one point we had to celebrate with a group of Vietnamese people who were so excited to see us. Can’s of beers! Lot’s of photos with the foreigners! And chanting and cheering!

Congratulations Vietnam on the cup!

Time to get home…

Of course I want to tell you every other bit of this adventure. But i will spread those across future stories. Or maybe when you see me in real life, you can buy me a beer and I will tell you anyway.

It was time time for me to pack and head home. Lot’s of photos. Digital as well as analog.

The route i was going to take was the same one as I took on my way towards Vietnam. But now with a crapload of analog film.

I told all of you earlier that film can’t really handle X-Ray scanners that well. So I asked everyone security officer if they were able to hand check my film by hand.

And they did!

I guess this also counts like everything in life. Just ask politely, put up a big smile, and tell passionate about the gear you have. And don’t feel entitled to anything.

All of the security officers treated my film with all the care they could give it. As they did with me. Some even got excited to see it. That gave me a comfortable feeling.

If you don’t want to risk it anyway. The alternative is to find a place that can process your film. Developed film can not be harmed by scanners.

The reason I bring undeveloped film home with me is because I want to be in complete control of the developing process.

A couple of days later…

Now I am back at home. Already thinking of the next adventures I will have in 2019…

Not listening to Chinese Celine Dion, but to the Doors on vinyl.

Having the daunting task to go trough all of my work. That is always quite the project by itself…

Alina and Tino thanks again!

Merry Christmas you all of your that have taken the time to read this blog post.

The next one will be about the analog photographs I took and the developing process.

And remember…

It is Christmas 365 days a year…

- Cristian

Ilford HP5+ at box speed, a Nikon FM2n, and a people in yellow vests... by Cristian Geelen

I fell in love…

I was waiting for my package and the mailman app made me even more excited because that notified me it would be delivered today…

And with today I mean last Saturday, December first.

The package contained a something special. At least for me… I wanted to have this camera for a long time. And faith decided that it was time for me to acquire one.

The camera? A Nikon FM2n.

It arrived in perfect condition so I was good to go! The plan is to take it with me to Vietnam. But I had to be sure there weren’t any light leaks. I mean, light leaks aren’t a problem, but I don’t have any time left to fix it before I go.

Luckily there was another demonstration going on in the Netherlands. So it was the perfect testing ground for my new beauty.

Developing

I develop my own film. So a day after I hopped in the kitchen and made my delicious rodinal soup to develop me some Ilford HP5+.

BTW! I will dedicate a later blog post solely on developing black and white film. I think it is some interesting stuff to share.

After that. Scanning began! And indeed! No light leaks!

Below are the shots. The first bunch is of the Nikon FM2n. And the later ones are digital shots taken with my Nikon D810.

Nikon FM2n

Nikon D810

The small KOZP demonstration photo series... by Cristian Geelen

Protest…

Last Saturday I attended the “Kick out Zwarte Piet” demonstration to document it held at the city of the Hague.

In the Netherlands where I live we have a holiday named “Sinterklaas” or in English, Saint Nicholas.

Saint Nicholas is accompanied by Black Piet, and that is where the whole story is about.

Black Piet is portrayed as a black face. And in these times while we try to fight racism so hard on one hand, and the world is getting more polarized on the other. Is there really still a place for a character like Black Piet…

Pro or Against Piet. This is a tumultuous time which exposes some horrible cracks in the, for the outside world, the very tolerant society of the Netherlands.

And that alone makes it an important time for Dutch history…

For me… That means it needed to be documented.

Tolerance…

If you are curious where I stand on this topic…

I am against racism, intolerance, and discrimination in any, way shape or form. Period.

We should go back to Krampus anyway.

He is way cooler and is the first OG of Piets…

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The one about how photography is looked upon across the world. A sour market salesman. And you and your work are important. by Cristian Geelen

Ah Sunday morning...

The day I am finishing up this blog post.

Getting through some world news. Having some coffee. And listening to some vynil. Perfect conditions to finish this story up. It is going to be a long one, so get ready to challenge that millennial attention span! 

We will touch a couple of subjects like GDPR (law), differences how photography is viewed around the world, and that your work is important.

So let's start...

I wanted to write this article for a long time. And my encounter with an incredible sour market salesman in one of the busiest places of Amsterdam sped it up a bit.

I was so happy last Friday. It was finally raining again... Oh boy I waited for that moment so long! Rain for me is the ultimate photographic aphrodisiac. I write about it sometimes in my captions. Rain makes the masks fall off from people. People wear multiple masks. Especially here in the rich west. As soon as it starts raining they disappear and start getting real.

Some get angry, some get happy, and some just don't want to get wet. For me as a photographer that is important because you can document how they are. Not how they pretend to be. That is a big difference in the story you try to tell.

