Five things I learned about (Photography) going to Jerusalem the second time...

Hey all!

I am currently really busy with the processing of all of my material of my latest trip to Israel and the Palestinian territories. But that is a long process and when it is all done I want to write a big article about it. And find a proper way to present it to the world.

Until that time arrives I will write short blog posts like this to keep the information and sort of involve you all in a bit of my process.

So this piece part one of a two part piece with five things I have learned during or after my latest trip to Jerusalem and the Palestinian territories.

First one is about photography. The second one is about life.

So let's start!

Part one: Photography...

Like I said. Currently I am in the process of working through all of the material I made and that is just something that takes time... A lot of time!

In short. I took around 1100 photographs and I am editing them at the moment. Part of that process is also voicing visually the intent of the photograph. And ultimately after all the editing is done the post processing start.

Of the approximately 1100 photographs there are only a few that will make the cut and want to share with the world.

During that process which is not even done. I ran into a lot of issues. Not everyone shares that stuff. But I am a big believer in that running into problems or even failing is a big part of getting better. It's a rule you can apply to everything in life...

Same goes for photography!

And the whole trick after the whole failing or running into issues thingie. Is that you just don't give up! Get back on the horse and just go go go!

Learn from it. Feed from it... Grow from it!

Btw I am not only summing up stuff that went bad. It's also good to reflect on stuff that went well, or even good! Because also that is a good thing to know.

Alright here it goes. Five things I learned!

1. Don't buy new gear!
   A couple of weeks before I left for my trip I switched from Olympus to Fujifilm. I sold all of my lenses and my beautiful Olympus PEN-F body... And I did not even hate my gear. There was nothing wrong with it, and I am a firm believer in that you can't buy a bad camera anymore.
   
   It was more that I was chasing some sort of look or vibe that the Fujifilm sensors have. And I just felt it was time for a change. And if you never try something new you will never know you will like it or not!
   
   The whole difference between my Olympus PEN-F and Fujfilm X-E3 is a whole other subject to dive into. Because the end conclusion is I love them both. The point I am trying to make here for the DO NOT BUY NEW GEAR issue is the learning curve!
   
   My ego let me believe I worked enough hours with the Fujifilm to understand the device completely and I would not make any mistakes with it.
   
   Well I was wrong...
   
   For example the aperture I shot on my Olympus to get everything sharp was around f5.6 or lower. On my Fujifilm it was way lower. And I realized I had to take my photographs around f8! That resulted in some shots I had a shallow depth of field when I did not want it. Especially when I missed focus.
   
   That brings me to another point. I missed focus! A lot!
   
   I was like: How the hell is this happening! Back home I did not have this problem!
   
   There is a difference between photographing back home and while traveling. And that too will be material for another blog post. But in this case, the conditions were different. The people were different even though I was there before. The gear of course was different. My mindset was different. All the narrow alleyways and using certain techniques to get a shot and doing stuff on instinct. All of that together gave me some out of focus results.
   
   I analyzed it all. And one of the things was the the single point focus on my Olympus somehow let me get away with errors. While the single point focus on my Fujifilm was unforgiving. If you miss it, you miss it!
   
   I switched to zone focusing instead and that worked better for me in those conditions. End result. More material I am satisfied with. And no customer or viewer of your art will care if you used a single point focus method or a zone focus method. It is all getting the shot and the story you are telling. 
    
2. Do your research.
   Like I said, it is not all about the bad things. You also need to reflect on all the stuff that went well!
   
   For me it was arranging my guide or fixer or whatever you want to call it. Making a plan on what you are going to do everyday and also leave some room for spontaneity. Having a back-up plan if something falls short. All of that so you can get the most out of your time.
   
   I planned everything well. And I also was very lucky that nothing went wrong. I think on that part I had the smoothest trip ever. Planning helped.
    
3. Update your software.
   This one is actually not about the time during my trip. But more about the process when you return and start to review your work do your post processing.
   
   I looked at my shots and I was getting angrier and angrier by the day. My photos looked like crap. And I did nothing wrong! Why? Why was this?
   
   I was getting into fights with my raw files. And got a bad case of worming. Man o man I was getting frustrated... My photos looked like a watercolor painting!
   
   A fellow photographer said to me: Cris, did you update lightroom?
   
   Fujifilm raw files had got some issues with lightroom in the past. And after a lot of Google searches I read that there were a lot of people that used alternative raw processors and bypassed lightroom or not used it at all! The switched to alternatives like for example capture one.
   