I got on the train and started walking. It was not a bad day, and I think I walked around 12KM or something. My usual distance...

Unfortunately the rain was not as present as I hoped. And it took a while before I got in the flow. But after a while I started to warm up and gotten more and more shots in. 

After a couple of hours I was almost done for that day. But I made small detour because there is always a market in Amsterdam on one of the squares in the city center. And market is a good opportunity to work with layers and lines. 

So I walked around a bit. did some layers shots. Walked to the end. Shot some more. And looked for some interesting scenes, stood still for a bit, and decided to walk back because I was in the mood for a beer.

The moment I decided to walk back I got spoken to by a market salesman sitting on a stool. Apparently he noticed me and he made a very weird remark. And instead of letting it go, or even worse, get affected or angry, I decided to start a conversation with him. 

The reason for this; a couple of weeks earlier the lady of flower shop not far from there started yelling at me because I took a photo of her shop from 20 meters away. And that is quite the distance with the focal length I am shooting with haha.

For your info. I use a Fujifilm X100F at the moment. That one has a fixed focal length of 23mm on a APS-C sensor. That means 35mm Full-Frame.

Normally nobody notices me, or they just don't care. Or they like what I do. Especially when I talk to people. I actually never had any bad experiences before. There are four I have ever had in all the time I have been photographing. Including the sour market salesman.

Once I got a message from someone who thought he could get rich of me. A junkie somewhere in the middle east tried to shoot me, but I think it would have been the same if I walked around that neighborhood without a camera. The flower lady. And the sour market salesman.

Three out of four incident happened in Amsterdam.

Let that sink in...

So before that last situation happened I started thinking about that subject matter. And what it means and let my whole monkey mind go nuts on it.

Remember my monkey mind?

Back to the conversation with the sour market guy.

Because of I was so intrigued by his remark and why he and the flower lady reacted like that I engaged the conversation.

So I stayed very polite. I explained him who I was and what I do. And asked him why he reacted the way he reacted.

The sad thing is, he could not give me a good explanation...

He just kept saying it was not allowed to take pictures. And after I told him what I do with the photographs. A brief history lesson about photography in Amsterdam and Ed van der Elsken. And actually that I am allowed, he still didn't get it.

His buddy who was sitting next to him did get it. And actually was very interested. Thank you sir. You were actually very kind...

After that he started getting mean. He told my I would fail in all of my endeavors, did some additional cursing and some other very rude remarks that were completely unnecessary. And I don't need to repeat to get my point across with this blog post. I giving the situation enough attention as it is already. Also some bystanders came to support me and tell the guy off.

The thing that stood out most from that conversation is he could could not explain himself.

Besides that. The market in that area is based upon selling artwork. So why don't you understand that photography is art?

From a commercial standpoint you are hurting your own business by making a scene in front of your shop. So why do you want to do that?

And I think most import. You are in one of the busiest sections of Amsterdam with your stand. You know that there are a lot of tourist there that just want to have a good time and take photographs. Why in the hell do you think your ego is so important that you can get mad at someone for taking a photograph?

I could go on and on... But I guess I need to start getting to my point before it becomes more of a rant instead of a informational piece.

One of the explanations I gave was that I am documenting life and when I am not traveling I document Amsterdam. His response was; photograph somewhere else.

Of course there is a lot more nuance in the whole conversation. But still...

And I did not even take his photograph. And even if I did, and he didn't like it. He could have told me in a normal civilized matter. I can totally understand that.

But unfortunately being angry and rude to people is a trend see evolving in the city. Espacially bikers yelling at tourist. Come on! You know that you are riding your bike in the city center. Most tourist have never seen so many bikes in their life. So why be angry at them? Just take the other lane one more street further where there is nothing to yell about...

But back to the core of the article!

On "How photography is looked upon in the world"

I was curious; Why!?

It is so strange that of all the places I have been the one back-home is the one with the weirdest reactions?

In Japan for example photography is a big part of the culture. Everyone likes it. Same goes for the entire South-East Asia. You will not have any trouble there. I know tv shows from Korea which are totally dedicated to photography and they follow heroes like Alex Webb and David Alan Harvey.

Northern Africa is a bit more difficult but if you use your common sense you will not have any trouble. But you can run into that sometimes people cover their faces. Same goes for the Middle-East. But that should not give any problems if you are just polite.

And of all places Iran has been the most photo friendly country I have been so far! People want to be in your frame! In Tehran I have gotten so many nice responses. Who would have thought that!

I still have to go to India. But I will be there in October so I can tell you more when I get back.

So why here...

Is it because of the paparazzi that ruined photography for us all?

Is because everyone has a cellphone with a camera on it and we see so many crappy photographs?

Is it because the west is getting less and less educated in art?

Or is it because we have became so wealthy that with all the technology and living in a  "Garden of earthly delights" like society  (the painting by Hieronymus Bosch ) that were are so into instant gratification  and are just motivated money, lust, and ego?

I sincerely hope that someone can tell me that answer. Or maybe I will find out myself in the near future...

It is fascinating how big the difference is from country to country.

It is not all bad. And maybe it even differs from city to city.

For example: In the city of Scheveningen. Which is a small town next to the Hague. There is a huge exhibit going on about Street Photography / Social Documentary which has been shot and exhibited on the beach. And everyone likes it!

The exhibit is on the big pier BTW! It is worth it so go check it out... 

The other things that I took from that conversation is the "I hope you fail...", and "You are not allowed..."

On "I hope you fail..."

Besides it is just very mean to say. I think we as photographers. Or as artists in general we have an very, and I repeat very Important job. We are story tellers. Either it is through photos, painting, music, or sculpting. It is made to move people. Make them happy when they are sad. Heal them or giving a feeling that they are understood. Or even educate people and hold a mirror in front of them. Or maybe even a critique to society...

Also! Art is a way to tell how life was during this time. How it was perceived. I see photography as the only way we have a real life time machine. The one thing that can stop time itself. Other ways do not exist. And there is no way the most important moments in life can be relived than through this medium.

So yes. To everyone that reads this that is a photographer or a artist in general...

Your work matters!

Especially now. In a time when there is more polarization than ever. More conflict among each other. From the Netherlands to the United States. More people dictating each other what they should or shouldn't do. Racism and segregation.

Sometimes for me society feels like we are repeating history and have not learned a damn thing!

So continue to inspire others with all the beautiful work you are making. And never ever do not let someone else tell you otherwise!

You matter!

Not only as a artist. But as a person too...

So ergo. You matter to me...

On "You are not allowed..."

Of course you are!

*Small disclaimer: I am not a lawyer

Besides from that we have established that social documentary is an art form and not paparazzi. And ethically you are not doing anything wrong.

Laws in Europe have changed. GDPR is now in affect. But after I have done lot's and lot's of research on the matter. Nothing has changed actually...

If you are in a public place you are allowed to take photographs. And you don't need to ask for permission in doing so. 

As soon as you press the shutter button you own the copyright.

But! There is always a big but...

You do have to do it from a journalistic, artistic, or educational standpoint.

Some might even think that you have to erase your photograph. But depending on the country you literally don't have too if you don't want too. That goes for European countries and Northern Parts of America. Remember that the copyright is yours.

You cannot use it for commercial purposes. That means you can not sell it to a big brands and say: here, use this one in your marketing campaign. You have to get model releases.

But you can use it as fine art. Make a print. Or a book.

Like always. There are some nuances in play. But I will link some sources (In Dutch) below. So you can read it yourself.

That of course does not mean you can walk around and being an ass and annoy people with your camera. Remember that you have an important job? That can only be done with ethics and a good heart.

My final conclussion...

This experience raised more questions than answers I am afraid. But more about how we treat each other than about art itself.

And maybe even how hypoctritical we are as a society. 

And when you have gotten to this last part of this article probably means you are a photographer yourself. Or a lover for photography.

So let me explain myself with a question I get sometimes.

"Do you ask for permission?"

Well... Sometimes I do, and sometimes I don't. And if it is not personal work but commissioned or a assignment people know in front that they are photographed.

We look at pretty pictures and all enjoy the works of Steve McCurry, or attend a World Press Photo show, or read the National Geographic... But how do you think those photographs are made?

The decisive moment is once and it disappears in a heartbeat. And you will never get it back. Photographers or artists are the only ones who can make sure it is captured otherwise it is gone forever.

It is not easy to document life. And tell how beautiful the world is. And sometimes very sad...

Let that sink in for a moment and go on by your day...

I guess it is time that I put up another record. I have spend to much time behind the laptop already...

- Cristian

Sources:

NVJ

Arnound Engelfriet (Internet Lawyer)

Ivor Rackham

Freelancer Club

RAW Photo Tours

Did Instagram kill photography? by Cristian Geelen

I woke up this morning...

Thank god...

Because I like waking up!

The smell of incense was still hanging around from last nights meditation... Sun was a shining a bit on my face because I left the curtains a bit open... And my mind went to photography again...

Because I like photography...

Cup of coffee was made... Went back to bed... And turned on my iPad...

Grateful...

In comparison to most parts of the world where I travel to, people don't have the luxury waking up like this...

I started watching "The many lives of William Klein." and Daido Moriyama's "Near Equal.". If you aren't familiar with those photographers go look them up! And make that your main task today...

I let my mind wander... Thinking... Always thinking...

Because I like thinking...