   Small side-note. I used to have the last standalone version of the original lightroom. Because I refused to be part of the subscription model that Adobe started.
   
   I actually like lightroom a lot. So I followed his advice. Put my ego aside. And updated purchased the monthly version of lightroom. And as soon as I openend my photographs again they looked a lot better.
   
   I combined that with a different way of sharpening and voila! Instant happy Cris!
   
   Btw. The whole sharpening thing with Fujifilm raw files... Only use the sharpening slider a little. Use the detail slider more and pull back the radius.
    
4. Shoot a lot of shit.
   Maybe it is a bit redundant to say. But I hope I don't have to tell any photographer that it is to take a shot extra than you have not taken the shot at all...
   
   That especially is true with memory cards. Fill those puppies up and shoot everything that peaks your interest.
   
   And no. That does not automatically nullifies my post about "f##k instant gratification". Those are two completely different things. And if you have a goal in mind... Do whatever it takes. There is no award for getting the decisive moment in the least amount of photos...
    
5. Take your time!
   I saved this one for last...
   
   Because for me this is the most important one.
   
   Why?
   
   Because I did not do it...
   
   I wanted to get the ultimate photograph so much. I soared and roared across the area like a idiot. My drive that I am so proud of got the best of me.
   
   The end result was that I did not take the time take in the moment as I normally do. And that sucks. It is not that I have bad photographs now... But in retrospect there were moments where I should have taken my time more the choose another angle. Or kneel down to take the shot. Get closer. Wait longer. Getting the details more right.
   
   What if is miss something?
   
   That mindset held me back to look at some little details. When you see a scenario and you don't need to react in a split second. Just take your time... Relax... Take two photos extra. Inhale... Get low or high. Analyse... Wait for the light. It will all come together if you just let the moment be...
   
   It is hard to explain I guess... But there goes a lot detail in taking a good or even a great photograph. And a lot has to go with a certain flow and peace of mind. You feel it when you do it. And once you made one. It is a feeling that you will forever chase again...

Alright! This is it!

My five lessons about photography. I hope you enjoyed them!

Stand by for Part two: Life...

Catching that decisive moment...

Aida and Dheisheh refugee camp...

April 3rd, 2018...

It was 09:00 in the morning... Sitting in the Arabic bus from Jerusalem...

Destination: Checkpoint 300...

I was supposed to meet Omar my guide at 11:00, but I woke up way to early and could't sleep anyway. Also a bit nervous what was on the schedule today. Not only I wanted to capture the way how most Palestinians head over to and from the West Bank but I made arrangements to get guided through Aida en Dheisheh refugee camps.

As soon as I got passed the checkpoint I was officially in the West Bank. It went easier than expected. Only realizing later that it would be easy getting out of Israeli territory. Getting back in is where the difficulty lies.

Bus stop at checkpoint 300...

I went through the doors and after getting some annoying taxi drivers off my back I gave Omar a call that I was already there. He was still asleep... Btw, if you read this sorry I woke you up too early man haha!

I waited a while.. The sun started shining harder but I refused to get into the shade... I didn't want to him to somehow at the point where I was waiting so he could easily find me.

The taxi drivers left me alone... I told them for whom I was waiting and they understood. Something that normally never happens. Usually they rip-off some lost tourist, ask 200 shekels for a ride and some sight seeing but drop you off around the corner. Omar confirmed that to me later when we finally met up.

When he arrived we finally went walking.

Path that leads to the turnstile at the checkpoint...

My first impression of him was a young and intelligent young man. Reminded me a little bit of myself when I was his age. That makes me sound old, although I am only 35. He was wearing a t-shirt and a necklace with two photographs on it. Both in memory of his uncle and cousin.

Later I also discovered that he is an amazing artist. He made a beautiful painting about the whole situation in the LAYLAC center that is in front of the Dheisheh camp.

He started telling me about life behind the wall. Where he was allowed to come and if he crossed a certain area he would get shot... That sank in... Made me realize and reminded again how fragile life is and how good our life over here is...

Right after we crossed paths with someone who went to work illegally...

That would mean throwing a rope over a part of the wall where there are no camera's and hop over. It is some sort of Russian roulette where you don't know if the army is waiting for you or your friends. The latter is good.. The first means jail or death...