And my monkey mind is always jumping from one place to the other. In this case to a quote from another legend, Elliot Erwitt. "Digital Manipulation kills photography".

Altough I don't completely agree. Because photographs have always been manipulated! Either in the darkroom or in the digital darkroom that is stationed on your computer.

He does have a point!

My monkey mind was going insane again. But it ain't all that bad...

Because I like my monkey mind...

How does Instagram fit into all of this? And what is Instagram actually? And what if William Klein was born when Instagram existed? or Daido Moriyama?

Valid questions... But more so. It gave me also the opportunity to think about the way how the general public uses Instagram. Or any other piece of social media. Or hell! Even how we treat everyday life.

As where I stand now the platform itself is a blessing and a curse at the same time.

Let me elaborate on that.

The positives are quite big actually. It gives any person in the world the opportunity to get their message out there. Either it is music, art, views, or whatever. It can help you build a audience that you otherwise would not have. The whole world at your fingertips! As long as you have a internet connection and a phone or a computer.

Awesome right?

The downside is... Well... us... The people...

Wait wut? What do you mean Cristian!?!?

Well like a lot of things in life it has become more of a popularity contest. We as a species at this moment, and yes I am realizing I am generalizing heavily now, seem to have to attention span of a goldfish! Actually I believe that science already proved that it is even less now...

We choose to get triggered by stuff that is catchy. We see it in our politics, how we communicate with each other, or we rather take a pill to lose weight than change our diet. And even rather send a text than have a telephone conversation because it is scary...

Same goes for art and Instagram.

For me a great photograph is something that you have to analyze... You can lose yourself into... Let yourself escape from reality... Or experience reality more vivid... It is really one big visual story one way or the other. Either it is the traveling tales of Steve McCurry or being in some sort of photographic version of the horror movie the ring and a playboy magazine with Daido's work.

And how does that translate to a medium like Instagram?

Well no worries I will come to that. Life is one big story! And...

Because I like telling stories...

Well, look closely how you scroll through your feed? Maybe another assignment for today?

I goes something like this....

Scroll scroll scroll, Like , Scroll, Like, Comment, Scroll scroll...

And all of that in a couple of seconds...

Did you actually see some of the photographs?

Or did you just got triggered by something catchy?

Would you have the same behavior if you go through a Steve McCurry book?

I think it is a good question to ask yourself. Especially if you consider yourself a photographer, a artist, or just a art lover in general.

That does not mean there isn't a time and a place for the platform. I discovered some amazing photographers who made the platform their own. But it creates some sort of unexplainable distance between one type of photographer and the other. You even got a term "Instagram photographer". Like that a person that uses the platform apparently in a efficient form isn't a real photographer?

I don't know... 

I think photographers that both are on the platform and are not on the platform or maybe less successful on it, are photographers. So hmmmm it can be part of my conclusion...

All I know is I don't like trends... And most of my photographic heroes where from a time that it did not exist. I don't like cropping. Don't like shitty small screens but I do like to print my photographs big. And I don't like it when we fall in the trap of instant gratification. Either it is enjoying art or interacting with humans...

Because I like art and I like humans...

And do we have to copy all the big accounts all the time?

On the other hand I also do realize that times always change. And you either adapt or you die out. And change is good. Altough not always... But sometimes.

And a picture is a picture. It does not matter what tool you use. So should that also count for the medium we use how to show it to the world?

But what I do believe is that whatever medium we use. We do need to stop, and appreciate the art for what it is. Give ourselves the time to enjoy it. Stop a bit longer at the photograph you like and stop scrolling, or walking, or turning the pages...

Enjoy it for what it is.... A story...

Food for thought...

Speaking about food... I am going to have a bite....

Because I like food...

Have a nice weekend you all...

- Cristian

 

Five things I learned about (Photography) going to Jerusalem the second time... by Cristian Geelen

Hey all!

I am currently really busy with the processing of all of my material of my latest trip to Israel and the Palestinian territories. But that is a long process and when it is all done I want to write a big article about it. And find a proper way to present it to the world.

Until that time arrives I will write short blog posts like this to keep the information and sort of involve you all in a bit of my process.

So this piece part one of a two part piece with five things I have learned during or after my latest trip to Jerusalem and the Palestinian territories.

First one is about photography. The second one is about life.

So let's start!

Part one: Photography...

Like I said. Currently I am in the process of working through all of the material I made and that is just something that takes time... A lot of time!

In short. I took around 1100 photographs and I am editing them at the moment. Part of that process is also voicing visually the intent of the photograph. And ultimately after all the editing is done the post processing start.

Of the approximately 1100 photographs there are only a few that will make the cut and want to share with the world.

During that process which is not even done. I ran into a lot of issues. Not everyone shares that stuff. But I am a big believer in that running into problems or even failing is a big part of getting better. It's a rule you can apply to everything in life...