Later we passed the street where most of the clashes happen on Fridays. Friday prayer is the first part of the day, and after that protest happens. You could still smell the tear gas the has been used earlier in some parts...

After we walked through that area we saw a guy selling some fresh juice. Not only it is a totally random place to sell some juice. But hey, why not take a glass. Exactly what I needed.

Part of the road next to the wall where most clashes happen...

Omar told me he hadn't seen him for a while because he suddenly disappeared and after a while he found out he was in jail. 

Just a short walk from this place we arrived at Aida camp...

Even though I did my research I still did not knew what to expect. And actually after two days it is still hard to describe how it is...

The camp felt more like a favela you will find in for example Brazil. It has been there since 1948, and the tents got replaced for more solid temporary but also permanent housing at the same time.

The thing that stuck to me the most was the big netting above the playground / soccer field. The whole purpose of it is when tear gas is being fired it does not fall on the kids playing and they can get out...

We talked some more about about life...

After I did my photography it was of to the second camp... Dheisheh.

Rear entrance of Aida camp...

We took a taxi to the other side of town and arrived at Deisheh.

But before we went in we went to the LAYLAC center. The center is a place for youth development and they work on projects. Omar showed me one of his works and it is amazing! the young man really has some talent. Not only graphically but it also had a beautiful message on a deeper level. All about your roots...

I shook the hand of the director of the center and a young girl who was there and we had some small talk. It was good to be in this place. It gave me a positive feeling again.

Enter Dheisheh...

We turned the corner and got into the camp. Like I wrote about Aida that it looks more like a favela is also true for this one. Once started out as a tent encampment and now it turned into this.

Street in Dheisheh...

The whole situation in Dheisheh looks worse than in Aida. It was build around 1949 and according to the UNRWA it is housing at this moment around 15000 people.... But only was build to house around 3000 people on a surface of 330 square meters...

Try to imagine this...

The streets are covered in pamphlets are murals of martyrs. To us in Europe that sounds weird. Because we got a association with this concept with the things we hear in the news. For the people that live there they are friends and families, brothers and sisters...

One thing that also drew my attention was the caricature named Handala. You will see him painted on numerous wall. If you want to know more on him just click on the link. It is a cartoonist symbol for the deviance of the Palestinian people in general and his alligiance to the poor.

Handala...

We walked some more... Talked some more... About the situation and about life... And than it was time to go... Back to Jerusalem...

But man...

I wish I just had some answers how to make some sense out of this. And that is the whole reason I became a photographer. Just to make sense of life in general!

But in the end for now it raises just more questions...

I am not taking sides. That also is also not my job. My job is being a story teller...

And my experience with the Israeli people is nothing but positive. If you see them in every day life the are kind and well educated, well mannered , and just very nice. So this is NOT a article to bash the Israelis. Remember that... I also gained a very close Israeli friend last time I was in the area. You know who you are. ;-)

The thought that is going through my mind most now is how this could just happen and how this is possible...

And hopefully one day there will a solution for what I think one of the most complex situations in the world.

And maybe with my photography I make a small difference... Or at least can get a conversation started in a civil way...

Street in Dheisheh...

One of the martyrs...

Netting above the soccer field...

Snaps during national demonstration "No racism in the council."

Hey all,

Last of march 18th I took some snaps during the national demonstration "No racism in the council". Or in dutch "Geen racisme in de raden". All organized by the commite 21st of march. Or het comité 21 maart.

The demonstration is being held because of the local elections. And in short, there needs to be a counter voice against the social and economic injustice.

“The Netherlands is hardening/The situation in the Netherlands is rapidly becoming more problematic. People who have lived her for decades are now being labelled as threats. Young people looking for work are consistently rejected because of their last name. It’s claimed that there is no room for people fleeing war, poverty, or climate chaos. Muslims and refugees are being used as scapegoats to distract from growing socio-economic insecurity and inflation.”

— Comité 21 maart event page

I took some photographs during the march and I didn't want to keep them on my hard drive. And of course the biggest reason I am against injustice too! So the more eyes the better.

We need to be kinder and tolerant to each other anyway. Because if we keep treating each other and this earth the way we do it at this moment, we will eventually get bigger problems... But hey, that is a totally different topic!

And also maybe a good starter for a project about enviromental refugees...

Btw. If you want to use them for some reason. All my images are always copyrighted. So always nicely ask.

F##k instant gratification.

Hey you all!