Same goes for photography!

And the whole trick after the whole failing or running into issues thingie. Is that you just don't give up! Get back on the horse and just go go go!

Learn from it. Feed from it... Grow from it!

Btw I am not only summing up stuff that went bad. It's also good to reflect on stuff that went well, or even good! Because also that is a good thing to know.

Alright here it goes. Five things I learned!

  1. Don't buy new gear!
    A couple of weeks before I left for my trip I switched from Olympus to Fujifilm. I sold all of my lenses and my beautiful Olympus PEN-F body... And I did not even hate my gear. There was nothing wrong with it, and I am a firm believer in that you can't buy a bad camera anymore.

    It was more that I was chasing some sort of look or vibe that the Fujifilm sensors have. And I just felt it was time for a change. And if you never try something new you will never know you will like it or not!

    The whole difference between my Olympus PEN-F and Fujfilm X-E3 is a whole other subject to dive into. Because the end conclusion is I love them both. The point I am trying to make here for the DO NOT BUY NEW GEAR issue is the learning curve!

    My ego let me believe I worked enough hours with the Fujifilm to understand the device completely and I would not make any mistakes with it.

    Well I was wrong...

    For example the aperture I shot on my Olympus to get everything sharp was around f5.6 or lower. On my Fujifilm it was way lower. And I realized I had to take my photographs around f8! That resulted in some shots I had a shallow depth of field when I did not want it. Especially when I missed focus.

    That brings me to another point. I missed focus! A lot!

    I was like: How the hell is this happening! Back home I did not have this problem!

    There is a difference between photographing back home and while traveling. And that too will be material for another blog post. But in this case, the conditions were different. The people were different even though I was there before. The gear of course was different. My mindset was different. All the narrow alleyways and using certain techniques to get a shot and doing stuff on instinct. All of that together gave me some out of focus results.

    I analyzed it all. And one of the things was the the single point focus on my Olympus somehow let me get away with errors. While the single point focus on my Fujifilm was unforgiving. If you miss it, you miss it!

    I switched to zone focusing instead and that worked better for me in those conditions. End result. More material I am satisfied with. And no customer or viewer of your art will care if you used a single point focus method or a zone focus method. It is all getting the shot and the story you are telling. 
     
  2. Do your research.
    Like I said, it is not all about the bad things. You also need to reflect on all the stuff that went well!

    For me it was arranging my guide or fixer or whatever you want to call it. Making a plan on what you are going to do everyday and also leave some room for spontaneity. Having a back-up plan if something falls short. All of that so you can get the most out of your time.

    I planned everything well. And I also was very lucky that nothing went wrong. I think on that part I had the smoothest trip ever. Planning helped.
     
  3. Update your software.
    This one is actually not about the time during my trip. But more about the process when you return and start to review your work do your post processing.

    I looked at my shots and I was getting angrier and angrier by the day. My photos looked like crap. And I did nothing wrong! Why? Why was this?

    I was getting into fights with my raw files. And got a bad case of worming. Man o man I was getting frustrated... My photos looked like a watercolor painting!

    A fellow photographer said to me: Cris, did you update lightroom?

    Fujifilm raw files had got some issues with lightroom in the past. And after a lot of Google searches I read that there were a lot of people that used alternative raw processors and bypassed lightroom or not used it at all! The switched to alternatives like for example capture one.

    Small side-note. I used to have the last standalone version of the original lightroom. Because I refused to be part of the subscription model that Adobe started.

    I actually like lightroom a lot. So I followed his advice. Put my ego aside. And updated purchased the monthly version of lightroom. And as soon as I openend my photographs again they looked a lot better.

    I combined that with a different way of sharpening and voila! Instant happy Cris!

    Btw. The whole sharpening thing with Fujifilm raw files... Only use the sharpening slider a little. Use the detail slider more and pull back the radius.
     
  4. Shoot a lot of shit.
    Maybe it is a bit redundant to say. But I hope I don't have to tell any photographer that it is to take a shot extra than you have not taken the shot at all...

    That especially is true with memory cards. Fill those puppies up and shoot everything that peaks your interest.

    And no. That does not automatically nullifies my post about "f##k instant gratification". Those are two completely different things. And if you have a goal in mind... Do whatever it takes. There is no award for getting the decisive moment in the least amount of photos...
     
  5. Take your time!
    I saved this one for last...

    Because for me this is the most important one.

    Why?

    Because I did not do it...

    I wanted to get the ultimate photograph so much. I soared and roared across the area like a idiot. My drive that I am so proud of got the best of me.

    The end result was that I did not take the time take in the moment as I normally do. And that sucks. It is not that I have bad photographs now... But in retrospect there were moments where I should have taken my time more the choose another angle. Or kneel down to take the shot. Get closer. Wait longer. Getting the details more right.

    What if is miss something?

    That mindset held me back to look at some little details. When you see a scenario and you don't need to react in a split second. Just take your time... Relax... Take two photos extra. Inhale... Get low or high. Analyse... Wait for the light. It will all come together if you just let the moment be...

    It is hard to explain I guess... But there goes a lot detail in taking a good or even a great photograph. And a lot has to go with a certain flow and peace of mind. You feel it when you do it. And once you made one. It is a feeling that you will forever chase again...

 

Alright! This is it!

My five lessons about photography. I hope you enjoyed them!

Stand by for Part two: Life...

 

Catching that decisive moment...

Catching that decisive moment...

Snaps during national demonstration "No racism in the council." by Cristian Geelen

Hey all,

Last of march 18th I took some snaps during the national demonstration "No racism in the council". Or in dutch "Geen racisme in de raden". All organized by the commite 21st of march. Or het comité 21 maart.

The demonstration is being held because of the local elections. And in short, there needs to be a counter voice against the social and economic injustice.

The Netherlands is hardening/The situation in the Netherlands is rapidly becoming more problematic. People who have lived her for decades are now being labelled as threats. Young people looking for work are consistently rejected because of their last name. It’s claimed that there is no room for people fleeing war, poverty, or climate chaos. Muslims and refugees are being used as scapegoats to distract from growing socio-economic insecurity and inflation.
— Comité 21 maart event page

I took some photographs during the march and I didn't want to keep them on my hard drive. And of course the biggest reason I am against injustice too! So the more eyes the better.

We need to be kinder and tolerant to each other anyway. Because if we keep treating each other and this earth the way we do it at this moment, we will eventually get bigger problems... But hey, that is a totally different topic!

And also maybe a good starter for a project about enviromental refugees...

Btw. If you want to use them for some reason. All my images are always copyrighted. So always nicely ask.

 

F##k instant gratification. by Cristian Geelen

Hey you all!

Some of you might know who follow me on Instagram. I bought a late sixties Olympus Trip 35 for 20,- euros two weeks ago. I did a live video about it and later a instagram vlog when I got the results. I think it is a beautiful camera!

I read some reviews about it online and watched some YouTube clips, and I thought! Why not!

I always wanted to try analog photography for a long time anyway. And as some of you also might know that I really really really like physical things. I just think stuff loses their soul in the digital world...

Anyways! Bought the camera from a guy that lives in my hometown. Thanks Matt Que! It rocks! Bought some rolls of Tri-X 400 and I was good to go! Later when I get the hang of it I can always buy a more fancy analog camera.

The Olympus Trip 35 is a point and shoot style camera rangefinder style. You only got two shutter speed, you can adjust the aperture if you want to. A dial to enter your ASA number and that is it! But I think for the best result in this case is just leave it on auto. In that case you just have to just the distance to your subject. For that purpose there are meters on the bottom and little people figures on the top.

I went out and got shooting. Essentially there is nothing different than normal photography... You see a composition or a situation, aim, and snap the photograph...

What is different, and that makes it very exciting, and that is you have no fucking clue what you are doing. Of course you know technically what you are doing. But you don't have a display that will tell you if you got the shot!

The other thing is you only got 36 shots. So you can't just snap away! You really have to think about the situation if it is worth it. Do I want to spend one of my frames on this situation or composition?

All of that makes you think...

I makes you value more what you are doing... It gives it worth...

In the throwaway society thing that we live in it is a rare occasion...

And all of that just because you really have to work for it!

And that isn't the fun part! The fun part that gives it even more value is taking it to the photo-lab to get it developed! Like normal printing you have to think about stuff like; what kind of paper do I want? How big needs the print to be? Do I want borders? And after all of that you still don't know what your photographs look like!

And than you wait... And wait... And wait some more...

The black and whites had to be send out so it took a bit longer and after 4 days I got them back Developed and print! Ready to be drooled on be me!

I opened the envelop and there they were... Beautiful! I was so happy!

Not every shot was in focus but I didn't care... They were amazing!

I browser through them already a lot of times. And I will continue to do so haha. It is reall, it is physical, and I can hold it. It is magic! That feeling that can't be explained. And it made me happy as a little kid gain.

I will post some of the photographs below. Not everything. Because I want safe some for later... So there are some of my first roll. But I think how it looks digitally does not do it justice. I scanned them with a very convenient app named PhotoMyme. If you want to digitize you analog shot that seems like a easy way to go. You can just use your smartphone for that. And if you want to do it more fancy you can use a real scanner or even scan the negatives. Probably more on that later.

So in the end I can only conclude is shoot some film yourself! Fuck instant gratification and just go out and go analog. It is really fun, I can promise you that!