Some of you might know who follow me on Instagram. I bought a late sixties Olympus Trip 35 for 20,- euros two weeks ago. I did a live video about it and later a instagram vlog when I got the results. I think it is a beautiful camera!

I read some reviews about it online and watched some YouTube clips, and I thought! Why not!

I always wanted to try analog photography for a long time anyway. And as some of you also might know that I really really really like physical things. I just think stuff loses their soul in the digital world...

Anyways! Bought the camera from a guy that lives in my hometown. Thanks Matt Que! It rocks! Bought some rolls of Tri-X 400 and I was good to go! Later when I get the hang of it I can always buy a more fancy analog camera.

The Olympus Trip 35 is a point and shoot style camera rangefinder style. You only got two shutter speed, you can adjust the aperture if you want to. A dial to enter your ASA number and that is it! But I think for the best result in this case is just leave it on auto. In that case you just have to just the distance to your subject. For that purpose there are meters on the bottom and little people figures on the top.

I went out and got shooting. Essentially there is nothing different than normal photography... You see a composition or a situation, aim, and snap the photograph...

What is different, and that makes it very exciting, and that is you have no fucking clue what you are doing. Of course you know technically what you are doing. But you don't have a display that will tell you if you got the shot!

The other thing is you only got 36 shots. So you can't just snap away! You really have to think about the situation if it is worth it. Do I want to spend one of my frames on this situation or composition?

All of that makes you think...

I makes you value more what you are doing... It gives it worth...

In the throwaway society thing that we live in it is a rare occasion...

And all of that just because you really have to work for it!

And that isn't the fun part! The fun part that gives it even more value is taking it to the photo-lab to get it developed! Like normal printing you have to think about stuff like; what kind of paper do I want? How big needs the print to be? Do I want borders? And after all of that you still don't know what your photographs look like!

And than you wait... And wait... And wait some more...

The black and whites had to be send out so it took a bit longer and after 4 days I got them back Developed and print! Ready to be drooled on be me!

I opened the envelop and there they were... Beautiful! I was so happy!

Not every shot was in focus but I didn't care... They were amazing!

I browser through them already a lot of times. And I will continue to do so haha. It is reall, it is physical, and I can hold it. It is magic! That feeling that can't be explained. And it made me happy as a little kid gain.

I will post some of the photographs below. Not everything. Because I want safe some for later... So there are some of my first roll. But I think how it looks digitally does not do it justice. I scanned them with a very convenient app named PhotoMyme. If you want to digitize you analog shot that seems like a easy way to go. You can just use your smartphone for that. And if you want to do it more fancy you can use a real scanner or even scan the negatives. Probably more on that later.

So in the end I can only conclude is shoot some film yourself! Fuck instant gratification and just go out and go analog. It is really fun, I can promise you that!

Finally my Iran work in physical form! Souls of Iran as a Zine!

Dear friends!

I was so busy with everything that I forgot to wright a blog post. And to tell you all a super exciting update!

My Souls of Iran work is now available as a two part Zine!

I am so happy with this. I can't describe it into words. But I will try it anyway haha.

And yes, I know I know, I should write more... I'm working on that!

I wanted to to make a book at first. But I got really inspired by a special about zines. Or zeenes...

The origin of Zines is rooted in Sc-Fi, Punk, and Photography sub-cultures. It was, and is used to self publish their work or their own ideas and spread them around there scene or the world.

And with me being a photographer and still have a lot of rebel in me left from when I was a little Cris, it seemed like a better idea.

The book was actually already done. The spell check was back, had some people look it over and review it whom I hold in high regard. And I was good to go!

Until I was watching a episode of Ted Forbes's YouTube channel "The art of Photography"... Btw, if you are really into photography it is a awesome channel to follow. It brings the art back into photography.

Anyway! I was so inspired! So I decided to sort of re-work it into a Zine format.

Making a version of a4 size paper stapled together was maybe a bit to rebellious for the way I wanted to present my photographic work from Iran I decided to go with the most used self publishing service out there named blurb. Blurb is a very cool platform for everyone who is trying to get his or her work out there and offers incredible quality and services.

I also made the creative decision to split my work up into two parts. Isfahan & Shiraz, and Yazd & Tehran. It seemed more fitting. And that way I think the focus is more on the photographs instead of the volume of pages.