Finally my Iran work in physical form! Souls of Iran as a Zine! by Cristian Geelen

Dear friends!

I was so busy with everything that I forgot to wright a blog post. And to tell you all a super exciting update!

My Souls of Iran work is now available as a two part Zine!

I am so happy with this. I can't describe it into words. But I will try it anyway haha.

And yes, I know I know, I should write more... I'm working on that!

I wanted to to make a book at first. But I got really inspired by a special about zines. Or zeenes...

The origin of Zines is rooted in Sc-Fi, Punk, and Photography sub-cultures. It was, and is used to self publish their work or their own ideas and spread them around there scene or the world.

And with me being a photographer and still have a lot of rebel in me left from when I was a little Cris, it seemed like a better idea.

The book was actually already done. The spell check was back, had some people look it over and review it whom I hold in high regard. And I was good to go!

Until I was watching a episode of Ted Forbes's YouTube channel "The art of Photography"... Btw, if you are really into photography it is a awesome channel to follow. It brings the art back into photography.

Anyway! I was so inspired! So I decided to sort of re-work it into a Zine format.

Making a version of a4 size paper stapled together was maybe a bit to rebellious for the way I wanted to present my photographic work from Iran I decided to go with the most used self publishing service out there named blurb. Blurb is a very cool platform for everyone who is trying to get his or her work out there and offers incredible quality and services.

I also made the creative decision to split my work up into two parts. Isfahan & Shiraz, and Yazd & Tehran. It seemed more fitting. And that way I think the focus is more on the photographs instead of the volume of pages.

And in this day and age I think that was the best fitting way to present it. Everything is already in bulk. If for example you look at Instagram. I don't now how long people look at a photograph. But it is way to short... I guess that is the reason why I like physical prints so much. You have something real...

Another factor was price.

My fine art prints are expensive as they are. They are of course worth every euro. But it is still a fair amount of money. And I wanted to make something that is more accessible for everyone. A book would cost around 70,- euros. And the Zines are 20,- and 15,- euros. So that is a big difference.

Small side-note. Every cent and euro make it possible for me to continue my photographic journey and tell the story world. And makes new future projects possible. So it is a big support!

The end result you can see below. And yes, it makes me very proud!

Like I said before. It feels good to see your work in physical form. And hopefully all of you like it just as much as I do!

If you are interested you can order it through here or just click on the shop and than Zines menu item.

 

The importance of printing your work... by Cristian Geelen

The doorbell rang..

I did not expect anything. But still... In the back of my mind I hoped it would be something I was waiting for... And hot damn... It was!

The delivery man had a huge safety box! After I dragged it to my apartment I was finally able to open it... And each layer I removed I was getting me happier and happier...

I can not describe fully how cool it is to hold your own work in your hands in physical form.

Normally in this day and age most of the images we create we only see digital. But at least for me, it loses a lot of it's charm. For me it is in the same ballpark as listening to a record. Or reading a real book. Only times a hundred. If you could stare to a image for hours and lose yourself in it, you know you are on the right track. And with printing, it gets you there...

I guess that is why art is meant to be experienced for real. And just on you computer screen or phone.

Printing also has other benefits. Besides it is freaking awesome! You will think about the details more. And how you will shoot next time. There is a whole process involved before you can actually send it to the printer....

What kind of size do I want? What kind of paper do I need? You have to order some samples because you will see your image transform before your eyes as soon as you put it behind glass...

How do I need to deliver my files? What kind of frame do I want? And also you have to account for your passe-partout. Don't know the english word for that, so you will have to forgive me. It is the big ass white are black border around your image.

And than also other important stuff. What is the purpose of a image? Are you going to sell it? And the most difficult, what is the price of your product going to be?

Am I there yet?

Probably not... But I will think of stuff later. And otherwise maybe you will...

For this series I have used Hahnmühle paper. And even within this brand, there are lost of sub choices to be made. So how do you want to present your work? Is it going to be a larger than life print? You will be needing to make those kind of choices to proceed. The higher end you want to deliver the higher end and maybe even thicker paper.

If it were black and white images it probably would have been Ilford.

But that is not the only choices you have in the sub-choice. Every kind of paper structure will influence the way the ink enters the paper and give it a different feel...

Fuck... Are you getting dizzy yet?

There are so many factors to consider to print your work! But, I guess photography is all about the details. And the better you want to get, the better you are going to look for those details... And the more driven you will be...

And in the end actually it does not matter anyway. Strange huh?

Here is why:

Because you rule!

It does not matter if you are a amateur or a high end pro. Printing your work is also very simple. Because it is just awesome to do!

You! You as a person decided that was your one decisive moment that you chose to print. And you are going to be as happy as a child anyway. And you should be fucking proud of yourself!

Until next time...

- Cristian

Who are you shooting for? by Cristian Geelen

"Who are you shooting for?"

I was thinking about this while talking to a fellow photographer online, being in bed with the flu, and watching the YouTube channel of Ian Wong. The talk was about his new analog Contax T2. It is one beautiful machine. And if I believe all the stories online it is build like a freaking tank!

But the build quality was not the point... It was the fact that it shot analog. And that does not mean that analog is per definition better. But it makes you think more about what you do... You only have got a number of shots on a film roll so you can not fuck up! How is that for some pressure my millennial friends?

I compare at a bit to owning a record player. Instead of putting on a Spotify playlist you have to pick out a record and think about what you want to listen to next. It makes you more aware of the music that you are listening.

I believe that applies to photography as well... If you only have a number of shots, and really have to think about what ISO you film speed is going to be, and you can't yank it out half way of shooting. It makes you think more... Not only your technical choices like aperture and shutter speed, but I mean really think. About the important stuff, like composition!

If you look at the legends like Salgado and Koudelka, they also shot analog. There wasn't even digital available! But still they seemed to shoot the best stories you can find... 

And it looks like it is the only way to get really better at your craft as a photographer. And I am not saying now run off and buy a analog camera. But think about what you are shooting... Don't take 50 shots and pray that there is one good one in the bunch. But be aware of your surroundings, about your composition, the story that you want to tell... And pretend you only got one roll of film in your camera... It will make you better...

And that explains the title; "Who are you shooting for?"

Are you shooting just a quick snapshot to post on Instagram and share with your friends? Or are your goals to tell a story like nobody has done before?

Maybe it is the perfect analogy to life too... Don't go for the quick results but for what is really worth it...

 

Capturing Kick Off Alliantie Genderdiversiteit by Cristian Geelen

Gender diversity and photography...

Like always I love telling the story of our world. And knowing this story isn't told that much, I was more than happy to say yes when I was invited to shoot at the kickoff of the alliance of gender diversity.

The alliance is made out of multiple of organisations that are trying to break through the stereotypical image how the society looks at gender. And the alliance is consists at the moment of writing out of Movisie, Atria, COC, Doetank PEER, Emancipator, NNID, Nederlands Jeugd Instituut, Rutgers, School & Veiligheid, Transgender Netwerk Nederland en Universiteit van Amsterdam Pedagogie.

Those are all dutch organizations, but who knows... Maybe in the future there will be some international ones.

The kickoff was being held in a event center named "the colour kitchen". And like all event centers or congress centers, it is really really really dark...

So that provided me with some sort of a challenge. So here comes the technical part.

I chose to shoot without flash, because otherwise in a intimate setting the talks of the speakers were constantly disrupted by flashes. And for me, if you want to capture the decisive moment, you have to be discreet...

So I put my trusty Olympus on silent mode and started shooting. I can't say one value for the EXIF data, because I was constantly adjusting my settings. Everything was done in manual mode. ISO varied from 8000 and lower... It all depended how close I was to the big screen in the front. And same goes for aperture. That was constantly shifting between 5.6 and 2.8. Shutter speed shifted between 1/250 and a 1/125. That was because I wanted the people to be frozen, and in this case, not see any motion blur.

Not only I was happy shooting at this event because there were some special individuals, but also during my photographing I listened to the speakers. It gave me another perspective again in how everyone looks at life, and so that meant another chance to learn. 

Most people are only interested in the technical part of photography. But for me... Technical skills are only a part of that. It is if you do photography with your heart you will see someones soul for real and put emotion in your photograph.

If you are interested you can find more information on their Facebook page here. And information about Doetank Peer you can find here.

 

Armando Aid Fundraiser - November 18th. by Cristian Geelen

On November 18th there will be a fundraiser for Armando Aid.

Armando Aid is a organization that is providing education to refugee children. That is one beautiful concept right?

This event specifically will be a Christmas fundraiser to raise money for a new educational program in Europe and the Middle East.

The organization has no official funding or support and relies solely on fundraisers and personal donations.

The day will be filled with live music and comedy. And there will be a auction where art will be for sale.

That is also one of the reason I am writing about this. I not only think it is a good organization, but I will also be contributing to the aid. I donate one of my prints that is specially printed on fujifilm paper that lasts a lifetime. And I really love the way it made my photograph come to life... The print I donated is on the bottom of this posts.

The fundraiser is being held in London so if you are in the neighborhood maybe you could pay a visit. All information can be found here and and you can get tickets here.

Otherwise there are other ways to support this organization. For example you can donate some money here. But you can also contribute in other ways. Like you can be a teacher or a Gardner on location. Best thing you can do if you want to read about that is on the get involved page.

This organization already has done so much good, and managed to educate a lot of people so it would be wonderful if they could do it for many more years to come!

 

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