And in this day and age I think that was the best fitting way to present it. Everything is already in bulk. If for example you look at Instagram. I don't now how long people look at a photograph. But it is way to short... I guess that is the reason why I like physical prints so much. You have something real...

Another factor was price.

My fine art prints are expensive as they are. They are of course worth every euro. But it is still a fair amount of money. And I wanted to make something that is more accessible for everyone. A book would cost around 70,- euros. And the Zines are 20,- and 15,- euros. So that is a big difference.

Small side-note. Every cent and euro make it possible for me to continue my photographic journey and tell the story world. And makes new future projects possible. So it is a big support!

The end result you can see below. And yes, it makes me very proud!

Like I said before. It feels good to see your work in physical form. And hopefully all of you like it just as much as I do!

If you are interested you can order it through here or just click on the shop and than Zines menu item.

Art exhibition Park Hotel starting January 19th

Finally I can scream it from the rooftops!

Starting from January 19th six of my works will be exhibited in the gallery zone of the Park hotel in Amsterdam.

It is a big ass area where you can chill out and admire works of art. And this time, it is my turn!

I signed the contract last Friday and I am so excited about it!

Like I said six of my works will be on display. And they can be seen for a period of three months!

If you want to have a look, you can see it day and night. And you are always welcome!

The address is:

Stadhouderskade 25
1071 ZD Amsterdam
The Netherlands
https://parkhotel.nl/

The importance of printing your work...

The doorbell rang..

I did not expect anything. But still... In the back of my mind I hoped it would be something I was waiting for... And hot damn... It was!

The delivery man had a huge safety box! After I dragged it to my apartment I was finally able to open it... And each layer I removed I was getting me happier and happier...

I can not describe fully how cool it is to hold your own work in your hands in physical form.

Normally in this day and age most of the images we create we only see digital. But at least for me, it loses a lot of it's charm. For me it is in the same ballpark as listening to a record. Or reading a real book. Only times a hundred. If you could stare to a image for hours and lose yourself in it, you know you are on the right track. And with printing, it gets you there...

I guess that is why art is meant to be experienced for real. And just on you computer screen or phone.

Printing also has other benefits. Besides it is freaking awesome! You will think about the details more. And how you will shoot next time. There is a whole process involved before you can actually send it to the printer....

What kind of size do I want? What kind of paper do I need? You have to order some samples because you will see your image transform before your eyes as soon as you put it behind glass...

How do I need to deliver my files? What kind of frame do I want? And also you have to account for your passe-partout. Don't know the english word for that, so you will have to forgive me. It is the big ass white are black border around your image.

And than also other important stuff. What is the purpose of a image? Are you going to sell it? And the most difficult, what is the price of your product going to be?

Am I there yet?

Probably not... But I will think of stuff later. And otherwise maybe you will...

For this series I have used Hahnmühle paper. And even within this brand, there are lost of sub choices to be made. So how do you want to present your work? Is it going to be a larger than life print? You will be needing to make those kind of choices to proceed. The higher end you want to deliver the higher end and maybe even thicker paper.

If it were black and white images it probably would have been Ilford.

But that is not the only choices you have in the sub-choice. Every kind of paper structure will influence the way the ink enters the paper and give it a different feel...

Fuck... Are you getting dizzy yet?

There are so many factors to consider to print your work! But, I guess photography is all about the details. And the better you want to get, the better you are going to look for those details... And the more driven you will be...

And in the end actually it does not matter anyway. Strange huh?

Here is why:

Because you rule!

It does not matter if you are a amateur or a high end pro. Printing your work is also very simple. Because it is just awesome to do!

You! You as a person decided that was your one decisive moment that you chose to print. And you are going to be as happy as a child anyway. And you should be fucking proud of yourself!

Until next time...

- Cristian

Who are you shooting for?

"Who are you shooting for?"

I was thinking about this while talking to a fellow photographer online, being in bed with the flu, and watching the YouTube channel of Ian Wong. The talk was about his new analog Contax T2. It is one beautiful machine. And if I believe all the stories online it is build like a freaking tank!

But the build quality was not the point... It was the fact that it shot analog. And that does not mean that analog is per definition better. But it makes you think more about what you do... You only have got a number of shots on a film roll so you can not fuck up! How is that for some pressure my millennial friends?

I compare at a bit to owning a record player. Instead of putting on a Spotify playlist you have to pick out a record and think about what you want to listen to next. It makes you more aware of the music that you are listening.

I believe that applies to photography as well... If you only have a number of shots, and really have to think about what ISO you film speed is going to be, and you can't yank it out half way of shooting. It makes you think more... Not only your technical choices like aperture and shutter speed, but I mean really think. About the important stuff, like composition!

If you look at the legends like Salgado and Koudelka, they also shot analog. There wasn't even digital available! But still they seemed to shoot the best stories you can find... 

And it looks like it is the only way to get really better at your craft as a photographer. And I am not saying now run off and buy a analog camera. But think about what you are shooting... Don't take 50 shots and pray that there is one good one in the bunch. But be aware of your surroundings, about your composition, the story that you want to tell... And pretend you only got one roll of film in your camera... It will make you better...

And that explains the title; "Who are you shooting for?"

Are you shooting just a quick snapshot to post on Instagram and share with your friends? Or are your goals to tell a story like nobody has done before?

Maybe it is the perfect analogy to life too... Don't go for the quick results but for what is really worth it...

Capturing Kick Off Alliantie Genderdiversiteit

Gender diversity and photography...

Like always I love telling the story of our world. And knowing this story isn't told that much, I was more than happy to say yes when I was invited to shoot at the kickoff of the alliance of gender diversity.

The alliance is made out of multiple of organisations that are trying to break through the stereotypical image how the society looks at gender. And the alliance is consists at the moment of writing out of Movisie, Atria, COC, Doetank PEER, Emancipator, NNID, Nederlands Jeugd Instituut, Rutgers, School & Veiligheid, Transgender Netwerk Nederland en Universiteit van Amsterdam Pedagogie.

Those are all dutch organizations, but who knows... Maybe in the future there will be some international ones.

The kickoff was being held in a event center named "the colour kitchen". And like all event centers or congress centers, it is really really really dark...

So that provided me with some sort of a challenge. So here comes the technical part.

I chose to shoot without flash, because otherwise in a intimate setting the talks of the speakers were constantly disrupted by flashes. And for me, if you want to capture the decisive moment, you have to be discreet...

So I put my trusty Olympus on silent mode and started shooting. I can't say one value for the EXIF data, because I was constantly adjusting my settings. Everything was done in manual mode. ISO varied from 8000 and lower... It all depended how close I was to the big screen in the front. And same goes for aperture. That was constantly shifting between 5.6 and 2.8. Shutter speed shifted between 1/250 and a 1/125. That was because I wanted the people to be frozen, and in this case, not see any motion blur.

Not only I was happy shooting at this event because there were some special individuals, but also during my photographing I listened to the speakers. It gave me another perspective again in how everyone looks at life, and so that meant another chance to learn. 

Most people are only interested in the technical part of photography. But for me... Technical skills are only a part of that. It is if you do photography with your heart you will see someones soul for real and put emotion in your photograph.

If you are interested you can find more information on their Facebook page here. And information about Doetank Peer you can find here.

Armando Aid Fundraiser - November 18th.

On November 18th there will be a fundraiser for Armando Aid.

Armando Aid is a organization that is providing education to refugee children. That is one beautiful concept right?

This event specifically will be a Christmas fundraiser to raise money for a new educational program in Europe and the Middle East.

The organization has no official funding or support and relies solely on fundraisers and personal donations.

The day will be filled with live music and comedy. And there will be a auction where art will be for sale.

That is also one of the reason I am writing about this. I not only think it is a good organization, but I will also be contributing to the aid. I donate one of my prints that is specially printed on fujifilm paper that lasts a lifetime. And I really love the way it made my photograph come to life... The print I donated is on the bottom of this posts.

The fundraiser is being held in London so if you are in the neighborhood maybe you could pay a visit. All information can be found here and and you can get tickets here.

Otherwise there are other ways to support this organization. For example you can donate some money here. But you can also contribute in other ways. Like you can be a teacher or a Gardner on location. Best thing you can do if you want to read about that is on the get involved page.

This organization already has done so much good, and managed to educate a lot of people so it would be wonderful if they could do it for many more years to come!

Voorlinden Empty Meet. The results!

October 8th 2017...

For me a exciting day!

The whole reason? A meetup with other Instagram photographers to be creative in a completely museum Voorlinden! All thanks to @senns_less.

Voorlinden is museum located in Wassenaar the Netherlands and showcases mostly modern and current art. And specifically this day was also the opening of the display of the art of Shio Kusaka & Jonas Wood, and Michael Johansson.

Kusaka & Wood. She is a ceramic artist. He is a painter. And together they let their work intertwine into each other to make some beautiful pieces of art! Soul mates stuff right here!

Michael Johanssen is a Swedish artist and doing some real life objects. He is assembling everyday objects to make new shapes, sculptures, and installments. He made a very cool (pun intended) iglo out of cooler boxes!

The morning started out with a nice bite to eat, some coffee and tea. And a talk by someone from the museum. Forgot her name... Sorry!

After, we were let loose in the museum are. And the best part... No guests!!! Except for the photographers of course. I teamed up with @a3nnn and ran around as fast as possible to make the most of it and our time was up.

The lighting that day was perfect for me to take the long exposures I really love and did not need to use trick to make it happen.

She used me as a model. I got to use her. And in the end we also teamed up with some cool other photographers from Belgium.

The exhibit was awesome. And as a visual artist I really enjoyed using the whole museum and the works of Osaka, Wood, and Johansson as my own canvas.

In the end we ended up in the library which has a awesome spiral staircase. Which of course is always awesome! And also had a little chat with the artists themselves.

The results of my photographs are at the bottom of this story. Just click on it on the right or left side to go forward or back. If you want to see the works of the other photographers use #emptyvoorlinden on Instagram. Or just click here haha.

Thank you museum Voorlinden for making this happen!

Voorlinden empty meet! The info!

It is a saturday night and I am going to bed early. Why?

Well. Most of the time because I am getting old. But this time because I am teaming up with other Instagram photographers to shoot in a empty museum Voorlinden!!!

That is so cool!

We get to run around and shoot in the works of Michael Johansson, and Shio Kusaka en Jonas Wood.

There is a awesome exposition going on, and we can use the entire terrain as one big playground. So if it poked your interest don't forget to check my Instagram stories tomorrow.

More about the expositions can be found here and here. 

More information about the museum can be found here.

And of course, don't forget to follow me on Instagram!

Souls of Iran...

June fifth... Monday

Finally!

It was time for me to fly to Iran. It was a bit iffy if would still be able to go because I had some trouble with with my visa. Which in retrospect was my own fault, but I found out about that a week before I left. So I decided to wing it!

Visa on arrival it is!

I was a bit scared I wouldn't get one because I was in Israel earlier, but got one in about half an hour or something. So jeej! In the country! Was a bit confusing where to get my visa because well... My farsi isn't that good haha.

When i was through customs I was waited on by a wonderful man named Fazel. Met him on facebook and wanted to help me get a good start. So he helped me exchange money, got me a Iranian sim card, and made sure i was able to catch my bus. The bus to Isfahan that is, because that was my first big stop.

The airport is about a hour from Tehran so also a hour from the bus station. And my plane landed late at night. But he was confident I would make it. And boy did I make it. We hopped in his pick-up truck, threw my backpack in the back, and he even got me some fruit. When we were driving he had a idea I would sure make it. After driving for a while he parked the truck a the side of the highway and asked me get my backpack and just follow him. I was like; okay... So followed him, and we crossed the highway. But even in the middle of the night it is still very busy, so that was quite the experience haha. He started running towards a bus, and arranged something with the driver. Gave him some money, and a couple of hours later I was in Isfahan.

Of course when I was reading about Iran I read about the Iranian hospitality and the kindness of the people living there. But you only know what it is when you are there.   During my first walk through the city and creating big ass blisters I got stopped by so many people that just wanted to have a talk with me. Not like in some other places, that in the end they are trying to sell you something, but are genuinely interested in you. They are curious where you are from, what you do, all the girls want to know if you have got a girlfriend haha. But it doesn't feel forced or anything. Most of the time the people i have met just wanted to tell what they do, they study, passed a certain exam, or just talk about their passions. It was a nice change of pace in comparison to the Netherlands where everyone is to rushed.

I started to chill out at the biggest bridge in Isfahan, the Si-o-seh-pol bridge. It has got 33 arches and because the arches you are able to sit at water level so you can cool down from the heat. And damn, it was so warm!!! The rest of the afternoon I talked with some local girls because they were so curious who the big blonde guy was hanging out there, and that seemed to be a blue print for the rest of my trip. Every person guy, girl, young, or old started a conversation.

According to the woman who were working in the hotel in Shiraz where I also stayed I look like a Ken doll... You know, the one from barbie. Never expected to hear that hahah. 

Anyways, back to Isfahan.

Said goodbye and with my cooled down feet I started to look for food. That was quite difficult because it was Ramadan. But another nice person, a gentleman around his fifties guided me to one of the places where I could get some food so i could eat it after sunset. Gave me his number, so if i needed to know anything I could give him a call. That was so nice! As soon as the sun started setting the park at the end of the bridge started filling up with families who were having big ass picnics with their families and chill out as much as possible. Other people read some poetry at the waterfront. But it was one social event. And that every night... Sat down  a bit later to eat my own food. But with all the BBQ's preset i really didn't need to buy my food. So much food everywhere, and everyone wanted to share. Eventually before i went to bed I made a nice long exposure of the bridge.

View fullsize

Damn, so much story already in one day!

In the upcoming days in Isfahan I met a lot of new people, and even a couple of other tourist. Peter, the awesome dude who was riding his bicycle through the entire middle east. Even through deserts and shit. That dude is a boss! And two Germans named Marc and Max. And of course a lot of more local people.

I met Marc and Max at the rooftop of the hotel/hostel is was staying. And right before that I got bombarded with a shitload of text messages because there has been a terrorist attack in Tehran. But Tehran is six hours from Isfahan, so wasn't worried about that. Drank my saffron tea, and made it through the afternoon heat. Marc and Max are also photographers and we did a photo walk through the city. Super nice guys! 

It was nice to eventually meet some other tourist actually, because you don't see that many in Iran. At least not during the time I was there with Ramadan. And in a country where you are completely cutoff from the outside world, and no working credit cards, and other stuff. It was a guess some sort of a safe feeling i guess? Anyways, back to the story!

I made myself a rigorous schedule and wanted to see as much as possible. And i'm sure if will forget to tell about a lot! But i can always tell that later! So after a lot of more walking and photographing I hopped on the overnight bus the Shiraz! And i will never forget the old taxi driver was singing along with a American love song in his best English.

Enter Shiraz...

Shiraz is completely different than Isfahan. Not bad, just different. And the same game plan. Walking like a idiot with my camera. Trying not to melt. And later figuring out why the river over here was dry... It was even hotter! And also, global warming has it's effect here too... It did not rain for four years! I guess that's also the reason my all-stars melted...

One of the coolest things in Shiraz I have experienced when I was walking towards Eram garden. The Eram is a botanical garden that they somehow keep hydrated in the hottest and driest place i have ever been. That fact alone is really impressive.

I was really grumpy because of the heat. And the trip was a hell of a longer walk than I expected and Google maps told me (Silly Google maps...)... So halfway I bumped into two young Iranian girls. They were sixteen years old, and I guess the same as every sixteen year old girls in other places around the world. The were all giddy and nervous the big blonde guy was talking to them.

They guided me towards the garden and even paid for my entrance fee. Hung out all afternoon and they told me about their culture, I told them about mine. And how it is like to live in the Netherlands. Showed some pictures and videos.

It was time for me to head back to the place where I stayed the night. So I tried to say goodbye but they were having none of it. One of the girls dad was a cab driver and she said he wanted to pick me up. And I was like; yeah sure why not. I rather spend my money with someone who was so nice and his daughters gave me a entire tour though the garden than giving my money to a stranger.

So a hour later the dad picked my up. But before I was back in my hotel i got a entire tour though the city and he made sure I ate the local ice-cream. It was a sort of spaghetti ice-cream. Not real spaghetti of course. But it looked like it. And after such a warm long day it was just what I needed!

During the ride they have song some local pop song from the radio. Did some dancing in the car. And I had no idea what I was singing. But at least it sounded fun haha.

They dropped me of and didn't even want to have money. I left some anyway on the dashboard... The family was really sad to see me leave. But they really wanted me to be sure I was safely continuing my journey. So the next night they picked me up. And made sure I was at the correct night bus of to Yazd. Gave them such a big hug for all the good care they have had given me. They were such a nice people and kind souls!

Of course my journey continued to Yazd and than Tehran. Where i would meet David, another German, and reunite with Fazel again. But those stories I will leave for later on...

I'm planning on writing the stories for another book or maybe even a small exposition if I can find a location. You you guys and girls can read the rest of the stories when that is happening haha. Or maybe I will devote a second blog part about it so I can tell about my adventures with David.

Iran, you were bautiful...